9TH ANNUAL OTHER ISRAEL FILM FESTIVAL ANNOUNCES COMPLETE LINE-UP

Other Israel Film Festival Nov. 5-12, 2015 Films screen at JCC Manhattan and around New York The Other Israel Film Festival is back! Premiere films from Israel's edgy film industry and engage in conversation on hot topics that illuminate the diversity of Israeli culture.

The 9th Annual Other Israel Film Festival announced its complete line-up of feature and short films. The Festival, which provides a platform to engage with some of the challenges within Israeli society through films and conversations with special guests, runs from November 5 – 12, 2015 at the JCC Manhattan on 76th St and Amsterdam Ave, as well as at Cinema Village and other locations throughout the city. 

Censored Voicesrecently recognized with the award for Best Documentary at the Ophir Awards (Israel’s equivalent of the Academy Awards), was previously announced as the festival’s opening night film, with acclaimed documentary Women in Sink closing the festival on November 12. Following screenings at the Cannes and Toronto Film Festivals, Dégradé, directed by twin brothers Tarzan and Arab Nasser, will also have a Special Feature screening on closing night, marking the film’s New York premiere.

“From the candid conversations of Arab/Israeli women in a Haifa beauty shop, to the refugee crisis in Tel Aviv and the hopeful business collaboration of an Israeli and a Palestinian woman, this year’s slate ranges from provocative genre films to surprising documentaries and everything in between.” commented festival founder Carol Zabar.  “These extraordinary films reveal the fullest spectrum of Israeli and Palestinian life and culture and will spark a frank, vital dialog.”

To view a trailer containing footage from this year’s films, please visit: https://youtu.be/niHNZya86Jo

Tickets for the Other Israel Film Festival go on sale on October 8th. For additional information, please visit: www.OtherIsrael.org.

The complete line-up for this year’s festival includes:

ARAB MOVIE
New York Premiere

Dir. Eyal Sagui Bizawe & Sara Tsifroni
(60 min, Documentary, Israel, Hebrew & Arabic w/ English subtitles)

A nostalgic look back at that old Friday afternoon ritual, when Israeli families of all backgrounds would gather to watch the week’s “Egyptian Movie” on Israel’s official TV station. Arab Movie takes us back to that fleeting moment when Israelis shared the same cultural heroes as everyone else in the Middle East, even as it raises disturbing questions about their relationship to their neighbors across the border.

http://www.censoredvoices.com/ Censored Voices is coming soon to cinemas in the UK. One week after the 1967 'Six-Day War', a group of young kibbutzinks, led by renowned author Amos Oz and Editor Avraham Shapira, recorded intimate conversations with soldiers returning from the battlefield. The Israeli army censored the recordings, allowing only a fragment of the conversations to be published.

CENSORED VOICES
East Coast Premiere

Dir. Mor Lushi
(84 min, Documentary, Israel, Hebrew & English w/ English subtitles)

One week after the Six Day War, a group of soldiers, led by renowned author Amos Oz, recorded intimate conversations with fellow soldiers returning from war. In these recordings, the men wrestled with their fears, taking an honest look at the moment Israel turned occupier. These recordings, censored by the Israeli army until now, are played back to the men 50 years later, revealing their confessions for the first time.

Trailerhttps://www.youtube.com/watch?v=Eh0Z1VfYPcE 
Censored Voices opens in theaters on November 20, via Music Box Films

COLLIDING DREAMS
Special Sneak Preview
Dir. Oren Rudavsky & Joseph Dorman

(135 min, Documentary, US, English, Hebrew, Arabic w/English subtitles)

A feature-length exploration of one of the most influential, controversial, and urgently relevant political ideologies of the modern era. With origins in Europe in the late 19th century, Zionism was born out of the Jewish confrontation with modernity and persecution. Yet early on, Zionism faced opposition from Palestine’s Arab inhabitants, who saw it depriving them of their own national rights in a land they had inhabited for centuries. Now, amid unceasing religious conflict and tragic bloodshed, it is more crucial than ever for Americans to better understand the meaning, history and future of the movement.
Colliding Dreams will open in New York at Lincoln Plaza in January 2016. 

DÉGRADÉ

NEW YORK PREMIERE
Dir. Tarzan & Arab Nasser

83 min, Narrative, France / Palestine, Arabic w/English subtitles

In this Cannes film festival favorite, we take a look into the lives of a diverse group of women visiting a beauty salon on a hot summer’s day in the Gaza Strip. A bride-to-be, a pregnant woman, a bitter divorcée, a devout woman and a pill-popping addict all meet for some leisure time and pampering. But all is disrupted when a gang war erupts between Hamas and a local group, right in front of the salon, trapping the woman and raising the temperature and anxiety. Starring Hiam Abbass, Maisa Abdelhadi, and Manal Award.

JERUSALEM BOXING CLUB
United States Premiere

Dir. Helen Yanovsky
(65 min, Documentary, Israel, Hebrew, Russian, & Arabic w/ English subtitles)

The Jerusalem Boxing Club, which operates out of a bomb shelter in Jerusalem's Katamon neighborhood, is a meeting point for teens from all around the city. For many of these young people, the desire to excel and to win is nourished by the tough training and boundless love of Gershon Luxemburg, the club's manager and trainer, for whom boxing is not just another sport, but a way of life.
Jerusalem Boxing Club was supported by the Other Israel Film Fund.

JERUZALEM
New York Premiere

Dir. Doron & Yoav Paz
(81 min, Narrative, Israel, English)

JeruZalem (Israel: 2015), directed by Doron & Yoav Paz (TIFF and Berlinale's Phobidilia) Starring: Yael Grobglas (JANE THE VIRGIN, REIGN, RABIES) Yon Tumarkin (Berlinale's Panorama Award winner ROCK BA-CASBA) Tom Graziani (A PLACE IN HEAVEN) Danielle Jadelyn Synopsis: Two American girls on vacation follow a mysterious and handsome anthropology student on a trip to Jerusalem.

A horror film that takes us to Jerusalem, where two vacationing American teenagers decide to follow a mysterious archaeologist to the Old City. Their party is cut short when Jerusalem’s ancient gate to hell is opened, releasing a biblical apocalypse. Trapped between the city’s walls, the three travelers must survive long enough to find a way out, as the fury of hell is unleashed upon them.
Trailer:https://www.youtube.com/watch?v=QTIwfN-4hZ4

MUSSA
New York Premiere

Dir. Anat Goren
(65 min, Documentary, Israel, Hebrew, Amharic, Arabic, & English w/ English subtitles)

Hot Docs has received filmmaker permission to upload this trailer to the HotDocsFest YouTube channel.

A moving documentary that tells the story of Mussa, a 12-year-old African refugee living in one of Tel Aviv’s worst neighborhoods. Every day, Mussa is bussed to an upscale private school, where he silently navigates a privileged world, connecting with friends but refusing to speak. When Mussa’s mother is threatened with deportation, Mussa is left devastated, compelled to leave his father and friends behind.: 
Trailerhttps://www.youtube.com/watch?v=d8bIFoMXKjM

ORIENTED
Dir. Jake Witzenfeld
(81 min, Documentary, UK, Hebrew, Arabic, & English w/ English subtitles)

ORIENTED is a documentary following the lives of three gay Palestinian friends in Tel Aviv confronting their national and sexual identity. We premiere at the Sheffield Doc Fest on June 6 and at the LA Film Fest on June 11! Follow us: Facebook: https://www.facebook.com/orientedthemovie?fref=ts Twitter: https://twitter.com/orientedfilm Instagram: https://instagram.com/orientedfilm For more info: https://www.orientedfilm.com

The story of three gay Palestinian friends confronting their national and sexual identity in Tel Aviv. Khader is a “darling” from a prominent Muslim family living with David, his Jewish boyfriend. Fadi is an ardent Palestinian nationalist, in love with a Zionist. Naim yearns to confront his family with the truth about his sexuality. Determined to make a change, the three best friends form a group to fight for gender and national equality.
Trailerhttps://vimeo.com/129449012

PARTNER WITH THE ENEMY
New York Premiere

Dir. Duki Dror, Chen Shelach
(56 min, Documentary, Israel, Hebrew, Arabic, & English w/ English subtitles)

Two women, an Israeli and a Palestinian, are trying to build a business partnership. Brought together by a shared business acumen and knowledge of the logistics industry, the two combine forces to help Palestinian businessmen navigate the everyday absurdities of Israeli control of the West Bank.

In the midst of an ever-fraught political landscape, two women, one Israeli and one Palestinian, attempt the seemingly impossible: to build a business together. Fighting against anti-normalization currents and a male-dominated industry, the two combine forces to create a logistics company which helps Palestinian businessmen navigate the Israeli occupation. But while they help their clients, the divisions between the two threaten to tear their partnership apart. Can the bond between them overcome the impossible?
Trailerhttps://www.youtube.com/watch?v=_NxuiYisaLw
Partner With The Enemy was supported by the Other Israel Film Fund.

ROCK IN THE RED ZONE
New York Premiere

Dir. Laura Bialis
(90 min, Documentary, Israel, Hebrew w/ English subtitles)

An intimate portrayal of life on the edge in the war-torn city of Sderot. Known for its prolific rock scene that revolutionized Israeli music, Sderot has been the target of ongoing rocket fire from the Gaza Strip for the past thirteen years. Through the personal lives of Sderot’s diverse musicians and a personal love story, this film chronicles the town’s enduring spirit.
Trailerhttps://www.youtube.com/watch?v=48_4dAOWa7U

TEACHING IGNORANCE
United States Premiere

Dir. Tamara Erde
(52 min, Documentary, Israel, Hebrew & Arabic w/ English subtitles)

This powerful film follows several Israeli and Palestinian teachers and asks: How do the Palestinian and Israeli (Arab and Jewish) education systems teach the history of their peoples and the other? Through observing these teachers’ exchanges and confrontations with students, as well as their debates with the official curriculum, viewers are granted an intimate glimpse into the profound effects that the Israeli/Palestinian conflict transmits to the next generation.
Trailerhttps://vimeo.com/72800391

THE VOICE OF PEACE – THE DREAM OF ABIE NATHAN
United States Premiere

Dir. Eric Friedler
(90 min, Documentary, Germany, English, Hebrew w/English subtitles)

A radical dreamer and a rebellious visionary, the Israeli peace activist Abie Nathan was the man behind “The Voice of Peace,” a pirate radio station broadcasting from a ship off the coast of Tel Aviv. During the 70’s, the station had more than 20 million enthusiastic listeners from all over the Middle East. This fascinating documentary follows Nathan’s humanitarian work over 4 decades, combining rarely-seen archival footage with interviews with former Israeli President Shimon Peres, Yoko Ono, Sir Michael Caine and other world-renowned individuals who believed in Nathan’s vision of a more peaceful Middle East.

WOMEN IN SINK
New York City Premiere

Dir. Iris Zaki
(36 min, Documentary, Israel, Hebrew w/ English subtitles)

Trailer of the film Women in Sink (Documentary Films - Competition) / Trailer k filmu Ženy v umyvadle (Soutěž dokumentárních filmů)

At “Fifi’s”, a hair salon in the heart of Haifa’s Arab community, Iris Zaki installs a mini film set over the washbasin. While she washes their hair, Zaki speaks candidly and freely with the salon’s Arab and Jewish clients, who share their views on politics, history, and love. What emerges from these conversations is an honest and nuanced portrait of contemporary Israel.
Trailerhttps://www.youtube.com/watch?v=e9lHX_l4DJ8
Women In Sink was supported by the Other Israel Film Fund.

New Voices – Short Film Selection
THE ARREST (Dir. Yair Agmon, 10 min, Narrative)
BOYS OF NITZANA (Dir. Tamir Elterman, 9 min, Documentary)
DIRTY BUSINESS (Dir. Vadim Dumesh, 15 min, Documentary)
TILL DAY’S END) (Dir. Amitai Ashkenazi, 19 min, Narrative)

FSLC announces Main Slate Selections for 53rd New York Film Festival

"26 features include the World Premiere of Steven Spielberg’s Bridge of Spies and new films from Chantal Akerman, Arnaud Desplechin, Todd Haynes, Hou Hsiao-hsien, Rebecca Miller, Michael Moore, Nanni Moretti, Apichatpong Weerasethakul, Jia Zhangke, and more"

The Film Society of Lincoln Center announced today the 26 films that will comprise the Main Slate official selection of the 53rd New York Film Festival (NYFF, September 25 – October 11). Tickets go on sale to the general public on Sunday, September 13. 

New York Film Festival Director and Selection Committee Chair, Kent Jones said: “I could talk about the geographical range of the films in the selection, the mix of artistic sensibilities from Hou Hsiao-hsien to Steven Spielberg to Chantal Akerman, the astonishments of Miguel Gomes’s three-part Arabian Nights or Kiyoshi Kurosawa’s heartbreaking Journey to the Shore or Michael Almereyda’s surprising Experimenter, the points in common among the various titles, but the only thing that really matters is how uniformly beautiful and vital each of these movies are. If I were 17 again and I looked at this lineup from far away, I’d be figuring out where I was going to stay in New York for two weeks this autumn.”

The 2015 Main Slate will host four World Premieres: Steven Spielberg’s Bridge of Spies, starring Tom Hanks and Mark Rylance in the Cold War story of the 1962 exchange of a U-2 pilot for a Soviet agent; Laura Israel’s Don’t Blink: Robert Frank, a documentary portrait of the great photographer and filmmaker; as well as the previously announced Opening Night selection The Walk and Closing Night selection Miles Ahead.

Award-winning films from Cannes will be presented to New York audiences for the first time, including Best Director Hou Hsiao-hsien’s The Assassin; Todd Haynes’s Carol, starring Best Actress winner Rooney Mara; Stéphane Brizé’s The Measure of a Man, starring Best Actor winner Vincent Lindon; Jury Prize winner The Lobster; Un Certain Regard Best Director Kiyoshi Kurosawa’s Journey to the Shore; and Un Certain Talent Prize winner Corneliu Porumboiu’s The Treasure.

Other notables among the many filmmakers returning to NYFF with new works include Michael Moore with Where To Invade Next, which takes a hard and surprising look at the state of our nation from a fresh perspective; NYFF mainstay Hong Sangsoo, who will present his latest masterwork, Right Now, Wrong Then, about the relationship between a middle-aged art-film director and a fledgling artist; and French director Arnaud Desplechin, who is back with the funny and heartrending story of young love My Golden Days, starring Mathieu Amalric and newcomers Quentin Dolmaire and Lou Roy-Lecollinet.

Two filmmakers in this year’s lineup make their directorial debuts: Don Cheadle with Miles Ahead, a remarkable portrait of the artist Miles Davis (played by the Cheadle), during his crazy days in New York in the late-70s, and Thomas Bidegain withLes Cowboys, a film reminiscent of John Ford’s The Searchers, in which a father searches for his missing daughter across a two-decade timespan—pre- to post-9/11—from Europe to Afghanistan and back.

Several titles also add a comedic layer to this year’s lineup, including Rebecca Miller’s Maggie’s Plan, a New York romantic comedy starring Greta Gerwig, Ethan Hawke, Julianne Moore, Bill Hader, and Maya Rudolph; the moving and hilarious Mia Madre from Nanni Moretti, starring John Turturro; Michel Gondry’s Microbe & Gasoline, a new handmade-SFX comedy thatfollows two adolescent misfits who build a house on wheels and travel across France; and Corneliu Porumboiu’s The Treasure, a modern-day fable in which two men look for buried treasure in their backyard.

The 53rd New York Film Festival Main Slate

Opening Night
The Walk
Director: Robert Zemeckis


Centerpiece
Steve Jobs
Director: Danny Boyle


Closing Night
Miles Ahead
Director: Don Cheadle

Arabian Nights: Volume 1, The Restless One
Arabian Nights: Volume 2, The Desolate One
Arabian Nights: Volume 3, The Enchanted One
Director: Miguel Gomes

The Assassin
Director: Hou Hsiao-hsien

Bridge of Spies
Director: Steven Spielberg

Brooklyn
Director: John Crowley

Carol
Director: Todd Haynes

Cemetery of Splendour
Director: Apichatpong Weerasethakul

Les Cowboys
Director: Thomas Bidegain

Don’t Blink: Robert Frank
Director: Laura Israel

Experimenter
Director: Michael Almereyda

The Forbidden Room
Directors: Guy Maddin & Evan Johnson

In the Shadow of Women / L’Ombre des femmes
Director: Philippe Garrel

Journey to the Shore / Kishibe no tabi
Director: Kiyoshi Kurosawa

The Lobster
Director: Yorgos Lanthimos

Maggie’s Plan
Director: Rebecca Miller

The Measure of a Man / La Loi du marché
Stéphane Brizé

Mia Madre
Director: Nanni Moretti

Microbe & Gasoline / Microbe et Gasoil
Director: Michel Gondry

Mountains May Depart
Director: Jia Zhangke

My Golden Days / Trois Souvenirs de ma jeunesse
Director: Arnaud Desplechin

No Home Movie
Director: Chantal Akerman

Right Now, Wrong Then
Director: Hong Sangsoo

The Treasure / Comoara
Director: Corneliu Porumboiu

Where To Invade Next
Director: Michael Moore


Additional NYFF special events, documentary section, and filmmaker conversations and panels, as well as NYFF’s Projections and the full Convergence programs, will be announced in subsequent days and weeks.

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.

Tickets for the 53rd New York Film Festival will go on sale to Film Society patrons at the end of August, ahead of the General Public. Learn more about the patron program at
filmlinc.org/patrons. Becoming a Film Society Member offers the exclusive member ticket discount to the New York Film Festival and Film Society programming year-round plus other great benefits. Current members at the Film Buff Level or above enjoy early ticket access to NYFF screenings and events ahead of the general public. Learn more at filmlinc.org/membership.

For even more access, VIP Passes and Subscription Packages give buyers one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. A limited number of VIP Passes and Subscription Packages are still available.

***For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.org/NYFF.

Films & Descriptions

Opening Night
The Walk
Robert Zemeckis, USA, 2015, 3-D DCP, 100m

Robert Zemeckis’s magical and enthralling new film, the story of Philippe Petit (winningly played by Joseph Gordon-Levitt) and his walk between the World Trade Center’s Twin Towers, plays like a heist movie in the grand tradition of Rififi and Boble flambeur. Zemeckis takes us through every detail—the stakeouts, the acquisition of equipment, the elaborate planning and rehearsing that it took to get Petit, his crew of raucous cohorts, and hundreds of pounds of rigging to the top of what was then the world’s tallest building. When Petit steps out on his wire, The Walk, a technical marvel and perfect 3-D re-creation of Lower Manhattan in the 1970s, shifts into another heart-stopping gear, and Zemeckis and his hero transport us into pure sublimity. With Ben Kingsley as Petit’s mentor. A Sony Pictures release. World Premiere

Centerpiece
Steve Jobs
Danny Boyle, USA, 2015, DCP, TBC

Anyone going to this provocative and wildly entertaining film expecting a straight biopic of Steve Jobs is in for a shock. Working from Walter Isaacson’s biography, writer Aaron Sorkin (The Social Network, Charlie Wilson’s War) and director Danny Boyle (Slumdog Millionaire, 127 Hours) joined forces to create this dynamically character-driven portrait of the brilliant man at the epicenter of the digital revolution, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as he prepares to launch the first Macintosh, the NeXT work station and the iMac. We get a dazzlingly executed cross-hatched portrait of a complex and contradictory man, set against the changing fortunes and circumstances of the home-computer industry and the ascendancy of branding, of products, and of oneself. The stellar cast includes Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Katherine Waterston as Chrisann Brennan and Michael Stuhlbarg as Andy Hertzfeld. A Universal Pictures release.

Closing Night
Miles Ahead
Don Cheadle, USA, 2015, DCP, 100m

Miles Davis was one of the greatest artists of the 20th century. And how do you make a movie about him? You get to know the man inside and out and then you reveal him in full, which is exactly what Don Cheadle does as a director, a writer, and an actor with this remarkable portrait of Davis, refracted through his crazy days in the late-70s. Holed up in his Manhattan apartment, wracked with pain from a variety of ailments and sweating for the next check from his record company, dodging sycophants and industry executives, he is haunted by memories of old glories and humiliations and of his years with his great love Frances Taylor (Emayatzy Corinealdi). Every second of Cheadle’s cinematic mosaic is passionately engaged with its subject: this is, truly, one of the finest films ever made about the life of an artist. With Ewan McGregor as Dave Brill, the “reporter” who cons his way into Miles’ apartment. A Sony Pictures Classics release. World Premiere

Arabian Nights: Volume 1, The Restless One
Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 125m
Portuguese with English subtitles

An up-to-the minute rethinking of what it means to make a political film today, Miguel Gomes’s shape-shifting paean to the art of storytelling strives for what its opening titles call “a fictional form from facts.” Working for a full year with a team of journalists who sent dispatches from all over the country during Portugal’s recent plunge into austerity, Gomes (Tabu, NYFF50) turns actual events into the stuff of fable, and channels it all through the mellifluous voice of Scheherazade (Crista Alfaiate), the mythic queen of the classic folktale. Volume 1 alone tries on more narrative devices than most filmmakers attempt in a lifetime, mingling documentary material about unemployment and local elections with visions of exploding whales and talking cockerels. It is hard to imagine a more generous or radical approach to these troubled times, one that honors its fantasy life as fully as its hard realities. A Kino Lorber release. U.S. Premiere

Arabian Nights: Volume 2, The Desolate One
Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 131m
Portuguese with English subtitles

In keeping with its subtitle, the middle section of Miguel Gomes’s monumental yet light-footed magnum opus shifts into a more subdued and melancholic register. But within each of these three tales, framed as the wild imaginings of the Arabian queen Scheherazade and adapted from recent real-life events in Portugal, there are surprises and digressions aplenty. In the first, a deadpan neo-Western of sorts, an escaped murderer becomes a local hero for dodging the authorities. The second deals with the theft of 13 cows, as told through a Brechtian open-air courtroom drama in which the testimonies become increasingly absurd. Finally, a Maltese poodle shuttles between various owners in a tear-jerking collective portrait of a tower block’s morose residents. Attesting to the power of fiction to generate its own reality, the film treats its fantasy dimension as a license for directness, a path to a more meaningful truth. A Kino Lorber release. U.S. Premiere

Arabian Nights: Volume 3, The Enchanted One
Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 125m
Portuguese with English subtitles

Miguel Gomes’s sui generis epic concludes with arguably its most eccentric—and most enthralling—installment. Scheherazade escapes the king for an interlude of freedom in Old Baghdad, envisioned here as a sunny Mediterranean archipelago complete with hippies and break-dancers. After her eventual return to her palatial confines comes the most lovingly protracted of all the stories in Arabian Nights, a documentary chronicle of Lisbon-area bird trappers preparing their prized finches for birdsong competitions. Right to the end, Gomes’s film balances the leisurely art of the tall tale with a sense of deadline urgency—a reminder that for Scheherazade, and perhaps for us all, stories can be a matter of life and death. A Kino Lorber release. U.S. Premiere

The Assassin
Hou Hsiao-hsien, Taiwan/China/Hong Kong, 2015, DCP, 105m
Mandarin with English subtitles

A wuxia like no other, The Assassin is set in the waning years of the Tang Dynasty when provincial rulers are challenging the power of royal court. Nie Yinniang (Shu Qi), who was exiled as a child so that her betrothed could make a more politically advantageous match, has been trained as an assassin for hire. Her mission is to destroy her former financé (Chang Chen). But worry not about the plot, which is as old as the jagged mountains and deep forests that bear witness to the cycles of power and as elusive as the mists that surround them. Hou’s art is in the telling. The film is immersive and ephemeral, sensuous and spare, and as gloriously beautiful in its candle-lit sumptuous red and gold decor as Hou’s 1998 masterpiece, Flowers of Shanghai. As for the fight scenes, they’re over almost before you realize they’ve happened, but they will stay in your mind’s eye forever. A Well Go USA release. U.S. Premiere

Bridge of Spies
Steven Spielberg, USA, 2015, DCP, 135m

The “bridge of spies” of the title refers to Glienicke Bridge, which crosses what was once the borderline between the Federal Republic of Germany and the GDR. In the time from the building of the Berlin Wall to its destruction in 1989, there were three prisoner exchanges between East and West. The first and most famous spy swap occurred on February 10, 1962, when Soviet agent Rudolph Abel was traded for American pilot Francis Gary Powers, captured by the Soviets when his U-2 reconnaissance plane was shot down over Sverdlovsk. The exchange was negotiated by Abel’s lawyer, James B. Donovan, who also arranged for the simultaneous release of American student Frederic Pryor at Checkpoint Charlie. Working from a script by Matt Charman and Joel and Ethan Coen, Steven Spielberg has brought every strange turn in this complex Cold War story to vividly tactile life. With a brilliant cast, headed by Tom Hanks as Donovan and Mark Rylance as Abel—two men who strike up an improbable friendship based on a shared belief in public service. A Touchstone Pictures release. World Premiere

Brooklyn
John Crowley, UK/Ireland/Canada, 2015, 35mm/DCP, 112m

In the middle of the last century, Eilis (Saoirse Ronan) takes the boat from Ireland to America in search of a better life. She endures the loneliness of the exile, boarding with an insular and catty collection of Irish girls in Brooklyn. Gradually, her American dream materializes: she studies bookkeeping and meets a handsome, sweet Italian boy (Emory Cohen). But then bad news brings her back home, where she finds a good job and another handsome boy (Domhnall Gleeson), this time from a prosperous family. On which side of the Atlantic does Eilis’s future live, and with whom? Director John Crowley (Boy A) and writer Nick Hornby haven’t just fashioned a great adaptation of Colm Tóibín’s novel, but a beautiful movie, a sensitively textured re-creation of the look and emotional climate of mid-century America and Ireland, with Ronan, as quietly and vibrantly alive as a silent-screen heroine, at its heart. A Fox Searchlight Pictures release.

Carol
Todd Haynes, USA, 2015, DCP, 118m

Todd Haynes’s adaptation of Patricia Highsmith’s debut novel stars Cate Blanchett as the titular Carol, a wealthy suburban wife and mother, and Rooney Mara as an aspiring photographer who meet by chance, fall in love almost at first sight, and defy the closet of the early 1950s to be together. Working with his longtime cinematographer Ed Lachman and shooting on the Super-16 film he favors for the way it echoes the movie history of 20th-century America, Haynes charts subtle shifts of power and desire in images that are alternately luminous and oppressive. Blanchett and Mara are both splendid; the erotic connection between their characters is palpable from beginning to end, as much in its repression as in eagerly claimed moments of expressive freedom. Originally published under a pseudonym, Carol is Highsmith’s most affirmative work; Haynes has more than done justice to the multilayered emotions evoked by it source material. A Weinstein Company release.

Cemetery of Splendour
Apichatpong Weerasethakul, Thailand/UK/France/Germany/Malaysia, 2015, DCP, 122m
Thai with English subtitles

The wondrous new film by Thai director Apichatpong Weerasethakul (whose last feature, Uncle Boonmee Who Can Recall His Past Lives, was a Palme d’Or winner and a NYFF48 selection) is set in and around a hospital ward full of comatose soldiers. Attached to glowing dream machines, and tended to by a kindly volunteer (Jenjira Pongpas Widner) and a young clairvoyant (Jarinpattra Rueangram), the men are said to be waging war in their sleep on behalf of long-dead feuding kings, and their mysterious slumber provides the rich central metaphor: sleep as safe haven, as escape mechanism, as ignorance, as bliss. To slyer and sharper effect than ever, Apichatpong merges supernatural phenomena with Thailand’s historical phantoms and national traumas. Even more seamlessly than his previous films, this sun-dappled reverie induces a sensation of lucid dreaming, conjuring a haunted world where memory and myth intrude on physical space. A Strand Releasing release. U.S. Premiere

Les Cowboys

Thomas Bidegain, 2015, France, DCP, 114m
French and English with English subtitles

Country and Western enthusiast Alain (François Damiens) is enjoying an outdoor gathering of fellow devotees with his wife and teenage children when his daughter abruptly vanishes. Learning that she’s eloped with her Muslim boyfriend, he embarks on increasingly obsessive quest to track her down. As the years pass and the trail grows cold, Alain sacrifices everything, while drafting his son into his efforts. The echoes of The Searchers are unmistakable, but the story departs from John Ford’s film in unexpected ways, escaping its confining European milieu as the pursuit assumes near-epic proportions in post-9/11 Afghanistan. This muscular debut, worthy of director Thomas Bidegain’s screenwriting collaborations with Jacques Audiard, yields a sweeping vision of a world in which the codes of the Old West no longer seem to hold. A Cohen Media Group release. U.S. Premiere

Don’t Blink: Robert Frank
Laura Israel, USA/Canada, 2015, DCP, 82m

The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. 
Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90. World Premiere

Experimenter
Michael Almereyda, USA, 2014, DCP, 94m

Michael Almereyda’s brilliant portrait of Stanley Milgram, the social scientist whose 1961, Yale-based “obedience study” reflected back on the Holocaust and anticipated Abu Ghraib and other atrocities carried out by ordinary people who were just following orders, places its subject in an appropriately experimental cinema framework. The proverbial elephant in the room materializes on screen; Milgram (Peter Sarsgaard) sometimes addresses the camera directly as if to implicate us in his studies and the unpleasant truths they reveal. Remarkably, the film evokes great compassion for this uncompromising, difficult man, in part because we often see him through the eyes of his wife (Winona Ryder, in a wonderfully grounded performance), who fully believed in his work and its profoundly moral purpose. Almereyda creates the bohemian-tinged academic world of the 1960s through the 1980s with an economy that Stanley Kubrick might have envied. A Magnolia Pictures release.

The Forbidden Room
Guy Maddin & Evan Johnson, Canada, 2015, DCP, 120m

The four-man crew of a submarine are trapped underwater, running out of air. A classic scenario of claustrophobic suspense—at least until a hatch opens and out steps… a lumberjack? As this newcomer’s backstory unfolds (and unfolds and unfolds in over a dozen outlandish tales), Guy Maddin, cinema’s reigning master of feverish filmic fetishism, embarks on a phantasmagoric narrative adventure of stories within stories within dreams within flashbacks in a delirious globe-trotting mise en abyme the equals of any by the late Raúl Ruiz. Collaborating with poet John Ashbery and featuring sublime contributions from the likes of Jacques Nolot, Charlotte Rampling, Mathieu Amalric, legendary cult electro-pop duo Sparks, and not forgetting muses Louis Negin and Udo Kier, Maddin dives deeper than ever: only the lovechild of Josef von Sternberg and Jack Smith could be responsible for this insane magnum opus. A Kino Lorber release.

In the Shadow of Women / L’Ombre des femmes
Philippe Garrel, France, 2015, DCP, 73m
French with English subtitles

The new film by the great Philippe Garrel (previously seen at the NYFF with Regular Lovers in 2005 and Jealousy in 2013) is a close look at infidelity—not merely the fact of it, but the particular, divergent ways in which it’s experienced and understood by men and women. Stanislas Merhar and Clotilde Courau are Pierre and Manon, a married couple working in fragile harmony on Pierre’s documentary film projects, the latest of which is a portrait of a resistance fighter (Jean Pommier). When Pierre takes a lover (Lena Paugam), he feels entitled to do so, and he treats both wife and mistress with disengagement bordering on disdain; when Manon catches Pierre in the act, her immediate response is to find common ground with her husband. Garrel is an artist of intimacies and emotional ecologies, and with In the Shadow of Women he has added narrative intricacy and intrigue to his toolbox. The result is an exquisite jewel of a film. U.S. Premiere

Journey to the Shore / Kishibe no tabi
Kiyoshi Kurosawa, Japan/France, 2015, DCP, 127m
Japanese with English subtitles

Based on Kazumi Yumoto’s 2010 novel, Kiyoshi Kurosawa’s latest film begins with a young widow named Mizuki (Eri Fukatsu), who has been emotionally flattened and muted by the disappearance of her husband Yusuke (Tadanobu Asano). One day, from out of the blue or the black, Yusuke’s ghost drops in, more like an exhausted and unexpected guest than a wandering spirit. And then Journey to the Shore becomes a road movie: Mizuki and Yusuke pack their bags, leave Tokyo, and travel by train through parts of Japan that we rarely see in movies, acclimating themselves to their new circumstances and stopping for extended stays with friends and fellow pilgrims that Yusuke has met on his way through the afterworld, some living and some dead. The particular beauty of Journey to the Shore lies in its flowing sense of life as balance between work and love, existence and nonexistence, you and me. 
U.S. Premiere

The Lobster
Yorgos Lanthimos, France/Netherlands/Greece/UK, 2015, DCP, 118m

In the very near future, society demands that we live as couples. Single people are rounded up and sent to a seaside compound—part resort and part minimum-security prison—where they are given a finite number of days to find a match. If they don’t succeed, they will be “altered” and turned into an animal. The recently divorced David (Colin Farrell) arrives at The Hotel with his brother, now a dog; in the event of failure, David has chosen to become a lobster… because they live so long. When David falls in love, he’s up against a new set of rules established by another, rebellious order: for romantics, there’s nowhere to run, nowhere to hide. Welcome to the latest dark, dark comedy from Yorgos Lanthimos (Dogtooth), creator of absurdist societies not so very different from our own. With Léa Seydoux as the leader of the Loners, Rachel Weisz as David’s true love, John C. Reilly, and Ben Whishaw. An Alchemy release. 

Maggie’s Plan
Rebecca Miller, USA, 2015, DCP, 92m

Rebecca Miller’s new film is as wise, funny, and suspenseful as a Jane Austen novel. Greta Gerwig shines brightly in the role of Maggie, a New School administrator on the verge of completing her life plan with a donor-fathered baby when she meets John (Ethan Hawke), a soulful but unfulfilled adjunct professor. John is unhappily married to a Columbia-tenured academic superstar wound tighter than a coiled spring (Julianne Moore). Maggie and the professor commiserate, share confidences, and fall in love. And where most contemporary romantic comedies end, Miller’s film is just getting started. In the tradition of Woody Allen and Paul Mazursky, Miller approaches the genre of the New York romantic comedy with relish and loving energy. With Bill Hader and Maya Rudolph as Maggie’s married-with-children friends, drawn to defensive sarcasm like moths to a flame, and Travis Fimmel as Maggie’s donor-in-waiting. U.S. Premiere

The Measure of a Man / La Loi du marché
Stéphane Brizé, France, 2015, DCP, 93m
French with English subtitles

Vincent Lindon gives his finest performance to date as unemployed everyman Thierry, who must submit to a series of quietly humiliating ordeals in his search for work. Futile retraining courses that lead to dead ends, interviews via Skype, an interview-coaching workshop critique of his self-presentation by fellow jobseekers—all are mechanisms that seek to break him down and strip him of identity and self-respect in the name of reengineering of a workforce fit for an neoliberal technocratic system. Nothing if not determinist, Stéphane Brizé’s film dispassionately monitors the progress of its stoic protagonist until at last he lands a job on the front line in the surveillance and control of his fellow man—and finally faces one too many moral dilemmas. A powerful and deeply troubling vision of the realities of our new economic order. A Kino Lorber release. North American Premiere

Mia Madre
Nanni Moretti, Italy/France, 2015, DCP, 106m
Italian and English with English subtitles

Margherita (Margherita Buy) is a middle-aged filmmaker contending with shooting an international co-production with a mercurial American actor (John Turturro) and with the fact that her beloved mother (Giulia Lazzarini) is mortally ill. Underrated as an actor, director Nanni Moretti, offers a fascinating portrayal as Margherita’s brother, a quietly abrasive, intelligent man with a wonderfully tamped-down generosity and warmth. The construction of the film is as simple as it is beautiful: the chaos of the movie within the movie merges with the fear of disorder and feelings of pain and loss brought about by impending death. Mia Madre is a sharp and continually surprising work about the fragility of existence that is by turns moving, hilarious, and subtly disquieting. An Alchemy release. U.S. Premiere

Microbe & Gasoline / Microbe et Gasoil
Michel Gondry, France, 2015, DCP, 103m
French with English subtitles

The new handmade-SFX comedy from Michel Gondry (Eternal Sunshine of the Spotless Mind, Be Kind Rewind) is set in an autobiographical key. Teenage misfits Microbe (Ange Dargent) and Gasoline (Théophile Baquet), one nicknamed for his size and the other for his love of all things mechanical and fuel-powered, become fast friends. Unloved in school and misunderstood at home—Microbe is overprotected, Gasoline is by turns ignored and abused—they decide to build a house on wheels (complete with a collapsible flower window box) and sputter, push, and coast their way to the camp where Gasoline went as a child, with a stop along the way to visit Microbe’s crush (Diane Besnier). Gondry’s visual imagination is prodigious, and so is his cultivation of spontaneously generated fun and off-angled lyricism, his absolute irreverence, and his emotional frankness. This is one of his freshest and loveliest films. With Audrey Tatou as Microbe’s mom. U.S. Premiere

Mountains May Depart
Jia Zhangke, China/France/Japan, 2015, DCP, 131m
Mandarin and English with English subtitles

The plot of Jia Zhangke’s new film is simplicity itself. Fenyang 1999, on the cusp of the capitalist explosion in China. Shen Tao (Zhao Tao) has two suitors—Zhang (Zhang Yi), an entrepreneur-to-be, and his best friend Liangzi (Liang Jin Dong), who makes his living in the local coal mine. Shen Tao decides, with a note of regret, to marry Zhang, a man with a future. Flash-forward 15 years: the couple’s son Dollar is paying a visit to his now-estranged mother, and everyone and everything seems to have grown more distant in time and space… and then further ahead in time, to even greater distances. Jia is modern cinema’s greatest poet of drift and the uncanny, slow-motion feeling of massive and inexorable change. Like his 2013 A Touch of Sin, Mountains May Depart is an epically scaled canvas. But where the former was angry and quietly terrifying, the latter is a heartbreaking prayer for the restoration of what has been lost in the name of progress. A Kino Lorber release. U.S. Premiere

My Golden Days / Trois Souvenirs de ma jeunesse
Arnaud Desplechin, France, 2015, DCP, 123m
French with English subtitles

Arnaud Desplechin’s alternately hilarious and heartrending latest work is intimate yet expansive, a true autobiographical epic. Mathieu Amalric—Jean-Pierre Léaud to Desplechin’s François Truffaut—reprises the character of Paul Dédalus from the director’s groundbreaking My Sex Life... or How I Got Into an Argument (NYFF, 1996), now looking back on the mystery of his own identity from the lofty vantage point of middle age. Desplechin visits three varied but interlocking episodes in his hero’s life, each more surprising and richly textured than the next, and at the core of his film is the romance between the adolescent Paul (Quentin Dolmaire) and Esther (Lou Roy-Lecollinet). Most directors trivialize young love by slotting it into a clichéd category, but here it is ennobled and alive in all of its heartbreak, terror, and beauty. Le Monde recently referred to Desplechin as “the most Shakespearean of filmmakers,” and boy, did they ever get that right. My Golden Days is a wonder to behold. A Magnolia Pictures release. North American Premiere

No Home Movie

Chantal Akerman, Belgium/France, 2015, DCP, 115m
French and English with English subtitles

At the center of Chantal Akerman’s enormous body of work is her mother, a Holocaust survivor who married and raised a family in Brussels. In recent years, the filmmaker has explicitly depicted, in videos, books, and installation works, her mother’s life and her own intense connection to her mother, and in turn her mother’s connection to her mother. No Home Movie is a portrait by Akerman, the daughter, of Akerman, the mother, in the last years of her life. It is an extremely intimate film but also one of great formal precision and beauty, one of the rare works of art that is both personal and universal, and as much a masterpiece as her 1975 career-defining Jeanne Dielman, 23, quai du Commerce, 1080 BruxellesU.S. Premiere

Right Now, Wrong Then
Hong Sangsoo, South Korea, 2015, DCP, 121m
Korean with English subtitles

Ham Chunsu (Jung Jaeyoung) is an art-film director who has come to Suwon for a screening of one of his movies. He meets Yoon Heejung (Kim Minhee), a fledgling artist. She’s never seen any of his films but knows he’s famous; he’d like to see her paintings and then go for sushi and soju. Every word, every pause, every facial expression and every movement, is a negotiation between revelation and concealment: too far over the line for Chunsu and he’s suddenly a middle-aged man on the prowl who uses insights as tools of seduction; too far for Heejung and she’s suddenly acquiescing to a man who’s leaving the next day. So they walk the fine line all the way to a tough and mordantly funny end point, at which time… we begin again, but now with different emotional dynamics. Hong Sangsoo, represented many times in the NYFF, achieves a maximum of layered nuance with a minimum of people, places, and incidents. He is, truly, a master. U.S. Premiere

The Treasure / Comoara
Corneliu Porumboiu, Romania, 2015, DCP, 89m
Romanian with English subtitles

Costi (Cuzin Toma) leads a fairly quiet, unremarkable life with his wife and son. He’s a good provider, but he struggles to make ends meet. One evening there’s a knock at the door. It’s a stranger, a neighbor named Adrian (Adrian Purcarescu), with a business proposal: lend him some money to find a buried treasure in his grandparents’ backyard and they’ll split the proceeds. Is it a scam or a real treasure hunt? Corneliu Porumboiu’s (When Evening Falls on Bucharest or Metabolism, NYFF 2013) modern-day fable starts like an old Honeymooners episode with a get-rich-quick premise, gradually develops into a shaggy slapstick comedy, shifts gears into a hilariously dry delineation of the multiple layers of pure bureaucracy and paperwork drudgery, and ends in a new and altogether surprising key. Porumboiu is one of the subtlest artists in movies, and this is one of his wryest films, and his most magical.

Where To Invade Next
Michael Moore, USA, 2015, DCP, 110m

Where are we, as Americans? Where are we going as a country? And is it where we want to go, or where we think we haveto go? Since Roger & Me in 1989, Michael Moore has been examining these questions and coming up with answers that are several worlds away from the ones we are used to seeing and hearing and reading in mainstream media, or from our elected officials. In his previous films, Moore has taken on one issue at a time, from the hemorrhaging of American jobs to the response to 9/11 to the precariousness of our healthcare system. In his new film, he shifts his focus to the whole shebang and ponders the current state of the nation from a very different perspective: that is, from the outside looking in.Where To Invade Next is provocative, very funny, and impassioned—just like all of Moore’s work. But it’s also pretty surprising. U.S. Premiere

For more information, visit: www.filmlinc.org. 

FSLC announces Special Events & Revivals lineup for NYFF53

Special Events include Film Comment Presents: Son of Saul; World Premiere of Paul Thomas Anderson’s Junun; 15th Anniversary screening of O Brother, Where Art Thou?; North American Premiere of De Palma
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Revivals highlights include new restorations of Akira Kurosawa’s Ran, King Hu’s A Touch of Zen, the 25th Anniversary of The Film Foundation with Ousmane Sembene’s Black Girl, Ernst Lubitsch’s Heaven Can Wait, Luchino Visconti’s Rocco and His Brothers, and Visit, or Memories and Confessions from the late, great Manoel de Oliveira

***
The Film Society of Lincoln Center announced the lineup for Special Events and Revivals taking place during the 53rd New York Film Festival (NYFF), September 25 – October 11. The Special Events lineup includes important new works and premieres, as well as a very special celebration of a beloved musical fantasia. The Revivals selections includes 11 international masterpieces from renowned filmmakers whose diverse and eclectic works have been digitally remastered, restored, and preserved with the assistance of generous partners, including Martin Scorsese’s Film Foundation, celebrating its 25th anniversary. 

The Special Events lineup returns with Film Comment Presents, originally launched during NYFF in 2013 with the premiere of the award-winning 12 Years a Slave. This year’s selection, Son of Saul, László Nemes’s shattering film about the horror of Auschwitz, recently won the Grand Prix at Cannes, and has been selected as Hungary’s official entry for the foreign-language film category of the Academy Awards. Making its North American Premiere in the festival is Noah Baumbach and Jake Paltrow’s film portrait De Palma, chronicling director Brian De Palma’s illustrious six-decade-long career, his life, and his personal views on the filmmaking process (De Palma’s masterful Blow Out will also screen in Revivals). Another established American filmmaker turning his attention from narrative to intimate documentary study is Paul Thomas Anderson, whose latest film, Junun, will World Premiere in the Special Events section. Junun follows the musical journey of his close friend and collaborator Jonny Greenwood to northern India, to record an album with an Israeli musician Shye Ben Tzur and illustrious local musicians. 

Additional highlights include renowned artist Laurie Anderson (this year’s NYFF poster designer!) who will premiere her first feature in 30 years, a personal essay entitled Heart of a Dog. Anderson’s response to a commission from Arte, the film is a work of braided joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. The recently announced NYFF Filmmaker in Residence, Athina Rachel Tsangari, will also present her latest film, Chevalier, which will be making its U.S. Premiere fresh on the heels of the Locarno and Toronto International Film Festivals.

Following the NYFF tradition of special anniversary screenings (which in the past have included The Princess Bride’s 25th anniversary, This Is Spinal Tap’s 30th anniversary, and Dazed and Confused’s 20th anniversary), the festival is proud to present a special evening celebrating the 15th anniversary of Joel and Ethan Coen’s beloved roots-musical fantasia O Brother, Where Art Thou?, set in the rural south in the 1930s and based on Homer’s The Odyssey. The Coen Brothers and cast members will be on hand for this journey, and there will be a special musical performance.

The Revivals selection for this year’s festival includes a diverse group of 11 international offerings from master filmmakers like Akira Kurosawa, Brian De Palma, Hou Hsiao-hsien, King Hu, Manoel de Oliveira, and more. These restorations include a suite of movies that have been restored with the assistance of Martin Scorsese’s nonprofit Film Foundation. Established in 1990, the Foundation has helped to save, protect, and preserve over 700 films, working in partnership with archives and studios from around the globe. This year’s Revivals section includes seven films restored with the Foundation’s help: Ousmane Sembene’s Black Girl, Hou Hsiao-hsien’s The Boys from Fengkuei, Ernst Lubitsch’s Heaven Can Wait, Lino Brocka’s Insiang, John Ford’s The Long Voyage Home, Marcel Ophüls’ The Memory of Justice, and Luchino Visconti’sRocco and His Brothers. The Lubitsch film will be screened in a new 35mm print, courtesy of 20th Century Fox. 

Not to be missed is Akira Kurosawa’s astonishing Ran, the NYFF’s 1985 Opening Night selection, returning to the festival in a newly restored version, where the color palette is unlike that of any other movie made before or since. King Hu’s three-years-in-the-making masterpiece, A Touch of Zen, will also be shown in a beautiful restoration, which was presented at this year’s edition of Cannes, 40 years after the film’s first unveiling to Western eyes. The late, great Manoel de Oliveira’s 1982 film Visit, or Memories and Confessions will also be included in the Revivals lineup this year, after having been hidden away from audiences by the filmmaker himself for over 30 years. 

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Kent Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound

Tickets for the General Public go on sale Sunday, September 13. Revival tickets are $15 for General Public; $10 for Members & Students; and a discounted 3+ film package will also be available for purchase. Special Event programs will have slightly higher pricing based on venue. Visit filmlinc.org/NYFF
 for more information.

Tickets for the 53rd New York Film Festival will go on sale to Film Society patrons at the end of August, ahead of the General Public. Learn more about the patron program at
filmlinc.org/patrons. Becoming a Film Society Member offers the exclusive member ticket discount to the New York Film Festival and Film Society programming year-round plus other great benefits. Current members at the Film Buff Level or above enjoy early ticket access to NYFF screenings and events ahead of the general public. Learn more at filmlinc.org/membership.

For even more access, VIP Passes offer buyers the earliest opportunity to purchase tickets and secure seats at the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass type. For more information about purchasing VIP Passes, go to
filmlinc.org/NYFFor contact patrons@filmlinc.org.

 

FILMS & DESCRIPTIONS

 

Special Events


Filmmaker in Residence Screening:
Chevalier
Athina Rachel Tsangari, Greece, 2015, DCP, 104m

Greek with English subtitles
Six men set out on the Aegean Sea aboard a yacht, and before long, male bonding and one-upmanship give way to a loosely defined yet hotly contested competition to determine which of them is “the best in general.” As the games and trials grow more elaborate and absurd—everything is up for judgment, from sleeping positions to cholesterol levels to furniture-assembly skills—insecurities emerge and power relations shift. As in her 2010 breakthrough, Attenberg, Athina Rachel Tsangari, the Film Society of Lincoln Center’s 2015 Filmmaker in Residence, balances anthropological precision with a wry and wholly original sense of humor. Impeccably staged, crisply photographed, and buoyed by eclectic soundtrack choices (Petula Clark, Mark Lanegan), this maritime psychodrama becomes both funnier and richer in its implications as it progresses. What begins as a lampoon of bourgeois machismo and male anxiety develops into an incisive allegory for the state of contemporary Greece, and leaves a final impression as an empathetic, razor-sharp study of human nature itself.The Filmmaker in Residence program was launched in 2013 by the Film Society of Lincoln Center and Jaeger-LeCoultre as an annual initiative designed to support filmmakers at an early stage in the creative process against the backdrop of New York City and the New York Film Festival (NYFF). U.S. Premiere

De Palma
Noah Baumbach & Jake Paltrow, USA, 2015, DCP, 107m

Noah Baumbach and Jake Paltrow’s fleet and bountiful portrait covers the career of the number one iconoclast of American cinema, the man who gave us Carrie, Dressed to Kill, Blow Out, and Carlito’s Way. Their film moves at the speed of De Palma’s thought (and sometimes works in subtle, witty counterpoint) as he goes title by title, covering his life from science nerd to New Hollywood bad boy to grand old man, and describes his ever-shifting position in this thing we call the movie business. Deceptively simple, De Palma is finally many things at once. It is a film about the craft of filmmaking—how it’s practiced and how it can be so easily distorted and debased. It’s an insightful and often hilarious tour through American moviemaking from the 1960s to the present, and a primer on how movies are made and unmade. And it’s a surprising, lively, and unexpectedly moving portrait of a great, irascible, unapologetic, and uncompromising New York artist. In conjunction with this film, we will also be showing De Palma’s masterpiece Blow Out. North American Premiere

Heart of a Dog
Laurie Anderson, USA/France, 2015, DCP, 75m

In Laurie Anderson’s plainspoken all-American observational-autobiographical art, voices and harmonies and rhythms and images are juxtaposed and layered, metaphors are generated, and the mind of the viewer/listener is sent spinning into the stratosphere. It’s been nine years since her last film and almost 30 since her last feature. Heart of a Dog is her response to a commission from Arte, a work of braided joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Life in the neighborhood—downtown New York after 9/11... the archiving of surveillance records in ziggurat-like structures… Lolabelle’s passage through the bardo… recollections of deaths and near-deaths, terrors personal and global, sad goodbyes and funny ones, dreams and imagined flights… acceptance: Heart of a Dog is as immediate as a paragraph by Kerouac, as disarmingly playful as a Cole Porter melody, as rhapsodically composed as a poem by Whitman, and a thing of rare beauty.

Junun
Paul Thomas Anderson, USA, 2015, English and Indian, DCP, 54m
English, Hindu, Hebrew, and Urdu with English subtitles

Earlier this year, Paul Thomas Anderson joined his close friend and collaborator Jonny Greenwood on a trip to Rajasthan in northwest India, where they were hosted by the Maharaja of Jodhpur, and he brought his camera with him. Their destination was the 15th-century Mehrangarh Fort, where Greenwood (with the help of Radiohead engineer Nigel Godrich) was recording an album with Israeli composer Shye Ben Tzur and an amazing group of musicians: Aamir Bhiyani, Soheb Bhiyani, Ajaj Damami, Sabir Damami, Hazmat, and Bhanwaru Khan on brass; Ehtisham Khan Ajmeri, Nihal Khan, Nathu Lal Solanki, Narsi Lal Solanki, and Chugge Khan on percussion; Zaki Ali Qawwal, Zakir Ali Qawwal, Afshana Khan, Razia Sultan, Gufran Ali, and Shazib Ali on vocals; and Dara Khan and Asin Khan on strings. The finished film, just under an hour, is pure magic. Junun lives and breathes music, music-making, and the close camaraderie of artistic collaboration. It’s a lovely impressionistic mosaic and a one-of-a-kind sonic experience: the music will blow your mind. World Premiere

Anniversary Screening:
O Brother, Where Art Thou?
Joel and Ethan Coen, 2000, USA, DCP, 107m

This year marks the 15th anniversary of Joel and Ethan Coen’s beloved roots-musical fantasia, “based upon The Odyssey, by Homer,” about three escaped convicts (George Clooney, Tim Blake Nelson, and John Turturro) trying to get back home in the rural South of the 1930s. Bigger than life, endlessly surprising, eye-popping (“they wanted it to look like an old hand-tinted picture,” said DP Roger Deakins), and as giddily and defiantly unclassifiable as all other Coen films, O Brother, Where Art Thou? is, among many other things, a celebration of American music. With a score curated and produced by T-Bone Burnett, the movie sings with voices and sounds of some of the best musicians in the country, including Ralph Stanley, the Fairfield Four, Alison Krauss, John Hartford, Emmylou Harris, and Gillian Welch, and the melodies of classics like “Big Rock Candy Mountain,” “I’ll Fly Away,” and the film’s touchstone, “Man of Constant Sorrow.” Cast members, musical guests, and Joel and Ethan Coen will be on hand. Bring your instrument! A Touchstone Pictures and Universal Pictures release.

Film Comment Presents:
Son of Saul
László Nemes, Hungary, 2015, 35mm, 107m
Hungarian and German with English subtitles

A film that looks into the abyss, this shattering portrait of the horror of Auschwitz follows Saul (Géza Röhrig), aSonderkommando tasked with delivering his fellow Jews to the gas chamber. Determined to give a young boy a proper Jewish burial, Saul descends through the death camp’s circles of Hell, while a rebellion brews among the prisoners. A bombshell debut from director and co-writer László Nemes, Son of Saul is an utterly harrowing, ultra-immersive experience, and not for the fainthearted. With undeniably virtuoso plan-séquence camerawork in the mode of Nemes’s teacher Béla Tarr, this startling film represents a new benchmark in the historic cinematic depictions of the Holocaust. A deeply troubling work, sure to be one of the year’s most controversial films. A Sony Picture Classics release.

Revivals


Blow Out
Brian De Palma, USA, 1981, 35mm, 107m

One of Brian De Palma’s greatest films and one of the great American films of the 1980s, Blow Out is such a hallucinatory, emotionally and visually commanding experience that the term “thriller” seems insufficient. De Palma takes a variety of elements—the Kennedy assassination; Chappaquiddick; Antonioni’s Blow-Up; the slasher genre that was then in full flower; elements of Detective Bob Leuci’s experiences working undercover for the Knapp Commission; the harshness and sadness of American life; and, as ever, Hitchcock’s Vertigo—and swirls and mixes them into a film that builds to a truly shattering conclusion. With John Travolta, in what is undoubtedly his greatest performance, as the sound man for low-budget movies who accidentally records a murder; Nancy Allen, absolutely heartbreaking, as the girl caught in the middle; John Lithgow as the hired killer; and De Palma stalwart Dennis Franz as the world’s biggest sleaze. This was the second of three collaborations between De Palma and the master DP Vilmos Zsigmond. MGM Home Entertainment.

Ran
Akira Kurosawa, Japan/France, 1985, DCP, 160m
Japanese with English subtitles

The 1985 New York Film Festival opened with Akira Kurosawa’s astonishing medieval epic, inspired by the life of Mori Motonari, a 16th-century warlord with three sons. It was only after he began writing that the filmmaker started to see parallels with King Lear. It took a decade for Kurosawa to bring his grand conception to the screen—he actually painted storyboards of every shot along the way, and made another great film, Kagemusha, as a dry run. The finished work he eventually gave us was, to put it mildly, a mind-blowing experience. Tatsuya Nakadai is the warlord, Akira Terao, Jinpachi Nezu, and Daisuke Ryu are his sons, Mieko Harada is the terrifying Lady Kaede, the score is by Toru Takemitsu, but the dominant force looming over every single element of this film, down to the smallest detail, is Kurosawa himself. The color palette of Ran is unlike that of any other movie made before or since, as you’ll see in this newly restored version.Restoration by StudioCanal with the participation of Kadokawa Pictures. A Rialto Films release.

A Touch of Zen
King Hu, Hong Kong, 1971/75, DCP, 200m
Mandarin with English subtitles

When it comes to the wuxia film, all roads lead back to the great King Hu: supreme fantasist, Ming dynasty scholar, and incomparable artist. For years, Hu labored on his own, creating one exquisitely crafted film after another (with astonishing pre-CGI visual effects), elevating the martial-arts genre to unparalleled heights and, as the film critic and producer Peggy Chiao noted in her obituary for Hu, single-handedly introducing Chinese cinema to the rest of the world. Hu’s three-years-in-the-making masterpiece, A Touch of Zen, was released in truncated form in Hong Kong in 1971 and yanked from theaters after a week. A close-to-complete version was constructed by Hu and shown at the 1975 Cannes Film Festival, where Hu won a grand prize for technical achievement (which earned King Hu an apology from his studio heads). This beautiful restoration of A Touch of Zen was presented at this year’s edition of Cannes, 40 years after the film’s first unveiling to Western eyes. Restored in 4K by L’Immagine Ritrovata, with original materials provided by the Taiwan Film Institute. A Janus Films release.

Visit, or Memories and Confessions
Manoel de Oliveira, Portugal, 1982, 35mm, 73m
Portuguese with English subtitles

The late, great Manoel de Oliveira stipulated that this film—made in 1982—be screened publicly only after his death. One of the Portuguese master’s most exquisite and moving films, and certainly his most personal, Visit assumes the rare form of an auto-elegy. A prowling camera finds Oliveira, who died at 106 this past April, in the Porto house where he had lived for four decades and that he is preparing to leave due to mounting debts. He addresses the audience directly, setting the film’s droll, convivial tone, and discusses a wide range of topics (family history, cinema, architecture), shares home movies, and reenacts his run-in with the military dictatorship. Oliveira’s improbable career took the form of a long goodbye, but this actual farewell is no less touching in its simplicity and lucidity. He made the film at age 73, presumably expecting he was near the end of his life. He would in fact live another 33 years and make another 25 or so films, some of them among his greatest, in an extended twilight that was also an artistic prime unlike any other. An Instituto Portugues de Cinema release.

Celebrating 25 Years of The Film Foundation

This year marks the 25th anniversary of The Film Foundation. Following his successful campaign in the early ’80s to develop a more durable color film stock, Martin Scorsese founded the organization to raise awareness of the fragility of film and to create a genuine consciousness of film preservation. Since its inception in 1990, TFF has partnered with archives, studios, and labs around the world to restore over 700 films. We’re presenting seven of their newest restorations.

Black Girl / La Noire de…
Ousmane Sembene, France/Senegal, 1965, DCP, 65m
French with English subtitles

Ousmane Sembene’s first feature—really, the movie that opened the way for African cinema in the West—is by turns tough, swift, and true in its aim. A young woman (Mbissine Thérèse Diop) leaves Senegal with dreams of a more carefree and glamorous existence in France, where she procures a job as a live-in maid and nanny for a young couple in the French Riviera. She is gradually deadened by the endless routines and tasks and rhythms of life in the tiny apartment, and by the dissatisfactions felt by the husband and wife, which they project onto their “black girl.” Sembene’s “perfect short story,” wrote Manny Farber, naming it as his movie of 1969, “is unlike anything in the film library: translucent and no tricks, amazingly pure, but spiritualized.” A formative and eye-opening work, and one of Sembene’s finest. Restored by The Film Foundation’s World Cinema Project in collaboration with the Sembene Estate, Institut National de l’Audiovisuel, INA, Eclair laboratories, and Centre National de Cinématographie. Restoration carried out at Cineteca di Bologna/L’Immagine Ritrovata Laboratory. A Janus Films release.

The Boys from Fengkuei
Hou Hsiao-hsien, Taiwan, 1983, DCP, 101m
Mandarin with English subtitles

This “group portrait of four laddish adolescents on the razzle in Kaohsiung as they approach the onset of adult life” (Tony Rayns) is Hou Hsiao-hsien’s fourth film, but he has long considered it to be the real beginning of his career as a moviemaker. “I had very intense feelings at the time,” Hou told Sam Ho, “and I think the film has an intense energy. An artist’s early work might be lacking in craft but, at the same time, be very powerful, very direct. Later, when I wanted to return to that initial intensity, I no longer could.” In the tradition of Fellini’s I Vitelloni, The Boys from Fengkuei is a deeply personal look back at the director’s own adolescence—at the boredom of living in the middle of nowhere and the overwhelming need to get up and move, and get out and away to the big city. A glorious young-man’s film, and the first great work of the Taiwanese New Wave. Restoration by the Cineteca di Bologna. A Cinémathèque Royale de Belgique release.

Heaven Can Wait
Ernst Lubitsch, USA, 1943, 35mm, 112m

The legendary Ernst Lubitsch’s portrait of a turn-of-the-century hedonist extraordinaire begins at the gate of hell—not Dante’s Inferno but a handsome art-deco waiting room, where a courtly Satan (Laird Cregar) conducts an admission interview with the recently deceased Henry Van Cleve (Don Ameche). Henry’s leisurely stroll through the past is a very funny comedy of manners and a lovely rendering of Old New York. Lubitsch’s writing with Samson Raphaelson — Satan: “I presume your funeral was satisfactory.” Henry: “Well, there was a lot of crying, so I believe everybody had a good time.”—and his meticulous direction are all of a piece. The film’s glorious, candy-box Technicolor has now been beautifully restored by Schawn Belston and his team at 20th Century Fox, just in time for the 100th Anniversary of the Fox Film Corporation. With Gene Tierney, Louis Calhern, Eugene Pallette, Marjorie Main, and Charles Coburn as Henry’s grandfather and fellow black sheep. Restored by 20th Century Fox in collaboration with the Academy Film Archive and The Film Foundation. A 20th Century Fox release.

Insiang
Lino Brocka, Philippines, 1976, DCP, 95m
Tagalog and Filipino with English subtitles

In Lino Brocka’s searing 1976 melodrama (one could use the same adjective to describe all of his melodramas), the eponymous heroine, played by Hilda Koronel, is raped by her mother’s boyfriend, then blamed for provoking the act and forced out of her own home. “Insiang is, first and foremost, a character analysis,” wrote the director. “I need this character to recreate the ‘violence’ stemming from urban overpopulation, to show the annihilation of a human being, the loss of human dignity caused by the physical and social environment…” The people in Brocka’s films live in dire circumstances, offset by their extreme vitality and their electrically charged encounters. Insiang, a failure on its home ground but the first film from the Philippines to be invited to Cannes, is one of its director’s best. It is also the second of Brocka’s works to be restored by the World Cinema Project. With Mona Lisa as Insiang’s mother. Restored in 2015 by Cineteca di Bologna/L'Immagine Ritrovata. Restoration funding provided by The Film Foundation's World Cinema Project and the Film Development Council of the Philippines. A Film Foundation release.

The Long Voyage Home
John Ford, USA, 1940, DCP, 105m

Independently produced by Walter Wanger, John Ford’s soulful, heartbreaking film is based on four Eugene O’Neill one-acts about life at sea (the playwright himself loved the movie so much that he acquired his own 16mm print). Ford, working with his screenwriter Dudley Nichols and his brilliant cameraman Gregg Toland (they had just collaborated on The Grapes of Wrath), updates the plays to World War II and condenses the action, creating tonal variations on the aching loneliness of life at sea and the longing for home. In the words of Ford biographer Joseph McBride, the director and his DP “broke all the rules of conventional Hollywood cinematography” and created “a doom-laden mood with deep pools of light and shadow”—seen to full advantage in this beautiful restoration. The Long Voyage Home is a true ensemble piece featuring many of the actors that comprised Ford’s “stock company,” including Thomas Mitchell, Barry Fitzgerald and his brother Arthur Shields, John Qualen, and, unforgettably, John Wayne as the Swedish sailor Ole. Restored by the UCLA Film & Television Archive. Restoration funding provided by the Hollywood Foreign Press Association and The Film Foundation. A Westchester Films and Shout! Factory release.

The Memory of Justice
Marcel Ophüls, UK/USA/France/Germany, 1976, DCP, 278m
French with English subtitles

The third of Marcel Ophüls’ monumental inquiries into the questions of individual and collective guilt fueling the calamities of war and genocide, The Memory of Justice examines the defining tragedies of the Western world in the second half of the 20th century, from the Nuremberg trials through the French-Algerian war to the disaster of Vietnam, building from a vast range of interviews, from Telford Taylor (Counsel for the Prosecution at Nuremberg, later a harsh critic of our escalating involvement in Vietnam) to Nazi architect Albert Speer to Daniel Ellsberg and Joan Baez. As Vincent Canby wrote in The New York Times when The Memory of Justice was screened at the 1976 New York Film Festival, Ophüls’ film “expands the possibilities of the documentary motion picture in such a way that all future films of this sort will be compared to it.” Seldom seen since its premiere and then only in rare 16mm prints, the film has now been painstakingly restored. Restored by the Academy Film Archive in association with Paramount Pictures and The Film Foundation. Restoration funding provided by The Material World Charitable Foundation, Righteous Persons Foundation, and The Film Foundation. A Film Foundation release.

Rocco and His Brothers
Luchino Visconti, Italy/France, 1960, DCP, 177m
Italian with English subtitles

Luchino Visconti’s rich and expansive masterpiece, the story of a mother and her grown sons who head north from Lucania in search of work and new lives, has an emotional intensity and a tragic grandeur matched by few other films. Visconti turned to Giovanni Testori, Thomas Mann, Dostoyevsky, and Arthur Miller for inspiration, and he achieved an truly epic sweep: in one beautifully realized scene after another, we observe the tragic progress of a tightly knit family coming apart, one frayed thread at a time. Alain Delon is Rocco, Renato Salvatori is his brother Simone, Annie Girardot is the woman who comes between them, and Katina Paxinou is the matriarch, Rosaria. Rocco and His Brothers, one of the great and defining films of its era, has now been beautifully restored, and Giuseppe Rotunno’s black-and-white images are once again as pearly and lustrous as they were meant to be. Restored by Cineteca di Bologna/L’Immagine Ritrovata in association with Titanus, TF1 Droits Audiovisuels, and The Film Foundation. Restoration funding provided by Gucci and The Film Foundation. A Milestone Film release.


For more information, visit www.filmlinc.org.

FSLC announces complete details for CONVERGENCE at NYFF53

The Film Society of Lincoln Center announced the complete details for the 53rd New York Film Festival Convergence, which will take place on September 26 and 27. The highly anticipated annual program delves into the world of immersive storytelling with a mix of unique films, panels, and live interactive experiences. The complete schedule will be announced at a later date. Tickets are $15 General Public; $10 for Members & Students, and a $79 Convergence All Access Pass will also be available for purchase.

“This is our fourth year as part of the New York Film Festival and I couldn't be more excited about the lineup for 2015. There’s a lot of attention focused on virtual reality right now so we are really pleased to feature the U.S. premiere of The Dog House, a 360-degree film that’s going to start a lot of conversations. The program isn’t restricted to virtual worlds either, with several incredible live experiences like Temping, an immersive theater piece designed for one audience member at a time,” said NYFF Convergence programmer Matt Bolish. “The hope as always is to give our audience a chance to experience a wide variety of participatory storytelling projects.”

Audiences can explore a multitude of non-traditional film experiences, such as playing a selection of indie storytelling games in the GameScape arcade, assuming the role of master detective Sherlock Holmes to help to solve a string of crimes around the Lincoln Center campus in Sherlock Holmes & the Internet of Things, or attending a performance of filmmaker/writer/singer Cory McAbee’s Small Star Seminar, an anti-motivational event featuring optimistic songs about quitting, accepting our limitations, and the power of sitting quietly. Immersive theater piece Temping, which will be showcased only a few times, will take lucky sole audience members on a strange and comedic journey.

Complementing the experiential programs is a series of talks and panels—all free and open to the public—featuring notable storytellers of all stripes (from Lucasfilm, StoryCode, Storyline Entertainment, Pixar, NPR, and more) discussing their work and the evolving state of storytelling in the interactive age. The presentations will also include the World Premiere of the interactive presentation of The Deeper They Bury Me, which plunges audiences into the world of Herman Wallace, who was held in solitary for over 40 years at Louisiana’s notorious Angola penitentiary. 

Additional NYFF special events, documentary section, and filmmaker conversations and panels, as well as NYFF’s Projections will be announced in subsequent days and weeks. 

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Kent Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound

Tickets for the 53rd New York Film Festival will go on sale to the General Public on Sunday, September 13, and to Film Society patrons at the end of August. Learn more about the patron program at filmlinc.org/patrons. Becoming a Film Society Member offers the exclusive member ticket discount to the New York Film Festival and Film Society programming year-round plus other great benefits. Current members at the Film Buff Level or above enjoy early ticket access to NYFF screenings and events ahead of the general public. Learn more at filmlinc.org/membership.

For even more access, VIP Passes and Subscription Packages give buyers one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. A limited number of VIP Passes and Subscription Packages are still available. For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.org/NYFF.

NYFF53 CONVERGENCE EVENTS AND DESCRIPTIONS

Experiences and Installations

 

  • The (Dis)Honesty Project Presents The Truth Box

Created by Dan Ariely & Yael Melamede
Step inside and tell us the truth… about a lie. The Truth Box is a traveling story booth and part of the larger (Dis)Honesty Project, a collaboration between behavioral scientist Dan Ariely and filmmaker Yael Melamede that aims to improve our behavior and ethics. The Truth Box explores the complex impact dishonesty has on our lives, asking participants to sit inside and come clean, on camera, about a lie they have told. Excerpts of stories recorded will be shared onhttp://thedishonestyproject.com and through social media.

  • The Doghouse

Created by Johan Knattrup Jensen, Mads Damsbo & Dark Matters
Few technologies have elicited as much debate as virtual reality. How will this powerful technology change the way we make and consume films? Audiences can get a taste of a possible future with The Doghouse. A table is set for five, and on each plate rests a virtual-reality headset. Slipping them on plunges the viewer into a fully immersive experience—one of five unique points of view within the same film. Mom and Dad are meeting the older brother’s new girlfriend for the first time while the younger brother just tries to avoid an inevitable disaster. This unique 360-degree cinema experience places its audience right in the middle of a home-cooked family drama and challenges our notions of what short films are… and what they may be in the very near future. U.S. Premiere

Gamescape
Human beings are hardwired to tell stories. We spin tales about everything in our lives from the mundane to the extraordinary. Some of the most compelling stories being told today are coming from game designers blending sharp narrative and gameplay in new and exciting ways. This selection of gripping, engaging, and even revolutionary independent storytelling games was co-curated by the NYU Game Center and is free and open to the public. Presented with Support from the NYU Game Center.

Sherlock Holmes & the Internet of Things
Created by Lance Weiler & Nick Fortugno

Step into the shoes of Sherlock Holmes for this collaborative storytelling experiment in which participants attempt to solve a string of crimes unfolding throughout Lincoln Center. Do you have what it takes to become a 21st-century Sherlock Holmes? A prototype developed and run by the Columbia Digital Storytelling Lab, Sherlock Holmes & the Internet of Thingsis part of a massive connected crime scene taking place in over 20 countries this fall.

For more information, visit sherlockholmes.ioPresented in partnership with the Columbia Digital Storytelling Lab.

Temping
Created by Wolf 359; Directed by Michael Rau

Somewhere in a filing cabinet in Delaware or Indiana, there is a chart that breaks down how long we’re expected to live. Most of us will never see it… nor would we want to. But what if your job was to update these charts, to record the beginnings and ends of thousands of lives? What if you found the formula to predict your own lifespan? Sarah Jane Tully, a 50-year-old actuary, is taking her first vacation in years, and you’ve been hired to take her place. Temping, the strange and comic tale of an employee’s inner life written by Michael Yates Crowley, is performed for an audience of one by a Windows PC, a corporate phone, a laser printer, and the Microsoft Office Suite. Filling in at Sarah Jane’s cubicle, you’ll update client records, send e-mails, and eavesdrop on intra-office romance. Each performance is unique, depending on which tasks you accomplish and which of your co-workers you decide to trust. Congratulations, you’re the new temp! Get ready to work.

Panels and Presentations


Brand Meets Story: How Filmmakers and Brands Are Reinventing Digital Content (Panel)
Moderated by Bob Garfield

The digital-video era has opened up vast opportunities for audiences to enjoy powerful short-form content. Some brands have responded by recruiting professional filmmakers to work in the story-focused new arena of “content marketing.” Bob Garfield, Host of NPR’s “On The Media,” will moderate a discussion with Marjorie Schussel, Corporate Marketing Director for Toyota, along with Academy Award–nominated filmmakers Steve James (Hoop Dreams) and Kief Davidson (Open Heart) and Oscar winner Ross Kauffman (Born into Brothels). They will discuss the partnership and process they established to develop a form of marketing that marries the freedom of creativity with meaningful brand communication goals in order to tell “stories that matter.” Includes World Premiere screenings of three compelling new short films, and a cocktail reception to follow.

A Conversation with Diana Williams (Talk)
Featuring Diana Williams (Lucasfilm, Roller Coaster Entertainment) 

The camera opens on a field of stars before revealing a pair of spaceships locked in a deadly chase. Inside the pursued ship, a pair of iconic droids scuttle between rebel crewmen. “We’re doomed,” says C-3PO. “They’ll be no escape for the princess this time!” That exchange stuck with a young Diana Williams—what else had Princess Leia been up to?—and it set her on a course to become a storyteller in her own right. Williams has produced the acclaimed films Our Song and Another First Step; developed The Gatecrashers, a cross-platform storyworld, and Chinafornia, an animated Web series; and collaborated on motion comics for Torchwood, among others. In 2014, she joined the
Lucasfilm Story Group, the team charged with developing narrative cohesion and connectivity within the Star Warsuniverse. Williams will take the stage to discuss her career and personal evolution as a storyteller, from feature filmmaker to cross-platform storyworld builder.

The Deeper They Bury Me (Interactive Presentation)
Written and directed by Angad Singh Bhalla & Ted Biggs; Produced by Anita Lee for the National Film Board of Canada, Storyline Entertainment

An interactive encounter with one of America’s most renowned political prisoners, The Deeper They Bury Me plunges users into the universe of Black Panther activist Herman Wallace, who was held in solitary for over 40 years at Louisiana’s notorious Angola penitentiary. Within the time allotted for a prison phone call—20 precious minutes—users navigate between his tiny cell and his dream of freedom, a fantasy home he envisions through a collaborative art project with artist Jackie Sumell. Sparse, poetic animation evokes his segregated New Orleans childhood and his courageous efforts to build community within a prison system that keeps over 2.3 million citizens behind bars. Join the creators of this compelling portrait of defiance for an immersive live presentation of the interactive experience and a panel discussion featuring leading activists and thinkers. World Premiere.

Immersive Storytelling Goes Global: A Live StoryCode Dispatch (Panel)
Moderated by Mike Knowlton (Co-founder, StoryCode)

StoryCode’s growth into six continents over the past three years has been fueled by an international appetite for new storytelling methods, tools, and experiments. Though still in its infancy, this worldwide phenomenon takes on myriad forms in each region it conquers. StoryCode chapter organizers will share happenings and breakthroughs around the country and the world, and discuss where we are headed in terms of emerging genres, cross-pollination of disciplines, technology, and artistic achievement. Panelists include Kel O’Neill (StoryCode LA), Diliana Alexander (StoryCode Miami), Michael Epstein (StoryCode San Francisco), and Kelli Anderson (StoryCode Washington DC).

The Making of a Connected Crime Scene (Talk)
Presented by Lance Weiler & Nick Fortugno

Join Lance Weiler and Nick Fortugno for a special collaborative think-and-do session. Over the course of 90 minutes, attendees will see and experience the inner workings of what it takes to build a massive collaborative effort like Sherlock Holmes & the Internet of Things. The presentation will pull back the curtain on a yearlong experiment with 1,000 collaborators working in 20-plus countries. Learn methods and solutions that can help you design and build immersive, engaging storytelling projects.

Producing for Impact: Finding the Story (Panel)
Moderated by Colin Fitzpatrick (Guardian Labs, WNET, Al Jazeera America) 

As nonfiction crosses platforms, producers have more options than ever to reach, inspire, and activate audiences. The way a production is presented allows producers to realize specific audience end goals previously unobtainable without immense budgets. Tactics using comprehensive data visualization, compelling personal narratives, and sourcing from social media allow journalism and documentary producers today to appeal to emotion as well as the facts when creating issue-driven stories. Producers on this panel will discuss their own projects—from documentary film and interactive docs to social programs and digital newsrooms—and how to create meaningful and moving stories with goals beyond business as usual.Presented in partnership with The Producers Guild of America New Media Council & PGA East Documentary Committee.

Pry
Created by Danny Cannizzaro & Samantha Gorman (Performance)

Danny Cannizzaro and Samantha Gorman will perform excerpts from Pry, an app experience that fuses cinema, video game, and the novella into what the LA Weekly calls “Charlie Kaufman by way of an acid trip.” Six years ago, James, a demolition expert, returned from the Gulf War. Explore James’s mind as his vision fails and the past collides with the present. What happens to story when instead of turning a page, readers open or shut the protagonist’s eyes, pull apart his memories, or read his thoughts infinitely scrolling in every direction? For more, go to
prynovella.com.

Small Star Seminar (Performance)
Presented by Cory McAbee

For the first solo music project created by Cory McAbee (Crazy and Thief, The American Astronaut), the filmmaker/musician takes the stage as a motivational speaker who urges people to give up their goals, stop reaching for the stars, and start looking for the stars within their own minds. “Small Star Seminar” features optimistic songs about quitting, accepting one’s own limitations, and the power of sitting quietly. McAbee will address the theory of “Deep Astronomy” and answer questions from the audience. Part of a larger storytelling project, the performance will be documented for an upcoming feature film written and directed by McAbee.

The Working Screenwriter (Talk)
Presented by Mike Jones (Pixar)

Big dreams, wild risks, and seven-figure sales are all part of the typical screenwriter mythos. Yet most of these writers have had a different career, one where a few highs barely make up for the many lows. Working screenwriters must look at the long arc of a career where no models exist. How does a life in the screen trade fit into an everyday life? How do writers maintain their spark among constant rejection, wide financial fluctuations, and family stress? How does failure affect style? And how does a writer change? Mike Jones has never made seven figures. Yet for 15 years he has maintained a screenwriter’s turbulent life while writing for independent producers, major studios, and now Pixar. In this talk, Jones will outline how he built a steady career through checkered success, but became a better storyteller through failure.

For more information, visit www.filmlinc.org

2015 PORTLAND FILM FESTIVAL ANNOUNCES FILM LINE-UP

Portland Film Festival announced the feature film competition programs, opening and closing screenings, music and midnight sections, tribute presentations, north-west, and special screenings for the 2015 Portland Film Festival.  The 3rd Annual festival is a week long event of 214 screenings of feature length and short films from around the world, red carpet world premieres, tributes to filmmaking legends, more than 50 hours of professional workshops, nightly after-parties and more.

The third annual Portland Film Festival will take place September 1 - 7th, 2015, in Portland, Oregon, at seven venues throughout the city, including historic area theatres and community venues.

"Portland audiences are the most enthusiastic, film-savvy crowds in the nation, and we're proud to bring them a stellar festival schedule this year.  We've created an incredibly diverse and large program of films and events that honor cinema legends, celebrate new approaches and experimentation in film, and showcase the best in contemporary cinema," said Josh Leake, Portland Film Festival Founder and Executive Director.

Portland Film Festival's weeklong extravaganza will include:

  • Lifetime achievement tributes for Academy Award-winning stop-motion pioneer Will Vinton and acclaimed creature sculptor and puppet maker Wendy Froud, who will be recognized for her work as a fabricator on Yoda for "Star Wars: The Empire Strikes Back," and contributions to such films as "The Dark Crystal" and "Labyrinth.
  • Zombie Day Apocalypse. A live all-day Labor Day event featuring several thousand festivalgoers as extras in a Guinness Book World Record-setting film shoot, "Zombie Day Apocalypse", to be directed by George Cameron Romero, son of legendary filmmaker George A. Romero. Event will include a night time screening of a surprise zombie film.
  • One of the largest educational platforms for a film festival anywhere. Lead by award-winning professionals in their fields, this year's festival will offer over 70 workshops, classes, panels and networking events for actors, screenwriters, and filmmakers.
  • Screenplay Competition. Four finalists from 380 submissions have been chosen to be read by actors live to an audience. One finalist will win a  production grant worth $20K.

A jury of industry professionals and acclaimed filmmakers will be presenting awards to competition films in the following categories: Jury Award for Feature Doc, Jury Award for Narrative Feature, Audience Award for Feature Doc, Audience Award for Feature Narrative, plus additional awards to be announced.

NARRATIVE COMPETITION

10 films to celebrate the best of independent cinema by filmmakers who push the boundaries with imagination and style. 

  • 6 Angry Women  / U.S. (Director: Sridhar Reddy, Screenwriters: Alexandra Bennett, Barbara Figgins, Katelin Healy, Danielle McConnell, Fawzia Mirza, Alison Plott, Sridhar Reddy) A young, unarmed black teenager is shot by a white neighborhood watchman, and it is up to a jury of six women to determine if the man is guilty of murder. Cast: Alexandra Bennett, Barbara Figgins, Katelin Healy, Danielle McConnell, Fawzia Mirza, Alison Plott. WORLD PREMIERE
  • Aimy in a Cage / U.S. (Director, Screenwriter: Hooroo Jackson) A creative teenage girl is placed into a mind-altering procedure to civilize her, while news of a virus epidemic spreads throughout the world. Cast: Crispin Glover, Allisyn Ashley Arm, Terry Moore, Paz de la Huerta, Michael William Hunter. WORLD PREMIERE
  • As Good as You / U.S. (Director: Heather de Michele, Screenwriter: Gretchen Michelfeld) A woman chases her dream to start a family by asking her late wife's brother to be her sperm donor and craziness ensues. Cast: Laura Heisler, Anna Fitzwater, Raoul Bhaneja, Annie Potts, Bryan Dechart, Peter Maloney. WORLD PREMIERE
  • Divine Access / U.S. (Director, Screenwriter: Steven Chester Prince) Jack Harriman becomes a spiritual celebrity after debunking an evangelical host of a local public-access TV show.  Cast: Billy Burke, Gary Cole, Patrick Warburton, Sarah Shahi, Joel David Moore, Adrienne Barbeau. NORTHWEST PREMIERE
  • Drama  / U.S. (Director, Screenwriter: Sophie Mathisen) Life is a difficult script to learn.  Cast: Sophie Mathisen, François Vincentelli, Jonathan Burteaux, Tom Wren, Nicole da Silva. WORLD PREMIERE
  • For Love & Broken Bones / South Africa (Director: Tebogo Malope, Screenwriters: Tebogo Malope, Libby Dougherty) When a lonely and isolated debt collector falls in love with his latest assignment, he must choose to follow his heart. Cast: Mduduzi Mabaso, Lerato Mvelase, Mashala Letsoalo. WORLD PREMIERE
  • The Makings of You / U.S. (Director, Screenwriter: Matt Amato) Frank Wallis and Judy Meadows are comfortably numb to their lives, but when a chance encounter brings them together, their love for each other reignites life's sweet, unimagined possibilities. Cast: Jay Ferguson, Sheryl Lee, Grace Zabriskie. WEST COAST PREMIERE
  • Odd Brodsky / U.S. (Director: Cindy Baer, Screenwriters: Cindy Baer, Matthew Irving) A quirky comedy about following your dreams. Cast: Tegan Ashton Cohan, Matthew Kevin Anderson, Scotty Dickert, Jim Hanks. NORTHWEST PREMIERE
  • Oloibiri / South Africa (Director: Curtis Graham, Screenwriter: Samantha Iwowo) Based on true events, a story about the first oil well drilled in Nigeria and how the impact affects a small Nigerian Delta Village and the lives of those involved. Cast:  Diana Colmar-Espinosa, Bradley Gordon, Olu Jacobs. WEST COAST PREMIERE
  • Touched with Fire  / U.S. (Director: Paul Dalio, Screenwriter: Sophie Mathisen) Two manic depressives meet in a psychiatric hospital and begin a romance that brings out all of the beauty and horror of their condition. Cast: Katie Holmes, Luke Kirby, Griffin Dunne, Bruce Altman, Christine Lahti. WEST COAST PREMIERE

DOCUMENTARY COMPETITION

10 new films from around the world that tackle real life stories with bold vision and energy

  • Audition / U.S. (Director: Matt Herron) A romance is portrayed by one hundred actors who compete for two lead roles and a chance to perform the final terrifying scene. WORLD PREMIERE
  • Business of Amateurs / U.S. (Director: Bob DeMars) An ex-athlete turned filmmaker seeks answers regarding student-athlete rights and discovers uncorrected injustices. WORLD PREMIERE
  • Congo Beat the Drum / Israel, Jamaica (Director: Ariel Tagar) A musical journey into the forgotten corners of Jamaican reggae and its past champions. WEST COAST PREMIERE
  • Generation Maidan / Ukraine (Director: Andrew Tkach) A group of Ukrainian filmmakers capture history in the making. What began as a peaceful protest, turned into revolution and finally war. U.S. PREMIERE
  • I Am Thalente / South Africa, U.S. (Director: Natalie Johns) A homeless teenager from South Africa attracts international attention with his effortless style on a skateboard and is invited to travel to the US to skate with the pros.  NORTHWEST PREMIERE
  • Kings of Kallstadt / Germany, U.S. (Director: Simone Wendel) A humorous documentary about German small village life and its famous American relatives: Donald Trump and Heinz Ketchup. WORLD PREMIERE
  • Lost and Found / Japan, U.S., Canada (Directors: Nicolina Lanni, John Choi) One year after Japan's largest earthquake, beachcombers along the Pacific Northwest coastline started finding Japanese items washing ashore. In turn, the unlikeliest of friendships, across two continents, were forged in the wake of this massive natural disaster. WORLD PREMIERE
  • Made in Japan / Japan, U.S. (Director: Josh Bishop) A journey through music, marriage and the impact of the corporate world on the dreams of one woman. WEST COAST PREMIERE
  • Sweet Micky for President / Haiti, U.S. / (Director: Ben Patterson) Musician Pras Michel of the group The Fugees goes up against the corrupt government of Haiti by mobilizing a presidential campaign for controversial pop star Sweet Mickey. NORTHWEST PREMIERE
  • Tyke: Killer Elephant / Australia (Directors: Susan Lambert and Stefan Moore) Tyke the circus elephant breaks free in front of thousands of onlookers. Her break for freedom leaves the city in shock and sparks a global battle over the use of performing animals. WEST COAST PREMIERE

OPENING NIGHT FILM (DOCUMENTARY)

  • GRU-PDX / Brazil, U.S. (Director: Daniel Barosa) Set amidst the rich contemporary music scene of Portland, Oregon, Brazilian indie band Quarto Negro journeys to the city to record their second album. During a six month stay, they discover the highs and lows of  musical life in Portland, and that recording their new album isn't a task for the faint of heart. WORLD PREMIERE

OPENING NIGHT FILM (NARRATIVE)

  • Birds Of Neptune / U.S. (Director: Daniel Steven Richter, Screenwriters: Steven Richter, Flavia Rocha and Michael Lea) Two sisters live alone in their Portland childhood house trying to keep memories of a mysterious past intact. When a man enters their world and starts to pull at the fragile threads holding everything in place, they find themselves facing harsh truths about their past. Cast: Britt Harris, Molly Elizabeth Parker, Kurt Conroyd. NORTHWEST PREMIERE  

CLOSING DAY  EVENT - ZOMBIE DAY APOCALYPSE

To be held on Labor Day during the festival, a special all day and night event will set a Guinness Book of World Records for 'most extras in a short film'. Director George Cameron Romero, son of iconic horror director George A. Romero (Dawn of the Dead), will direct. Award-winning makeup artists will oversee effects for an anticipated cast of thousands. Event will also include a nighttime surprise zombie film screening.

CLOSING NIGHT FILM

  • Batkid Begins: The Wish Heard Around The World / U.S. (Director: Dana Nachman)The Make-A-Wish Foundation and the city of San Francisco join forces to grant a five-year-old boy's wish to become Batman for a day, drawing worldwide attention. PORTLAND PREMIERE

TRIBUTE: VISIONARIES

Special tribute events, awards, and discussions with masters of cinema, celebrating  visionary pioneers of their field. 

  • Will Vinton - The world renowned Claymation® pioneer and Academy Award winner Will Vinton will receive a lifetime achievement award for his innovative contributions to the history of animation. Event will also include a 30th anniversary screening of his legendary stop-motion classic, "The Adventures of Mark Twain," and his Academy Award Winning Short, "Closed Mondays." 
  • Wendy Froud - An American doll-artist, creature sculptor, and puppet-maker, Wendy Froud is a profound contributor to the history of pop culture and cinema.  She is best known for being a member of the fabrication team of the iconic character Yoda for the 1980 film "Star Wars: The Empire Strikes Back" and also fabricated timeless creatures for the Jim Henson films "The Dark Crystal" and "Labyrinth".  In appreciation of her work, LucasFilms will generously share unique behind the scenes archival images from her Star Wars work, and Wendy will be honored with a lifetime achievement award. 
  • Amy Vincent - Trailblazing cinematographer Amy Vincent created an indelible impression with her debut feature film, "Eve's Bayou", and she's been making unforgettable images ever since in a series of classic films, including "Hustle and Flow", "Black Snake Moan", and "Footloose". For its 10 year anniversary, she will screen "Hustle and Flow' and offer insight into the making of the fan favorite. 

MUSIC MAVERICKS

Honoring musicians, music and culture, these documentaries celebrate a diversity of genres and influences through the power and love of music. 

  • Congo Beat the Drum / Israel, Jamaica (Director: Ariel Tagar) A musical journey into the forgotten corners of Jamaican reggae and its past champions. WEST COAST PREMIERE
  • The Glamour & the Squalor / U.S. (Director: Marq Evans) The story of Marco Collins, a legendary Seattle DJ who played the music that defines the 90's grunge generation. Featuring: Carrie Brownstein, Shirley Manson, Macklemore,

Mike McCready, Ben Gibbard, Kurt Cobain. PORTLAND PREMIERE

  • Morphine: Journey of Dreams / U.S., Italy (Director: Mark Shuman) The in-depth tale of the "low-rock" nineties Boston band who blazed like a comet across the global music scene. Interviews with Henry Rollins, Joe Strummer, Dana Colley, Steve Berlin, Mark Sandman,Billy Conway. WEST COAST PREMIERE
  • The Whole Gritty City / U.S. (Director: Richard Barber) An immersion into the world of three New Orleans school marching bands. WEST COAST PREMIERE

SPECIAL SCREENINGS

Unique one-time film events, marquee names, and highlights of the best of modern film. 

  • Bereave / U.S. (Directors: Evangelos Giovanis, George Giovanis, Screenwriter: George Giovanis) Garvey thinks he has figured out how to die alone. When his beloved wife goes missing; he must live to save her. Cast: Malcolm McDowell, Jane Seymour, Keith Carradine, Vinessa Shaw, Mike Starr, Mike Doyle. PORTLAND PREMIERE
  • The Frontier / U.S. (Director: Oren Shai, Screenwriters: Oren Shai & Webb Wilcoxen) A desperate young woman discovers a violent gang of thieves at a desert motel and hatches a plan to steal their loot. Cast: Kelly Lynch, Jim Beaver, Izabella Miko, Liam Aiken. PORTLAND PREMIERE
  • Like Me / U.S. (Director: Michael Kuell) A documentary about NYC comedian and actor Micah Sherman attempts to overcome his lack of boundaries and social anxiety to find his digital voice through social media.  Featuring: Micah Sherman, Hannibal Burress, Jim Gaffigan, Grace Helbig, Maria Bamford, Janeane Garofalo. WORLD PREMIERE
  • The Makings of You / U.S. (Director, Screenwriter: Matt Amato) Frank Wallis and Judy Meadows are comfortably numb to their lives, but when a chance encounter brings them together, their love for each other reignites life's sweet, unimagined possibilities. Cast: Jay Ferguson, Sheryl Lee, Grace Zabriskie. WEST COAST PREMIERE
  • The Resurrection of Jake the Snake / U.S. (Director: Steve Yu) A documentary portrait of legendary wrestler Jake "The Snake" Roberts as he charts his personal and professional comeback while battling crippling addictions. Cast: Jake Roberts, Dallas Page, Chris Jericho, Steve Austin, Adam Copeland. NORTHWEST PREMIERE
  • This is Happening / U.S. (Director, Screenwriter: Ryan Jaffe) Two estranged siblings. Five pounds of pot. One runaway grandmother. Cast: James Wolk, Mickey Sumner, Judd Nelson, Cloris Leachman. WEST COAST PREMIERE
  • We are Twisted F***ING SISTER / Germany, U.S. (Director: Andrew Horn) A documentary about the history of the iconic 80's metal band Twisted Sister, tracing their origins in the bar scene of early 1970s Long Island to their pre-MTV rise as a popular regional, New York-based band in the mid 1970s and early 1980s. U.S. PREMIERE
  • Yosemite / U.S. (Director, Screenwriter: Gabrielle Demeestere) Set in 1985, intertwining tales of three fifth grade friends unfold as the threat of a mountain lion looms over Palo Alto. Cast: James Franco, Henry Hopper, Calum John, Alec Mansky, Everett Meckler. PORTLAND PREMIERE

MIDNIGHT SPOTLIGHT

After dark movies full of wonderfully weird, provocative, and comedy highlights of new cinema. 

  • Dude Bro Party Massacre III / U.S. (Directors: Tomm Jacobsen, Michael Rousselet, Jon Salmon, Screenwriters: Michael Rousselet, Alec Owen, Ben Gigli, Brian Firenzi, Jon Salmon, Joey Scoma, Michael E. Peter, Mike James, Timothy Ciancio, Tomm Jacobsen) A hysterical and bloody twist on 80's slasher flicks, in which a dorky loner must infiltrate a party-centric fraternity to solve the murder of his twin brother. Cast: Alec Owen, Olivia Taylor Dudley, Patton Oswalt, Larry King, Nina Hartley, Greg Sestero. PORTLAND PREMIERE
  • Mega Summer Hit: A Slam Dunkumentary / U.S. (Director: Ryan Max O'Meila, Screenwriters: Thomas Kellogg, Kyle Newacheck, Ryan Max O'Meila)A mockumentary about a social media contest that sends its makers into the deepest corners of their minds as they struggle to finish the film. Cast: Thomas Kellogg, Kyle Newacheck, Ryan Max O'Melia, Blake Anderson, Adam Devine, Anders Holm. WORLD PREMIERE
  • Space Program / U.S. (Director: Van Neistat, Screenwriters: Van Neistat, Tom Sachs)Two female astronauts go to Mars in a handmade space program to answer humankind's ultimate question...are we alone? A provocative collaboration between acclaimed artist Tom Sachs and director Van Neistat. WEST COAST PREMIERE

NORTHWEST

Celebrating narrative and documentary films made in the Northwest area, as well as unique films made by Northwest filmmakers. 

  • The Black Sea / U.S. (Director, Screenwriter: Brian Padian) Five friends arrive at a beach house on the Oregon Coast for a holiday weekend, where one of them mysteriously disappears overnight. Cast: Cora Benesh, Erin McGarry, Corrina Repp. WORLD PREMIERE
  • Deep Dark / U.S. (Director, Screenwriter: Michael Medaglia) A failed sculptor, is about to end it all until he finds a strange, talking hole in the wall. Cast: Sean McGrath, Anne Sorce, Denise Poirier. US PREMIERE
  • Vintage Tomorrows / U.S. (Director: Byrd McDonald)A documentary about the Steampunk movement's explosive growth, origins, and cultural significance, which explores the fundamental question: what can we learn about tomorrow from Steampunk's playful visions of yesteryear? NORTHWEST PREMIERE
  • The 2015 PORTLAND FILM FESTIVAL is Oregon's largest film event of the year, with 80 narrative and documentary feature films and 134 short films selected out of 3500 SUBMISSIONS.
  • This week long extravaganza also includes over 75 MASTER CLASSES, TWO LIFETIME ACHIEVEMENT TRIBUTES, and an unprecedented live event featuring SEVERAL THOUSAND FESTIVAL GOERS AS EXTRAS in a record-setting ZOMBIE DAY EVENT.

For Full festival line-up and info to purchase passes and tickets, go to: www.portlandfilmfestival.com 

FSLC ANNOUNCED THE COMPLETE LINEUP FOR PROJECTIONS AT THE 53RD NYFF

The Film Society of Lincoln Center announced the complete lineup for Projections at the 53rd New York Film Festival, taking place from Friday, October 2 through Sunday, October 4. This year’s lineup, which includes 14 programs, presents an international selection of film and video work that expands upon our notions of what the moving image can do and be. Drawing on a broad range of innovative modes and techniques, including experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices, Projections brings together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking filmmakers and artists. 

“We think of Projections, now in its second year, as the festival’s ever-shifting zone of discovery, a survey of inventive and unconventional work that updates and challenges our idea of what constitutes experimentation in cinema,” said Dennis Lim, the Film Society of Lincoln Center’s Director of Programming and one of the curators of Projections. “In the spirit of its venerable predecessor, Views from the Avant-Garde, the program remains committed to the experimental film tradition, but it has been no less important for us to bring new voices and fresh approaches into the mix. This year we have a more varied slate than ever, one that I hope audiences will find invigorating in its breadth, and for its implicit assertion that there are still myriad ways to reimagine the possibilities of cinema and its relationship to the world.“
 
This year, the NYFF welcomes a new collaboration with the curated video on demand service MUBI, which will be a dedicated sponsor of the Projections section. Several titles from past Projections lineups will be made available on MUBI leading up to the festival, and a selection from the 2015 lineup will be offered after premiering. Details on the films and schedule will be announced at a later date.    

Highlights in Projections this year include the U.S. Premiere of two new films from Ben Rivers (A Distant Episode, THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS; Lucien Castaing-Taylor and Véréna Paravel’s return to the festival after Leviathan with the World Premiere of Ah humanity!, co-directed with Ernst Karel; andWorld Premieres from previous Kazuko Trust Award winners Dani Leventhal (Hard as Opal, co-directed with Jared Buckhiester), Laida Lertxundi (Vivir para Vivir / Live to Live), and Michael Robinson (Mad Ladders). This year’s recipient of the Kazuko Award, which recognizes artistic excellence and innovation and is awarded to an emerging filmmaker in the Projections lineup, will be announced in early October.  

Other World Premieres of note include returning regulars to Projections (and formerly Views from the Avant-Garde): Janie Geiser (Cathode Garden), Jim Finn (Chums from Across the Void), Jodie Mack (Something Between Us), Fern Silva (Scales in the Spectrum of Space), Mike Stoltz (Half Human, Half Vapor), and Vincent Grenier (Intersection).

Directors with medium- and feature-length works in this year’s selection include Nicolas Pereda (Minotaur), whose work has shown in New Directors/New Films and Art of the Real previously; FIDMarseille award winner Riccardo Giacconi (Entangled / Entrelazado); and Isiah Medina (88:88), whose film was a selection at the recent Locarno Film Festival and will screen at the upcoming Toronto International Film Festival. 

Several esteemed contemporary visual artists will also make their first appearance at the NYFF this year, including James Richards (Radio at Night), Basim Magdy (The Everyday Ritual of Solitude Hatching Monkeys), Simon Fujiwara (Hello), Michael Bell-Smith (Rabbit Season, Duck Season), Takeshi Murata (OM Rider), Jon Rafman (Erysichthon), and Cécile B. Evans (Hyperlinks or It Didn’t Happen).

Discovery and rediscovery will also take center stage throughout the weekend. Among the first-timers at the NYFF are Louis Henderson, who has two films in the festival, including the World Premiere of Black Code/Code Noir; and Nelson Carlo de Los Santos Arias, with his bold riff on Roberto Bolaño, Santa Teresa & Other Stories. Projections will also showcase restorations of the late Chick Strand’s Soft Fiction and Curt McDowell’s Confessions, both on 16mm and restored by the Academy Film Archive.

Projections is curated by Dennis Lim (Director of Programming, Film Society of Lincoln Center), Aily Nash (independent curator), and Gavin Smith (Editor, Film Comment and Senior Programmer, Film Society of Lincoln Center). 

Tickets are $15 for General Public; $10 for Members & Students, and a $99 Projections All Access Pass will also be available for purchase. Visit
 filmlinc.org/NYFF for more information. Additional NYFF special events, documentary section, and filmmaker conversations and panels will be announced in subsequent days and weeks.

The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. 

Tickets for the 53rd New York Film Festival will go on sale to Film Society patrons at the end of August, ahead of the General Public. Learn more about the patron program at filmlinc.org/patrons. Becoming a Film Society Member offers the exclusive member ticket discount to the New York Film Festival and Film Society programming year-round plus other great benefits. Current members at the Film Buff Level or above enjoy early ticket access to NYFF screenings and events ahead of the general public. Learn more at filmlinc.org/membership.

For even more access, VIP Passes and Subscription Packages give buyers one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events including the invitation-only Opening Night party, “ An Evening With…” Dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. A limited number of VIP Passes and Subscription Packages are still available. For information about purchasing Subscription Packages and VIP Passes, go to filmlinc.org/NYFF.



Films, Descriptions & Schedule

All screenings will take place at the Elinor Bunin Munroe Film Center, 144 West 65th Street


Program #1
Friday, October 2, 2:00pm
Friday, October 2, 9:00pm
TRT: 82m


The entanglement of the psychological and physical worlds, as reflected in architecture, domestic space, and everyday objects.

Neither God nor Santa María
Samuel M. Delgado & Helena Girón, Spain, 2015, DCP, 12m

“Since airplanes did not exist, people moved around using prayers; they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman, the magic of her tales begin to materialize as night falls. Night is the time when travel is possible.”—Samuel Delgado & Helena Girón U.S. Premiere

Something Horizontal
Blake Williams, USA/Canada, 2015, HDCAM, 10m

“Three-dimensional flashes of Victorian domestic surfaces and geometric shadows transform the physical world into a somber, impressionistic abstraction, while elsewhere a specter emerging from the depths of German Expressionism reminds us that what goes up always comes down.”—Blake Williams U.S. Premiere

Analysis of Emotions and Vexations
Wojciech Bakowski, Poland, 2015, digital projection, 13m

“This movie is a representation of my spirit’s volatile state. I used animation with poetic comment to analyze my emotions and vexations. I used pencil drawings in translucent frames to show a state of lightness. On the drawings you can see the elements taken from imagination and from real external sights. I did so because our mental states are built from what we can see and what we remember or imagine in abstraction.”—Wojciech Bakowski U.S. Premiere

Traces/Legacy
Scott Stark, USA, 2015, 35mm, 9m

“Discarded Christmas trees, colorfully arranged flea-market finds, a museum of animal kills, microscopic views of kitchenware, and other overlooked cultural artifacts are interwoven with flickering journeys through mysterious, shadowy realms. Traces/Legacy uses a device called a film recorder to print a series of still digital images onto 35mm film. The 35mm projector can only show a portion of the image at a time, so the viewer sees alterations between the top and bottom half of each frame. The images also overlap onto the optical sound area of the film, generating their own unique sounds.”—Scott Stark

Entangled / Entrelazado
Riccardo Giacconi, Colombia/Italy, 2014, digital projection, 37m

“In quantum physics, if two particles interact in a certain way and then become separated, regardless of how distant they are from each other they will share a state known as ‘quantum entanglement.’ That is, they will keep sharing information despite their separation. This theory used to upset Einstein. In his theory of relativity, no transmission of information could occur faster than the speed of light, therefore he couldn’t understand how the two particles could be simultaneously connected.”—Riccardo Giacconi North American Premiere


Program #2
Friday, October 2, 4:15pm
Saturday, October 3, 2:00pm
TRT: 78m


The raw and the cooked: from elemental particles and nature vs. culture to doomed transcendental urges and, out of the ashes, renewal in fresh visions of the material world.

Prima Materia
Charlotte Pryce, USA, 2015, 16mm, 3m

“Delicate threads of energy spiral and transform into mysterious microscopic cells of golden dust: these are the luminous particles of the alchemist’s dream. Prima Materia is inspired by the haunting wonderment of Lucretius’s De Rerum Natura. It is an homage to the first, tentative photographic records that revealed the extraordinary nature of phenomena lurking just beyond the edge of human vision.”—Charlotte Pryce

Intersection
Vincent Grenier, USA, 2015, DCP, 7m

“On the corner of Brooktondale Rd. and Route 79 near Ithaca is an amazing planting of forget-me-nots and dandelions. An improbable dance between different layers of reality, one organic, the other mechanical, and another the numbing everyday. Timeless fragility jousts with fleeting enamels and the upstanding violence.”—Vincent Grenier World Premiere

Port Noir
Laura Kraning, USA, 2014, digital projection, 11m

“Within the machine landscape of Terminal Island, the textural strata of a 100-year-old boat shop provides a glimpse into Los Angeles Harbor’s disappearing past. Often recast as a backdrop for fictional crime dramas, the scenic details of the last boatyard evoke imaginary departures and a hidden world at sea.”—Laura Kraning

Centre of the Cyclone
Heather Trawick, USA/Canada, 2015, 16mm, 18m

“‘In the province of the mind there are no limits. However, in the province of the body there are definite limits not to be transcended’ (John C. Lilly). An invocation for the transcendence between the corporeal and metaphysical, the passage is guided by marooned sailors, a moment of celestial chance, demolition derbies, and a slipping into the ether.”—Heather Trawick World Premiere

Le Pays Dévasté / The Devastated Land
Emmanuel Lefrant, France, 2015, 35mm, 12m

"A look back to the geological age when humans were just starting to learn to control the powers of nature that had dominated them up to that point. Traces—chemical, consumption, and nuclear—of their existence will remain in the planet’s geological code for thousands or even millions of years. Making use of negative images, Le Pays Dévasté presents an ominous picture of Earth’s future."—Emmanuel Lefrant U.S. Premiere

Cathode Garden
Janie Geiser, USA, 2015, DCP, 8m

“A young woman moves between light and dark, life and death; a latter-day Persephone. The natural world responds accordingly. Neglected negatives, abandoned envelopes, botanical and anatomical illustrations, and found recordings reorder themselves, collapsing and reemerging in her liminal world.”—Janie Geiser World Premiere

Something Between Us
Jodie Mack, USA, 2015, 16mm, 10m

“A choreographed motion study for twinkling trinkets, beaming baubles, and glaring glimmers. A bow ballet ablaze (for bedazzled buoyant bijoux brought up to boil). Choreographed costume jewelry and natural wonders join forces to perform plastic pirouettes, dancing a luminous lament until the tide comes in.”—Jodie Mack World Premiere

brouillard - passage 15
Alexandre Larose, Canada, 2014, 35mm, 10m

“With this project I fabricate sequences by in-camera layering of repeated trajectories inside a path extending from my family’s home into Lac Saint-Charles. The image-capturing process produces a sedimented landscape that gradually unfolds while simultaneously disintegrating under temporal displacement. Approximately 30 long takes begin at the same frame on the film strip, all shot at a high frame rate. My walking rhythm varies for each trajectory, resulting in the space progressively expanding in depth until I reach the edge of a dock. The duration of the long take corresponds to the length of the celluloid reel, a thousand feet of 35mm film.”—Alexandre Larose


Program #3
Friday, October 2, 6:30pm
Saturday, October 3, 4:00pm
TRT: 86m


Disorienting visions, both near and far, of an apocalyptic world reveal the warped landscapes of the Anthropocene.

A Distant Episode
Ben Rivers, UK/Morocco, 2015, 16mm, 18m

“A meditation on the illusion of filmmaking, shot behind the scenes on a film being made on the otherworldly beaches of Sidi Ifni, Morocco. The film depicts strange activities, with no commentary or dialogue; it appears as a fragment of film, dug up in a distant future—a hazy, black-and-white hallucinogenic world.”—Ben Rivers U.S. Premiere

In Girum Imus Nocte
Giorgio Andreotta Calò, Italy, 2015, digital projection, 13m

“I imagine a wooden boat on fire. A fire that illuminates the night and slowly consumes and transforms the fishing boat into coal. A fire that accompanies the traveling distance of the miners and fishermen. Change of a substance from one physical state to another. An entropic event transforming matter and symbols.”—Giorgio Andreotta Calò North American Premiere

Half Human, Half Vapor
Mike Stoltz, USA, 2015, 16mm, 11m

“This project began out of a fascination with a giant sculpture of a dragon attached to a Central Florida mansion. The property had recently been left to rot, held in lien by a bank. Hurricanes washed away the sculpture. I learned about the artist who created this landmark, Lewis Vandercar (1913-1988), who began as a painter. His practice grew along with his notoriety for spell-casting and telepathy. Inspired by Vandercar’s interest in parallel possibility, I combined these images with text from local newspaper articles in a haunted-house film that both engages with and looks beyond the material world.”—Mike Stoltz World Premiere

Occidente
Ana Vaz, France/Portugal, 2014, 16mm/digital projection, 15m   
 
“Filming in Lisbon in search of the origins of our colonial history, I found copies. Brazilians, the new worlders fluent in glitz, entertain the Portuguese in awe and discomfort, colonial norms applied and reapplied. Chinese porcelain seem to signal hybrids to come: the Chinese dressed as Europeans, the Brazilian maid dressed as a 19th-century European servant. Porcelain from the 15th-century becomes reproducible ready-mades that set the tables for the new colonies—a transatlantic calling. Ouro novo reads new money. As a poem without periods, as a breath without breathing, the voyage travels eastward and westward, marking cycles of expansion in a struggle to find one’s place, one’s seat at the table.”—Ana Vaz     

YOLO
Ben Russell, USA/South Africa, 2015, DCP, 7m

“Filmed in the remains of Soweto's historic Sans Souci Cinema (1948-1998), YOLO is a makeshift structuralist mash-up created in collaboration with the Eat My Dust youth collective from the Kliptown district of Soweto, South Africa. Vibrating with mic checks and sine waves, resonating with an array of pre-roll sound—this is cause and effect shattered again and again, temporarily undone. O humanity, You Only Live Once!”—Ben Russell U.S. Premiere

Ah humanity!
Ernst Karel, Verena Paravel & Lucien Castaing-Taylor, Japan/France/USA, 2015, DCP, 22m

“Ah humanity! reflects on the fragility and folly of humanity in the age of the Anthropocene.  Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy.  Shot on a telephone through a handheld telescope, at once close to and far from its subject, the audio composition combines excerpts from Japanese genbaku film soundtracks, audio recordings from scientific seismic laboratories, and location sound.”—Ernst Karel, Verena Paravel & Lucien Castaing-Taylor World Premiere


Program #4
Saturday, October 3, 1:00pm
Saturday, October 3, 6:00pm
TRT: 74m


When the worlds of fantasy and desire collide in a dissociative dance of bodies in motion, what’s love got to do with it? 

Hard as Opal
Jared Buckhiester & Dani Leventhal, USA, 2015, digital projection, 29m

“A soldier’s trip to Syria is complicated when he accidentally impregnates a friend. Meanwhile, a horse breeder from Ohio is driven away from home by her own desire to become pregnant. In Hard as Opal the lines between truth and fiction, fact and fantasy, are reined in and treated not as fixed, divisive markers but as malleable threads of narrative potential. Buckhiester and Leventhal perform alongside other non-actors who are filmed in their own varying domestic and professional environments. The result is a rich accumulation of narratives held together by questions concerning the nature of objectification, loneliness, and dissociative fantasy.”—Brett Price World Premiere

Confessions
Curt McDowell, USA, 1971, 16mm, 11 min

“How much joy and lust and friendship can be crammed into one 11-minute movie? ‘To put it into words is just not that easy to do.’ After a tearful confession, Curt casts one true love as a leading man and lets the images do most of the talking, so what you know about him is felt. The difference between a messy guy in bloom and a perfect lifeless doll. The beauty of women’s faces and men’s cocks in close-up, and dirty bare feet, stepping forward. A live-wire radio built by editing that switches from folk to blues in a heartbeat. Fanfare, a cum shot, and a burst of applause as the director walks away from the camera, into San Francisco daylight. There’s no happier ending in cinema."
—Johnny Ray Huston, from The Single and the LP

Restored print courtesy of Academy Film Archive. Confessions is the first in a large-scale project at the Academy Film Archive to restore the majority of Curt McDowell’s extant films.

Non-Stop Beautiful Ladies
Alee Peoples, USA, 2015, 16mm, 9m

“I use Super 8 and 16mm film as a vehicle for loose storytelling with history and humor. Simple props and gestures are part of a playful aesthetic. Glimpses into the culture of a place are given while playing with truth and representation. Non-Stop Beautiful Ladies is a Los Angeles street film starring empty signs, radio from passing cars, and human sign spinners, some with a pulse and some without.”—Alee Peoples

Mars Garden
Lewis Klahr, USA, 2014, DCP, 5m

“Mars Garden is episode 5 of my 12-film series Sixty Six, which on its most foundational level, splices Greek mythology with 1960s pop culture. In Mars Garden I employ a light box to excavate the chance superimpositions of the two-sided comic book page in vintage mid-1960s superhero comics.”—Lewis Klahr

The Exquisite Corpus
Peter Tscherkassky, Austria, 2015, 35mm, 19m

“The Exquisite Corpus is based on several different films, with reference to the surrealist ‘exquisite corpse’ technique. It combines rushes from commercials, an American erotic thriller from the 1980s, a British comedy from the 1960s, a Danish and a French porn film (both most likely from the 1970s), an Italian softcore sex movie from 1979, and a (British?) amateur “nudist film.” In addition to the found footage, many indexical signs and images are imprinted upon the film. By focusing on these erotic fragments The Exquisite Corpus brings the body of film itself to the forefront and finds its central theme.”—Peter Tscherkassky U.S. Premiere

Program #5
Saturday, October 3, 3:30pm
TRT: 64m


Soft Fiction
Chick Strand, USA, 1979, 16mm, 54m

“Chick Strand’s Soft Fiction is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary approach with a sensuous lyrical expressionism. Strand focuses her camera on people talking about their own experience, capturing subtle nuances in facial expressions and gestures that are rarely seen in cinema. The film’s title works on several levels. It evokes the soft line between truth and fiction that characterizes Strand's own approach to documentary, and suggests the idea of softcore fiction, which is appropriate to the film's erotic content and style. It's rare to find an erotic film with a female perspective dominating both the narrative discourse and the visual and audio rhythms with which the film is structured. Strand continues to celebrate in her brilliant, innovative personal documentaries her theme, the reaffirmation of the tough resilience of the human spirit.”
—Marsha Kinder, Film Quarterly

Restored by the Academy Film Archive. Restoration funding provided by the Los Angeles County Museum of Art (LACMA) and The Film Foundation.

Lost Note
Saul Levine, USA, 1969/2015, 16mm, 10m

“Scenes drawn from the home and life of Isa Milman (the woman I was then married to) and me, made together with our dog Jesse, our friends Bruce Blaney and Patti Tanaka, their children Sean and Jason, and many others. I began this as a love poem to Isa, but before I finished the film everything had changed. For many of us, 1968/69 was a period of violent transition. The film was formally challenging, editing footage with in-camera superimpositions and cutting black and white with color.”—Saul Levine


Program #6
Saturday, October 3, 5:30pm
TRT: 63m

Minotaur
Nicolas Pereda, Mexico/Canada, 2015, DCP, 53m

“Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.”—Nicolas Pereda U.S. Premiere

Vivir para Vivir / Live to Live
Laida Lertxundi, USA/Spain, 2015, 16mm, 10m

“The body, a space of production, creates structures for a film.”—Laida Lertxundi
World Premiere

Program #7
Saturday, October 3, 7:15pm
Sunday, October 4, 5:00pm
TRT: 69m


Modern conflicts of labor and race, traced from their complex origins to the chaotic present.

Hello
Simon Fujiwara, Germany, 2015, digital projection, 10m

“Hello explores changes in the working lives of two people: Maria, a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and Max, a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand that Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max who was born with no arms and sought refuge in computer imaging as a means to operate and manipulate a digital reality.”—Simon Fujiwara U.S. Premiere

F for Fibonacci
Beatrice Gibson, UK, 2014, DCP, 16m

“F for Fibonacci takes as its departure point William Gaddis’s epic 1975 modernist novel JR. Unfolding through the modular machine aesthetics of the video game Minecraft, text-book geometries, graphic scores, images from physics experiments, and cartoon dreams blend with images from Wall Street: stock-market crashes, trading pits, algorithms, and transparent glass. As well as the writing of Gaddis, the film draws on the work of little-known British experimental educator and composer John Paynter. Gibson worked closely with 11-year-old Clay Barnard Chodzko on a number of the film’s production elements, commissioning him to design an office in Minecraft and develop an existing character of his, Mr. Money. Gibson and Chodzko’s ramblings on the subject of his protagonist lead the viewer through F for Fibonacci’shallucinatory soup.”—Beatrice Gibson

Black Code/Code Noir
Louis Henderson, France, 2015, DCP, 21m

“Black Code/Code Noir unites temporally and geographically disparate elements into a critical reflection on two recent events: the murders of Michael Brown and Kajieme Powell by police officers in the U.S. in 2014. Archaeologically, the film argues that behind this present situation is a sedimented history of slavery, preserved by the Black Code laws of the colonies in the Americas. These codes have transformed into the algorithms that configure police Big Data and the necropolitical control of African Americans today. Yet how can we read in this present? How can we unwrite the sorcery of this code as a hack? Through a historical détournement the film suggests the Haitian Revolution as the first instance of the Black Code’s hacking and as a past symbol for a future hope.”—Louis Henderson World Premiere

Lessons of War
Peggy Ahwesh, USA, 2014, digital projection, 6m

“Five little narratives—newsworthy stories from the 2014 war on Gaza—retold in order to not forget the details, to reenact the trauma and to honor the dead. The footage is lifted from a YouTube channel that renders the news in animation, fantastic and imaginative, providing several protective layers away from reality. The footage is repurposed here to critique that safe distance from the violence, foregrounding the antiseptic nature of the virtual narrative. Video courtesy of Microscope Gallery.”—Peggy Ahwesh

Scales in the Spectrum of Space
Fern Silva, USA, 2015, DCP, 7m

“Commissioned by the Chicago Film Archive and in collaboration with legendary jazz musician Phil Cohran, Scales in the Spectrum of Space explores the documented histories of urban life and architecture in Chicago. Culled from 70 hours of footage and incorporating 35 different films, Scales in the Spectrum of Space weighs in on the pulse of the Midwest metropolis.”—Fern Silva World Premiere

Many Thousands Gone
Ephraim Asili, USA/Brazil, 2015, digital projection, 9m

“Filmed on location in Salvador, Brazil (the last city in the Western Hemisphere to outlaw slavery) and Harlem, New York (an international stronghold of the African Diaspora), Many Thousands Gone draws parallels between a summer afternoon on the streets of the two cities. A silent version of the film was given to jazz multi-instrumentalist Joe McPhee to create an interpretive score. The final film is the combination of the images and McPhee’s real-time “sight reading” of the score.”
—Ephraim Asili


Program #8
Sunday, October 4, 1:00pm
TRT: 65m


88:88
Isiah Medina, Canada, 2014/15, DCP, 65m

“You cannot pay your bill. - . Your heat and lights are cut off. -. You pay. The clocks initially flash 88:88, --:--. You set the clocks. You cannot pay. -. You pay. 88:88. --:--. Repeat. 88:88, --:--. Cut. -. You stop setting your clock to the time of the world. 88:88, --:-- . Subtracted: - : you make do with suspension. 88:88, --:--, -.”—Isiah Medina U.S. Premiere

Program #9
Sunday, October 4, 3:30pm
Sunday, October 4, 7:00pm
TRT: 76m


Life in the Cloud: What are the material and emotional consequences of a digital world that has altered our bodily existence?

Radio at Night
James Richards, Germany/UK, 2015, digital projection, 8m

“Responding to Derek Jarman’s visual strategies and montage techniques, Radio at Night carves out a sensual and sonic space of representation. The video is an assemblage of distorting and looping audiovisual material, including industrial documentation, medical imaging, news broadcasts, and a specially composed soundtrack sung in C minor.”—James Richards

All That Is Solid
Louis Henderson, France/UK/Ghana, 2014, DCP, 15m

“As technological progress pushes forward, piles of obsolete computers are discarded and recycled. Sent to the coast of West Africa, these computers are thrown into wastegrounds such as Agbogbloshie in Accra, Ghana. The e-waste is recovered and burned to extract the precious metals contained within. Eventually the metals are melted and reformed into new objects to be sold—it is a strange system of recycling, a kind of reverse neocolonial mining, whereby the African is searching for mineral resources in the materials of Europe. Through showing these laborious processes, the video challenges the capitalist myth of the immateriality of new technology, revealing the mineral weight with which the Cloud is grounded to its earthly origins.”—Louis Henderson

Mad Ladders
Michael Robinson, USA, 2015, digital projection, 9m

“A modern prophet’s visions of mythical destruction and transformation are recounted across a turbulent geometric ceremony of rising curtains, swirling setpieces, and unveiled idols from music television’s past. Together, these parallel cults of revelation unlock a pathway to the far side of the sun.”—Michael Robinson World Premiere

Erysichthon
Jon Rafman, Canada, 2015, digital projection, 8m

“Erysichthon is the third and final film in a Dante-esque adventure across the far-flung corners of the Web. Plunging into the depths of Internet obsessions and transgressions, the videos assemble an unsettling parade of images from the mundane to the erotic to the violent, presenting the full breadth and depth of human desires as mediated by the flow of data.”—Jon Rafman World Premiere

Slow Zoom Long Pause
Sara Magenheimer, USA, 2015, digital projection, 13m

“Q: How do we know it’s real?

A: It feels real

Q: What if fake feels real?

A: Then it’s real

Q: What color is the sound of your name?

A: Peach

Q: What comes next?

A: A

Q: Can you think of a thing that itself is a symbol, too?

A: A

Q: Do you know anyone whose name is just one letter?

A: I

Q: If your first name was only one letter, which letter would it be?

A: I”
—Sara Magenheimer
World Premiere

Hyperlinks or It Didn’t Happen
Cécile B. Evans, UK, 2014, digital projection, 22m

“Hyperlinks or It Didn’t Happen is narrated by the failed CGI rendering of a recently deceased actor (PHIL). In an intensification of so-called hyperlink cinema, the lives of a group of digital agents—render ghosts, spambots, holograms—unfold across various settings, genres, and modes of representation. Multiple storylines build, converge, and collapse around overarching ideas of existence without anatomy: the ways in which we live and work within the machine. Throughout, questions are raised about what it means to be materially conscious today and the rights of the personal data we release.”
—Cécile B. Evans


Program #10
Sunday, October 4, 6:00pm
TRT: 84m


Santa Teresa & Other Stories
Nelson Carlo de Los Santos Arias, Dominican Republic/Mexico/USA, 2015, DCP, 65m

“This film arises from the urgent need to talk about violence from another position, conscious of the over-used statement ‘Third World society places violence at the center of its meaning.’ Accordingly, let’s forget the modes of representation that my cinema has used and consider that where an idea manages to take control and become hegemonic, an anarchic rebellion of multiple narratives, colors, and formats emerges in a drive toward permanent revolution. The Caribbean reinvented European tongues; my montage is inspired by that far-from-standard orality, mutating constantly into different modes of representation as it stalks its freedom.”—Nelson Carlo de Los Santos Arias U.S. Premiere

Bunte Kuh
Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour, Canada, 2015, DCP, 6m

“Through a flood of images and impressions, a narrator attempts to recall a family holiday. Produced in Berlin and Toronto,Bunte Kuh combines a found postcard, a family photo album, and original footage to weave together the temporal realities of two separate vacations.”—Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour

The Everyday Ritual of Solitude Hatching Monkeys
Basim Magdy, Egypt, 2014, digital projection, 13m

“Layered and manually altered 16mm footage intertwines with the soundtrack and the narrative, presented through subtitles, to tell the story of a man who moves away from the sea to escape death by water. He soon finds himself alone when his co-workers go to the beach and never return. Society becomes a stranger and his imagination becomes his only friend. He dials a random number and a romantic conversation about loneliness and the absurdity of reality ensues. His world starts acquiring meaning as he realizes part-time-singer monkeys are running the show.”—Basim Magdy World Premiere


Program #11
Sunday, October 4, 8:30pm
Sunday, October 4, 9:00pm
TRT: 98m

THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS
Ben Rivers, UK/Morocco, 2015, 35mm, 98m

A labyrinthine and epic film that moves between documentary, fantasy, and fable, shot against the staggering beauty of the Moroccan landscape, from the rugged terrain of the Atlas Mountains to the stark and surreal emptiness of the Moroccan Sahara, with its encroaching sands and abandoned film sets. Rivers’s work contains multiple narratives, the major strand being an adaptation of “A Distant Episode,” the savage short story by Paul Bowles. The film also features the enigmatic young film director Oliver Laxe, whose on-screen presence becomes interwoven with the multiple narratives that co-exist amid the various settings of Rivers’s cinematic exploration. U.S. Premiere


AMPHITHEATER

Program A
Friday, October 2, 12:00-6:00pm, 9:00-11:00pm, Q&A 9:00pm
TRT: 38m (on loop)

Chums from Across the Void
Jim Finn, USA, 2015, DCP, 18m

“Little Radek, the step-dancing Bolshevik; Machera, the Andean Robin Hood; and Maria Spiridonova, the Russian socialist assassin are your guides for Past Leftist Life Regression therapy. In this third Inner Trotsky Child video, narrator Lois Severin—a former Trotskyite turned suburban housewife—attempts to radicalize the personal fulfillment and self-help scene. Like the Christian fundamentalist activists in the 1970s who prepared the way for the Reagan Revolution, the Inner Trotsky Child movement was a way to cope with life in the Prime Material Plane of Corporate Capitalism and to create a 21st-century revolution of the mind.”—Jim Finn World Premiere

The Two Sights
Katherin McInnis, USA, 2015, DCP, 4m

“Between 1015 and 1021 C.E., the great Muslim scientist Ibn al-Haytham (Alhacen) wrote The Book of Optics (while feigning madness and under house arrest). The Book of Optics debunks theories that the eyes emit rays, or that objects project replicas of themselves, and accurately describes the strengths and weaknesses of human vision. Translations of this work reached the West in the 13th century and influenced Roger Bacon, Leonardo da Vinci, Galileo, and Descartes.The Two Sights is a false translation of this work, using images from the LIFE magazine photo archive.”—Katherin McInnis World Premiere

A Disaster Forever
Michael Gitlin, USA, 2015, digital projection, 16m

“Derived from a 25-year-old cassette tape, transcribed and reenacted on a recording stage, A Disaster Forever positions us on the unfamiliar terrain of an idiosyncratic cosmology. Turning between prismatic abstractions and hand-painted entanglements, a world-system is suspended in the play of light by a voice that floats loose in a cinema for the ear.”—Michael Gitlin World Premiere


Program B
Saturday, October 3, 12:00-6:00pm, 9:00-11:00pm, Q&A 5:00pm
TRT: 34m (on loop)

Terrestrial
Calum Michel Walter, USA, 2015, digital projection, 11m

“The observations of an object in motion: A mobile device captures the trajectories of objects liberated from and bound to earth, against a backdrop of uniquely human dissonance. Terrestrial is in part an attempt to articulate a desire to transcend bodily limits with things like mobile devices and machines etc. while acknowledging an unavoidable level of dysfunction.The film was inspired by an incident in 2014 where a Blue Line train in Chicago failed to stop at its final destination, the O’Hare airport, and eventually came to a stop halfway up the escalator at the airport’s entrance. Terrestrial reimagines this crash as an earthbound machine’s failed takeoff.”—Calum Michel Walter U.S. Premiere

Noite Sem Distância
Lois Patiño, Portugal/Spain, 2015, DCP, 23m

“An instant in the memory of landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, the river, the trees: silent witnesses that help them to hide. They just have to wait for the night to cross the distance that separates them.”—Lois Patiño North American Premiere

Program C
Sunday, October 4, 12:00-6:00pm, 9:00-11:00pm, Q&A 3:00pm
TRT: 37m (on loop)

Rabbit Season, Duck Season
Michael Bell-Smith, USA, 2014, digital projection, 5m

“In Rabbit Season, Duck Season, a scene from the 1951 Warner Bros. cartoon “Rabbit Fire” is retold as an allegory for the present day. The cartoon’s iconic encounter between the hunter, the rabbit, and the duck frames a web of tightly constructed sequences that move across various forms of video, including traditional animation, live action, and 3-D animation. A loose essay film, the video adopts a variety of tones and genres to touch upon themes of resistance, taste, the construction of meaning, and the exhaustion of choice.”—Michael Bell-Smith

All My Love All My Love
Hannah Black, UK, 2013-15, digital projection, 7m

“In a famous experiment intended to mechanize the procedures of parenting and love, baby monkeys were given ‘wire mothers.’ The experiment failed, just like real mothers sometimes fail. It continues to be cheaper for the complex procedures of care to be performed by women, often impoverished women of color. But the vanguard of tech keeps producing new technologies of love: the Gchat that fills the empty space of a solitary day, for example, or the dancing robot in the video. The ambivalent need for contact remains, as a wound or a breach, threaded through all our relations. The living mother is also a technology, i.e., a social form, and one day she too might be rendered obsolete.”—Hannah Black North American Premiere

Velvet Peel 1
Victoria Fu, 2015, USA, digital projection, 13m

“Velvet Peel 1 depicts performing bodies in cinematic space interacting with flat layers of digital effects. Featuring performers Polina Akhmetzyanova and Matilda Lidberg, their movements are based on physical enactments of touchscreen interfaces. The figures are composited in a variety of settings—scenes from previous exhibition venues and contexts where the work was installed, the artist’s studio during production, appropriated footage from the Internet, desktop screensavers, and abstracted 16mm color film. Layered together to create a “viable” or “habitable” cinematic space, the scenes are simultaneously deconstructed by making the layers of post-production visible, and the flatness of surfaces called to the fore.

OM Rider
Takeshi Murata, USA, 2014, digital projection, 12m

“In a vast desert bathed in neon hues, a misfit werewolf blasts syncopated techno rhythms into the night. Meanwhile, an old man sits at a large, round table in a void-like space, rigidly sipping coffee and rolling snake-eyed dice as the faint sound of the werewolf’s pulsating, phantasmic synth grows louder. Hopping onto his motorcycle, the werewolf tears full speed ahead over forbidding terrain while his hoary counterpart becomes increasingly anxious...”—Takeshi Murata

For more information, please visit:

www.filmlinc.org

https://mubi.com

HELIOS FILM FESTIVAL JOINS FORCES WITH TENTSQUARE FOR FEMALE FILMMAKER CHALLENGE

The Helios Film Festival and TentSquare announced the launch of a “Female Filmmaker Challenge” as part of the film festival’s inaugural edition on October 9-11, 2015. Taking place in Cincinnati, the first year film festival celebrating independent filmmaking with an emphasis on shining a light on local film production, announced it’s first Call For Entries last month.

The "Female Filmmaker Challenge" will be open to female writers, directors, cinematographers and producers to submit a short film up to 15 minutes for a chance to win cash prizes, VIP badges to the 2015 Helios Film Festival and receive a spot on the "Women in Film" panel at the festival. The winner of the website’s contest will receive $500, 2 VIP filmmaker badges, and a spot on a “Women in Film” panel that will take place during the film festival. Choosing the winner of that contest will be actress/filmmaker Pollyanna McIntosh (LET US PREY, THE WOMAN), producer Kerry Fulton (JUSTIN AND THE KNIGHTS OF VALOR, ANA Y YO), and director/producer Sylvia Caminer (AN AFFAIR OF THE HEART, TANZANIA: A JOURNEY WITHIN). A staff-chosen winner will receive a $250 prize and a single VIP filmmaker badge.

Festival Director Lana Read said, “We could not be more excited to join forces with TentSquare to host this Female Filmmaker Challenge in our very first year. As filmmakers ourselves, Co-Director Ramsey Stoneburner and I are thrilled that the Helios Film Festival will immediately establish itself as a home for female directors and a film festival they can look to as a place dedicated to putting their work front and center.”

"Film history is rich with so many contributions made by female filmmakers," TentSquare’s Andrew van den Houten added, "and yet those creative voices are heard less often. The community is replete with talented women filmmakers and we're excited to see what they create."

The deadline for entries for the “Female Filmmaker Challenge” is August 28, 2015. The winner will be announced when the Helios Film Festival reveals the lineup of films for its first edition next month.

Application and entry details can be found at https://www.tentsquare.com/challenges/female-filmmaker-challenge-sfcs.

As previously announced, the Helios Film Festival is currently accepting entries through August 31, 2015.

The categories and submission information are on the web site at http://heliosfilmfestival.org.

Top critics Brett Ratner, Eric Kohn and Ann Hornaday at Key West Film Festival

“Brett Ratner Florida Student Filmmaker Scholarship” Announced

The Key West Film Festival announced a new annual Critics Focus program in which the nation’s top film critics will be invited to curate spotlight selections. This year, Ann Hornaday, Chief Film Critic of The Washington Post, and Eric Kohn, Chief Film Critic of Indiewire, will attend and host audience Q&As with the talent from the films they have selected, which will be announced at a later date. Also announced today is the new annual Brett Ratner Florida Student Filmmaker Scholarship. The festival runs in Key West, Florida from November 18 to 22.
 
As part of the Critics Focus program, some of the nation’s most respected film critics will be invited to curate spotlight films at the festival. Participating critics will be will be invited to return to the festival, as new critics are invited to curate films each year.  The program further marks the Key West Film Festival as a new and vital stop on the fall festival circuit, and is designed to support film criticism while giving audiences greater context and perspective around films through public conversations guided by expert voices.

Program Director Michael Tuckman states, “We want to put a spotlight on film criticism, and support it. Because of the shifting media environment, there are fewer film critics today. Critics have historically supported films and film festivals, and at Key West we want to give back by building a more dynamic relationship between our curated films and the film criticism community, creating a forum for open discussion and the exchange of ideas between real audiences and top critics.”

Ann Hornaday comments, “I’m honored to be invited to participate in the Critics Choice program at this year’s Key West Film Festival. With film criticism facing a number of challenges in a rapidly changing media landscape, it’s gratifying to join a community of film lovers who value what critics can bring to the conversation.”

Eric Kohn, who also serves on the festival’s advisory board, says, “I’m thrilled to participate in the Key West Film Festival’s Critics Choice program to help provide more context for authentic moviegoers as they are given the chance to uncover great movies in a festival environment.  Over the past two years that I’ve had the pleasure of attending the Key West Film Festival, the one thing more impressive than the luxurious weather and beach conditions is the enthusiasm of the audiences at every screening. These aren’t jaded industry insiders, but delightful, colorful personalities from all walks of life who are genuinely excited to discover new movies. It’s this type of attitude that sustains the value of critics as tastemakers today.”

Local film critic for The Key West CitizenShirrel Rhoades, will also present a film and will lead a panel discussion of the attending critics.

The Key West Film Festival’s annual Brett Ratner Florida Student Filmmaker Scholarship will begin this year, with a $5000 scholarship award given to a Florida student filmmaker chosen from six participating Florida colleges and universities. Born and raised in Miami Beach, Ratner is one of Florida’s most cherished filmmakers and will present the award to the winning student at a special ceremony at the Festival. The scholarship is designed to put a spotlight on aspiring Florida filmmakers, giving their unique local vision and heritage a national stage.

Brett Ratner states, “I'm thrilled to be coming home to where I first started making films in order to support and recognize the next generation of Florida filmmakers at this vibrant festival.”

Festival Venues include the historic San Carlos Institute, where the campaign for Cuba’s independence from colonial powers was planned in 1892.  The Key West Film Festival has equipped the San Carlos with DCP technology, and it will host gala screenings.  Other screening venues include Eaton Street Theater, the Waterfront Brewery and additional venues to be named later. Host venues for social events include the Hemingway Home and Museum, the Waldorf Astoria Casa Marina, and the Southernmost Mansion.

For full program information, a schedule of events, and travel and lodging details, please visit: kwfilmfest.com

New York Comedy Festival Announces 2015 Lineup Featuring Judd Apatow, Trevor Noah, Bill Burr and More

12TH ANNUAL FESTIVAL WILL RUN NOVEMBER 10-15

  • Citi Cardmember Presale Tickets Available August 11 - 16; Tickets Available at www.citiprivatepass.com
  • Tickets Available to the General Public on August 17 at www.nycomedyfestival.com

Marking its 12th year, the New York Comedy Festival (NYCF), presented in association with Comedy Central, announced its 2015 line-up today.  Expanding to six days and running from November 10 –15, the festival will feature some of comedy’s biggest stars performing in New York City’s most prestigious venues, including the Beacon Theatre, Brooklyn Academy of Music (BAM), Carnegie Hall, Carolines on Broadway, Madison Square Garden, The Theater at MSG, Town Hall and the 92nd Street Y.

Among the many highlights of this year’s festival include Judd Apatow and Friends at Carnegie Hall, Billy Crystal in conversation with David Steinberg at Town Hall, Bill Burr at Madison Square Garden, and Comedy Central’s new host of “The Daily Show” Trevor Noah at Town Hall.  This year’s returning festival veterans include Margaret Cho, Kathy Griffin, Gabriel Iglesias, Norm Macdonald, Bill Maher, Kumail Nanjiani, Patton Oswalt and Sarah Silverman, as well as first-time festival performers Nathan Fielder, John Leguizamo and Iliza Shlesinger.

This year’s NYCF will feature over 200 of the country’s most recognized and emerging comedians performing more than 60 shows throughout the city.  Additional shows will be announced in the fall.

“Our aspiration for the festival has always been bringing together talent from all over the comedy spectrum, featuring comedic greats and highlighting emerging talent in the industry. This year’s line-up is no exception,” said Caroline Hirsch, founder and owner of the New York Comedy Festival and Carolines on Broadway. “Throughout the years, the festival has become a staple in the comedy and New York City communities and we look forward to offering another week filled with big laughs.”

“Performing at Carnegie Hall is a dream come true,” said Judd Apatow. “Not for me but for some foreign twelve year old violinist. But I am sure it will be great!”

“Once again, Comedy Central and NYCF are excited to present a stellar line-up of comedic talent and shows,” said Steve Raizes, Senior Vice President, Comedy Central Consumer Products. “It’s a great opportunity for fans to experience the huge range and styles of comedy that take place in New York City.”

Over the past decade, the New York Comedy Festival has brought memorable performances to some of New York City’s most well-known venues with such talent as Aziz Ansari, Hannibal Buress, Louis C.K., Dane Cook, Whitney Cummings, Larry David, Jim Gaffigan, Ricky Gervais, Kevin Hart, Bill Maher, Joel McHale, Tracy Morgan, Tig Notaro, Patton Oswalt, Andy Samberg, and Amy Schumer, among others. The NYCF has also produced informative and entertaining panels including “Id Isn’t Always Pretty: An Evening with Broad City,” “An Evening with the Late Show with David Letterman Writers,” and “Clown Panties and Other Unpleasant Truths: An Evening With Inside Amy Schumer.”

Citi is the official card of the New York Comedy Festival.  Citi cardmembers will have access to purchase presale tickets to NYCF shows through Citi’s Private Pass program. The presale will run from August 11 at 10:00 AM EDT to August 16 at 10:00 PM EDT.  For complete presale details, visit www.citiprivatepass.com.

Tickets for all shows are available to the general public starting August 17 at 10:00 AM EDT.  Tickets can be purchased through the New York Comedy Festival website: www.nycomedyfestival.com.

The 2015 NYCF is presented in association with Comedy Central. Now in its 12th year, the festival is produced by Carolines on Broadway. Sponsors of the festival include Citi, the New York Post, Time Out New York, Variety and the Village Voice.

THE 2015 NEW YORK COMEDY FESTIVAL SCHEDULE

(EVENTS CONFIRMED TO DATE AND ARE SUBJECT TO ADDITIONS)

WEDNESDAY, NOVEMBER 11

A CONVERSATION WITH PATTON OSWALT – 7:30PM – 92ND STREET Y

MARGARET CHO – THERE’S NO I IN TEAM BUT THERE’S A CHO IN PSYCHO – 8PM – TOWN HALL

THURSDAY, NOVEMBER 12

NATHAN FIELDER – NATHAN FOR YOU – SNEAK PEAK AND Q & A – 7:30PM – NYU SKIRBALL CENTER

NORM MACDONALD – 7:30 PM – CAROLINES ON BROADWAY (PERFORMING THROUGH SUNDAY, NOVEMBER 15)

A CONVERSATION WITH BILLY CRYSTAL AND DAVID STEINBERG – 8PM – TOWN HALL

KATHY GRIFFIN: LIKE A BOSS – 8PM – CARNEGIE HALL

GABRIEL IGLESIAS PRESENTS: COMEDIANS OF STAND UP REVOLUTION – 8PM – BEACON THEATRE

KUMAIL NANJIANI – 10:00PM – NYU SKIRBALL CENTER

FRIDAY, NOVEMBER 13

SARAH SILVERMAN AND FRIENDS – 8PM – BAM

ILIZA SHLESINGER – 8PM – NYU SKIRBALL CENTER

JOHN LEGUIZAMO IN CONVERSATION – 8PM – 92ND STREET Y

SATURDAY, NOVEMBER 14

JUDD APATOW AND FRIENDS — 7PM – CARNEGIE HALL

TREVOR NOAH – 7PM – TOWN HALL

AN EVENING WITH BILL MAHER – 8PM – THE THEATRE AT MADISON SQUARE GARDEN

BILL BURR: DOES ANYBODY REMEMBER LAUGHTER? — 8PM — MADISON SQUARE GARDEN

For more information, please visit:

Comedy Central (www.cc.com)

Save the World and Be A Global Citizen

Where can you see Pearl Jam, Beyonce, Ed Sheeran, and Coldplay all in the same place? Global Citizen has you covered. The newly released lineup of the Global Citizen Festival, taking place September 26th, in the Great Lawn of Central Park, includes these headliners. Partners, Gucci and CHIME FOR CHANGE campaign are proud sponsors of the event. GlobalCitizen.org says that “the Festival is timed to coincide with the launch of the United Nations’ new Global Goals designed to fight inequality, protect our planet and end extreme poverty by 2030.”

So how do you get tickets to the star studded, do-good event? Sign up on GlobalCitizen.org to take action to end poverty. Once you've completed the action journey, you will be eligible for a ticket draw. For those not lucky enough to go, the festival will be streamed live from YouTube.com/GlobalCitizen. It's your time to be a part of changing the world. This means supporting the chance for every child to be able to attend school, every woman and girl being protected from violence, and diseases that can be prevented aren't altering the lives of others. Want a chance to be one of the 24,000 winners for this amazing event, sign up now!

(#NYAFF15) |NYAFF Announces 2015 Program and New Teaser Trailer | @subwaycinema

Opening Night film is the North American Premiere of Philip Yung’s crime-thriller Port of Call and Centerpiece Presentation is the North American Premiere of Sabu’sChasuke’s Journey

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Other notable films include the World Premiere of Fire Lee’s Robbery; the International Premiere of Anh Sang-hoon’s Empire of Lust; the North American Premieres of Chen Jiabin’s directorial debut A Fool and Lau Ho-leung’s Two Thumbs Up; and the U.S. Premiere of Daihachi Yoshida’s Pale Moon

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Special focus programs include Hong Kong Panorama; New Cinema from Japan (with a spotlight on director Daihachi Yoshida); Taiwan Cinema Now!; Myung Films: Pioneers and Women Behind the Camera in Korean Film; and The Last Men in Japanese Film, a joint Ken Takakura and Bunta Sugawara Tribute

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Welcome to the 14th edition of the New York Asian Film Festival (NYAFF). We're back with over 50 new feature films from China, Hong Kong, Japan, Korea, Taiwan, and South East Asia, featuring 1 World, 3 International, and 13 North American premieres, as well as an exceptional, all-star lineup of guests from all across Asia, including Hong Kong's superstar thesp Aaron Kwok, legendary director Ringo Lam, and Japan's rising star Shota Sometani.

The Film Society of Lincoln Center and Subway Cinema announced the lineup for the 2015 New York Asian Film Festival (NYAFF), which will take place from June 26 to July 8 at the Film Society and July 9 to 11 at SVA Theatre (333 W. 23rd Street). The Closing Night selection will be announced at a later date. North America’s leading festival of popular Asian cinema will showcase 52 feature films, including 1 World Premiere, 3 International Premieres, 13 North American Premieres, 5 U.S. Premieres, and 14 films making their New York City debuts. The festival will be attended by 18 international filmmakers and celebrity guests traveling from Hong Kong, Japan, South Korea, Taiwan, and the U.S.

NYAFF’s Opening Night presentation will be the North American Premiere of Philip Yung’s Port of Call. The film centers on the brutal murder of a 16-year-old Hunan girl who moves to Hong Kong with her family and falls into prostitution. Winding through time and grounded by Christopher Doyle’s gauzy cinematography, the film follows both the story of the young girl’s descent into sex work and the grizzled detective (Aaron Kwok) who obsessively works to solve the murder. Kwok is astonishing here in a career-best performance, with all the tics and haggard body language of a man beaten down by the violence that threatens to drown him at every turn.

The Centerpiece Presentation will be the North American premiere of Sabu’s Chasuke’s Journey, which was in Competition at this year’s Berlin Film Festival. According to Variety, the film finds “Sabu in his most fun-loving element, stirring Okinawa’s magical folk art into a Capraesque yarn that flirts with ideas of fate and self-determination, but really just revels in a rich tapestry of human experience. [The film is also] full of whimsical twists and high-octane action.”

The lineup also includes the World Premiere of Fire Lee’s black comedy Robbery; the International Premiere of Anh Sang-hoon’s erotic period actioner Empire of Lust; the North American Premieres of Chen Jiabin’s directorial debut A Fool, Daihachi Yoshida’s fantasy-drama Pale Moon, Lau Ho-leung’s action-comedy Two Thumbs Up, and Nobuhiro Yamashita’s slacker/rock drama La La La at Rock Bottom (previously announced); and the U.S. premiere of Yee Chih-yen’s high-school noirMeeting Dr. Sun. Other exciting highlights include Kulikar Sotho’s gorgeous meditation on Cambodia’s tragic Khmer Rouge past and its impact on the present, The Last Reel; Ryuichi Hiroki’s ensemble love-and-sex drama Kabukicho Love Hotel; Boo Ji-young’s superb labor-rights underdog drama Cart; and Sion Sono’s berserk rap musical Tokyo Tribe.   

The 14th edition of the NYAFF will feature five focus programs: “Hong Kong Panorama”; “New Cinema from Japan”; “Taiwan Cinema Now!”; the previously announced “Myung Films: Pioneers and Women Behind the Camera in Korean Film”; and “The Last Men in Japanese Film,” a joint tribute to Ken Takakura and Bunta Sugawara, both of whom passed away last November.

Though the festival is traditionally rooted in genre film and faithful to popular cinema, NYAFF 2015 continues to feature ambitious pieces of realistic storytelling that delineate themes that unite, rather than isolate, the nations and their cinemas by suggesting what they have in common. The design of this year’s program is to look in both directions: the present and the controversial past, with the inclusion of a number of movies that cast an unblinking eye on the wounds of history (the Khmer Rouge inThe Last Reel or the Cultural Revolution in Red Amnesia). In an age when nationalism has taken firm root in many East Asian countries and political control has spread far and wide, denying cinema its freedom and jeopardizing the existence of some of the most established festivals, this year’s lineup also offers emotional morality tales (Little Big MasterCart,Socialphobia) and films that speak truth to power (The Whistleblower,Solomon’s Perjury Part 1 & 2, A Fool).

Women come to the fore with both a program highlighting directors and producers currently working behind the scenes in the Korean peninsula, and films from Japan that offer superb female portraits: defiant, fierce… free. The festival also celebrates the beauty of Asian masculinity on screen, with a tribute to the two iconic Japanese actors who set the blueprint for Japanese manhood and cool, praised beyond the archipelago’s borders—Ken Takakura’s death was widely lamented on Weibo (China’s most popular social-media site) and even on state-run China Central Television (CCTV).

After eight successful years of partnership with Japan Society’s Japan Cuts: Festival of New Japanese Films, this year’s diverse selection of Japanese films have been fully integrated with the rest of the Festival’s program, and SVA Theatre’s Silas and Beatrice Theatres has been added to the list of venues. With three days of screenings at the SVA Theatre (June 9-11), we are able to bring downtown audiences the biggest and boldest of Asian cinema’s grand spectacles—sensory feasts that deserve to be experienced on the silver screen (such asBrotherhood of BladesThe Royal TailorThe Taking of Tiger Mountain 3D, and Vengeance of an Assassin).

In addition, five bold focus programs highlight East Asia’s crucial role in today’s ever-changing world of film. And at a time when many major film festivals are more Eurocentric and West-dominated than ever, NYAFF continues to show that the life of cinema is out there.

HONG KONG PANORAMA

Hong Kong cinema’s renewed confidence of the past couple of years shows no signs of abating in 2015. While leading Hong Kong filmmakers continue to deliver blockbusters in Mainland China (such as Tsui Hark’sThe Taking of Tiger Mountain 3D), there’s now even more variety in Hong Kong–focused films, as they continue to look for inspiration in the heydey of 1980s and 1990s local cinema, as evidenced by the crime-thriller Port of Call, the pulpy action-comedy Two Thumbs Up, and the touching contemporary drama Little Big Master. The city of Hong Kong also remains a popular filming location, and is also providing inspiration to Asian-American filmmakers, as can be seen in Emily Ting’s romanceIt’s Already Tomorrow in Hong Kong. This focus will include Full Strike,Insanity, It’s Already Tomorrow in Hong Kong, Little Big MasterPort of CallRobberyThe Taking of Tiger Mountain 3DTwo Thumbs Up, and retro screenings of City on FireFull Alert and Cold War.

Presented with the support of Hong Kong Economic and Trade Office New York.

MYUNG FILMS: PIONEERS AND WOMEN BEHIND THE CAMERA IN KOREAN FILM

Korean cinema has been known internationally primarily through the works of a small group of male directors (Hong Sangsoo, Kim Ki-duk, Park Chan-wook, Kim Jee-woon, and others), but one of its key film production companies, Myung Films, is led by a woman: producer Shim Jae-myung. Myung Films has spearheaded the transformation of the Korean film culture and industry in the late 1990s and early 2000s by establishing new genres and discovering new talent. We are proud to showcase a couple of their recent productions (Cart and Revivre), as well as some of their masterworks (The President’s Last Bang, The Isle, andWaikiki Brothers)as part of a greater focus on women who work behind the scenes. Shim Jae-myung will be in attendance and will be joined by top female directors Yim Soon-rye (The Whistleblower)and Boo Ji-young (Cart), who are known for their uncompromising films dealing with issues of social justice. For these women behind the camera, it’s not just about standing up against patriarchy, oppression, or power but about telling stories of real people and real lives—struggling, folding and sometimes collapsing—perhaps showing that the human condition might be best expressed by women.  

Presented with the support of the Korean Cultural Service New York.

Co-presented with The Korea Society.

NEW CINEMA FROM JAPAN

Japanese cinema continues to surprise with its consistent range and quality of adult stories and excels in its portrayals of female characters. This is certainly true of the works of award-winning filmmaker Daihachi Yoshida (Funuke, Show Some Love You Losers!Pale MoonPermanent Nobara). The imaginative genre exercises are also represented, and resplendently so with Sion Sono delivering the wild fun in spades with the hip-hop musical Tokyo Tribes, and the two-part crime mystery Solomon’s Perjury. This focus will consist of Chasuke’s JourneyKabukicho Love HotelLa La La at Rock BottomSolomon’s Perjury Part 1: Suspicion,Solomon’s Perjury Part 2: JudgementTaksuTokyo Tribe, and a special spotlight on the award-winning filmmaker Daihachi Yoshida, consisting ofFunuke, Show Some Love You Losers!Pale Moon, and Permanent Nobara.

Presented with the support of Japan Foundation New York.

TAIWAN CINEMA NOW!

While Taiwan’s domestic film market is relatively small when compared to those of Mainland China, Japan, and South Korea, Taiwan’s creative talent continues to play a vital role in the context of Asian cinema by continuing to deliver smaller quirky local films with distinct Taiwanese flavor and strong appeal to local audiences and the international festival circuit, the latter of which will be highlighted in this focus. The films will include Café. Waiting. LoveMeeting Dr. SunPartners in Crime, andSecond Chance.

Presented with the support of the Taipei Cultural Center of TECO in New York.

THE LAST MEN IN JAPANESE FILM – A Ken Takakura/Bunta Sugawara Tribute

Japanese film legends Ken Takakura and Bunta Sugawara, both of whom passed away last November, will be the subject of the first joint tribute outside of Japan, which will feature the brand-new 2K remaster of Kinji Fukasaku’s 1973 classic Battles Without Honor and Humanity, screened for the first time in North America. Other titles will includeAbashiri PrisonCops vs. ThugsThe Man Who Stole the SunNihon Kyokaku-den (Tales of Chivalry in Japan), and Wolves, Pigs and Men—all made with honor and humor by civilized craftsmen, in sharp contrast to prefabricated conveyor-belts products that have conquered Japanese screens.

In the same way that the archetype of American masculinity was defined by the post–World War II generation of tough-guy actors (James Coburn, Steve McQueen, Clint Eastwood), “Ken-san” and “Bun-chan” have set the blueprint for what it meant to be a man in defeated postwar Japan. Their performances invented Japanese cool, decades before the government figured “cool” was a marketable concept for its soft power ambitions.

Presented with the support of Japan Foundation New York.

Battles Without Honor and Humanity co-presented with Arrow Video.

The 2015 New York Asian Film Festival Award Honorees

Previously announced NYAFF award recipients include Hong Kong’s legendary director Ringo Lam (Lifetime Achievement Award), Hong Kong superstar actor-singer Aaron Kwok (Star Asia Award), and Japanese actor Shota Sometani (Screen International Rising Star Award).

Sponsors: The Kitano Hotel, Hotel Beacon, Møsefund Farm, Manhattan Portage, Well Go USA Entertainment, Arrow Video, China Lion Film Distribution, FlaskingtreeMarketing Group, Epic Proportions, Kirin, and Mizu Shochu; and our media partners: Screen International and Chopsticks NY.

Tickets: will go on sale on June 9 for Film Society Members and June 11 for general public, both at the box office and online.Discounts are available for Film Society members. Read more about the Film Society of Lincoln Center.

Screenings will be held at the Film Society of Lincoln Center's Walter Reade Theater (165 West 65th Street, between Amsterdam and Broadway), and SVA Theatre (333 West 23rd Street, between 8th and 9th Avenues).

Press Screening Schedule

Screening Venue:

Film Society of Lincoln Center

Walter Reade Theater, 165 West 65th Street, between Broadway and Amsterdam

Tuesday, June 9

10:00am PORT OF CALL (121 min)

Thursday, June 11

10:00am A FOOL (105 min)

12:00pm CART (103 min)


The 2015 New York Asian Film Festival Guests include:

Ringo Lam (CITY ON FIRE, FULL ALERT)

Aaron Kwok (PORT OF CALL)

Shota Sometani (KABUKICHO LOVE HOTEL, TOKYO TRIBE)

Shim Jae-myung (CART, WAIKIKI BROTHERS)

Daihachi Yoshida(FUNUKE, SHOW SOME LOVE YOU LOSERS!, PALE MOON)

Ryuichi Hiroki (KABUKICHO LOVE HOTEL)

Sabu (CHASUKE'S JOURNEY)

Yim Soon-rye (THE WHISTLEBLOWER, WAIKIKI BROTHERS)

Boo Ji-young (CART)

Philip Yung (PORT OF CALL)

Yee Chih-Yen (MEETING DR. SUN)

Lee Won-suk (THE ROYAL TAILOR)

Namewee (BANGLASIA)

Kulikar Sotho (THE LAST REEL)

Lau Ho-Leung (TWO THUMBS UP)

Emily Ting (IT’S ALREADY TOMORROW IN HONG KONG)

Jamie Chung (IT’S ALREADY TOMORROW IN HONG KONG)

Bryan Greenberg (IT’S ALREADY TOMORROW IN HONG KONG)



The 2015 New York Asian Film Festival lineup

OPENING NIGHT FILM

NORTH AMERICAN PREMIERE

PORT OF CALL | 踏血尋梅

PHILIP YUNG, 2015 | CAST: AARON KWOK, MICHAEL NING, JESSIE LI

HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 121 MINUTES

A police detective (Aaron Kwok, in a career-defining role) tracks down the murderer of a young prostitute in this brutal thriller directed by Philip Yung and shot by master cinematographer Christopher Doyle.

Director Philip Yung and star Aaron Kwok will attend the screening. Aaron Kwok will be presented with Star Asia Award on June 26.

Presented with the support of Hong Kong Economic and Trade Office New York.

CENTERPIECE PRESENTATION

NORTH AMERICAN PREMIERE

CHASUKE'S JOURNEY | 天の茶助

SABU, 2015 | CAST: KENICHI MATSUYAMA, ITO OHNO, REN OHSUGI, YUSUKE ISEYA

JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 105 MINUTES

A celestial tea server descends to Okinawa in order to save a young girl, falls in with a gang of losers, enjoys ramen, finds unwarranted celebrity, and fights against predestination written by heavenly hacks who copy Hollywood blockbusters.

Director Sabu will attend the screening.

Presented with the support of Japan Foundation New York.

CLOSING NIGHT FILM

To be announced

ABASHIRI PRISON | 網走番外地

TERUO ISHII, 1965 | CAST: KEN TAKAKURA, KOJI NANBARA, TETSURO TAMBA, TORU ABE

JAPAN | JAPANESE WITH LIVE ENGLISH SUBTITLES | FORMAT: 35MM | 92 MINUTES

The first entry in Toei’s hugely successful Abashiri Prison yakuza film series, directed by Teruo Ishii, established Ken Takakura’s superstar status. If you want to understand Ken's enormous popularity, this is the film that started it all. In many ways, this is the invention of the Japanese man.

Print courtesy of Toei Co., Ltd.

Presented with the support of Japan Foundation New York.

INTERNATIONAL PREMIERE

BANGLASIA 孟加拉殺手
NAMEWEE, 2015 | CAST: NIRAB HOSSAIN, SAIFUL APEK, NAMEWEE, ATIKAH SUHAIME

MALAYSIA | MALAY, ENGLISH, MANDARIN, AND HOKKIEN WITH ENGLISH SUBTITLES | FORMAT: DCP | 91 MINUTES

From the director of festival fave foodie flick Nasi Lemak 2.0 comes this wild and crazy Western full of musical numbers and humor so slaphappy it’ll leave your head spinning. It was banned in Malaysia for being too political, so we’re proud to screen it.

Director/actor/singer Namewee will attend the screening.

NORTH AMERICAN PREMIERE OF THE NEW DIGITAL REMASTER

BATTLES WITHOUT HONOR AND HUMANITY | 仁義なき戦い

KINJI FUKASAKU, 1973 | CAST: BUNTA SUGAWARA, HIROKI MATSUKATA, NOBUO KANEKO, KUNIE TANAKA, GORO IBUKI

JAPAN | JAPANESE WITH LIVE ENGLISH SUBTITLES | DCP | 99 MINUTES

Quite possibly the ultimate yakuza movie, Kinji Fukasaku’s dark, gritty classic stars Bunta Sugawara (in the role that made his career) as a former soldier who turns to organized crime and claws his way up the yakuza underworld in postwar Hiroshima.     .

Presented with the support of Japan Foundation New York.

Co-presented with Arrow Video.

BROTHERHOOD OF BLADES | 繡春刀

LU YANG, 2014 | CAST: CHANG CHEN, CECILIA LIU, WANG QIANYUAN, ETHAN LI, NIE YUAN

CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DIGITAL PROJECTION | 106 MINUTES

One of the best Chinese period action films in recent memory, this overlooked blood-red gem is packed with superbly choreographed fight scenes, riveting drama, and performances to match.

Film courtesy of Well Go USA Entertainment.

NORTH AMERICAN PREMIERE

CAFÉ. WAITING. LOVE | 等一個人咖啡

CHIANG CHIN-LIN, 2014 | CAST: VIVIAN SUNG, BRUCE, MEGAN LAI, MARCUS CHANG

TAIWAN | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 120 MINUTES

Three years after his record-breaking debut, You Are the Apple of My Eye, writer-director Giddens Ko penned this irresistibly zany romantic comedy, based on his book of the same name—but this time with Chiang Chin-lin in the director’s seat.

Presented with the support of the Taipei Cultural Center of TECO in New York.

NEW YORK PREMIERE

CART | 카트

BOO JI-YOUNG, 2014 | CAST: YUM JUNG-AH, MOON JUNG-HEE, KIM YOUNG-AE, KIM KANG-WOO, HWANG JEONG-MIN, CHUN WOO-HEE

SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 103 MINUTES

In this pro-union flick, the 99% rise up after a bunch of female employees at a chain retail giant (think Wal-Mart) get laid off via text message. When they decide to go on strike, management calls in the thugs...

Director Boo Ji-young and producer Shim Jae-myung will attend the screening.

Presented with the support of the Korean Cultural Service New York.

Co-presented with The Korea Society.

CITY ON FIRE | 龍虎風雲

RINGO LAM, 1987 | CAST: CHOW YUN-FAT, DANNY LEE, SUEN YUET, ROY CHEUNG

HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: 35mm | 100 MINUTES

Ringo Lam’s classic heist-gone-bad flick is the movie that made Chow Yun-fat (playing an undercover cop) a star and provided Quentin Tarantino with the basis for Reservoir Dogs. The film features heartbreak to spare for the little people trying to eke out a living at the end of a gun.

Director Ringo Lam will attend the screening and will be presented with the Lifetime Achievement Award.

Print Courtesy of Academy Film Archive.

Presented with the support of Hong Kong Economic and Trade Office New York.

COLD WAR | 寒戰
LONGMAN LEUNG, SUNNY LUK, 2012 | CAST: AARON KWOK, TONY LEUNG KAR-FAI, ANDY LAU
HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | DCP | 102 MINUTES
Winner of nine Hong Kong Film Awards, including “Best Film,” Best Director,” “Best Screenplay,” “Best Actor,” and “Best New Performer,” COLD WAR was Hong Kong’s 2012 box office sensation. This cop thriller stars Aaron Kwok and Tony Leung Kar-Fai as two high-ranking officers whose rivalry leads to an intense power struggle over an explosive rescue operation.

Presented with the support of Hong Kong Economic and Trade Office New York.

COPS VS. THUGS | 県警対組織暴力
KINJI FUKASAKU, 1975 | CAST: BUNTA SUGAWARA, HIROKI MATSUKATA, KEN TAKAKURA, MIKIO NARITA, NOBUO KANEKO
JAPAN | JAPANESE WITH ENGLISH SUBTITLES | 35MM | 100 MINUTES 
Bunta Sugawara plays a cop so corrupt he’s basically a member of the yakuza—delivering witnesses to his criminal buddies and looking the other way when they murder rivals. But now a war is breaking out and this bad lieutenant is going to have to choose sides.
Print courtesy of the Japan Foundation
Presented with the support of Japan Foundation New York.

INTERNATIONAL PREMIERE

EMPIRE OF LUST | 순수의시대

AHN SANG-HOON, 2015 | CAST: SHIN HA-KYUN, JANG HYUK, KANG HANNA, KANG HA-NEUL

SOUTH KOREA | KOREAN WITH LIVE ENGLISH SUBTITLES | DCP | 113 MINUTES

A gorgeous period actioner set during the founding days of Joseon Dynasty in the early 14th century, Empire of Lust follows three men who engage in a power struggle within the palace walls, caught in the whirlwind of love, lust, greed, betrayal, and revenge.

Presented with the support of Korean Cultural Service New York.

NORTH AMERICAN PREMIERE

A FOOL | 一個勺子

CHEN JIANBIN, 2014 | CAST: CHEN JIAN BIN, WANG XUEBING, JIN SHIJIA

CHINA | MANDARIN WITH ENGLISH SUBTITLES | FORMAT: DCP | 105 MINUTES

Chen Jianbin’s directorial debut is a harsh noir about an honest farmer’s efforts to help a young homeless man that instead set off a chain of disasters, serving as a reminder of man’s inhumanity when faced with greed.

China Lion Film Distribution (www.chinalionentertainment.com) has acquired North American rights to A Fool. The release date is yet to be announced. The film is expected to receive a Greater China release in late 2015.

FULL ALERT | 高度戒備

RINGO LAM, 1997 | CAST: LAU CHING-WAN, FRANCIS NG, AMANDA LEE, MONICA CHAN, JACK KAO

HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 98 MINUTES

Ringo Lam’s last great movie before his 12-year retirement is a dark, glittering gem of a police procedural that works both as a heist flick and as a tombstone for both pre-Handover Hong Kong and the action genre.

Presented with the support of Hong Kong Economic and Trade Office New York.

U.S. PREMIERE

FULL STRIKE | 全力扣殺

DEREK KWOK & HENRI WONG, 2015 | CAST: JOSIE HO, EKIN CHENG, RONALD CHENG, TSE KWAN-HO, ANDREW LAM, WILFRED LAU

HONG KONG/CHINA | CANTONESE, HAKKA, AND ENGLISH WITH ENGLISH SUBTITLES | FORMAT: DCP | 108 MINUTES

Racquet sport becomes martial art when a down-and-out gang of has-beens form a badminton team to win back their self-respect in this hyperactive, totally surreal comedy from Derek Kwok, the co-director of Stephen Chow’s Journey to the West.

Presented with the support of Hong Kong Economic and Trade Office New York.

FUNUKE, SHOW SOME LOVE YOU LOSERS! | 腑抜けども、悲しみの愛を見せろ

DAIHACHI YOSHIDA, 2007 | CAST: ERIKA SATO, MASATOSHI NAGASE, HIROMI NAGASAKU

JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 112 MINUTES

Seduction, persecution, prostitution, suicide, and more greet the Wago family’s three siblings who return home for their parent’s funeral after they’re killed while trying to save a kitten. Yoshida’s twisted, smart, and deftly handled first film is as black as a comedy can get, yet wrapped in a lighthearted exterior.

Director Daihachi Yoshida will attend the screening.

Presented with the support of Japan Foundation New York.

NORTH AMERICAN PREMIERE

INSANITY | 暴瘋語

DAVID LEE, 2014 | CAST: LAU CHING-WAN, HUANG XIAOMING, ALEX FONG, FIONA SIT, NINA PAW

HONG KONG | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 99 MINUTES

In this psychological thriller produced by Derek Yee (The Great Magician,One Night in Mongkok), a psychiatrist (Huang Xiaoming) is lured to the dark side of the mind by his patient and convicted murderer (Lau Ching-Wan).

Presented with the support of Hong Kong Economic and Trade Office New York.

THE ISLE | 

KIM KI-DUK, 2000 | CAST: CHO JAE-HYUN, SUH JUNG, PARK SEONG-HEE, JANG HANG-SEON

SOUTH KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: 35MM | 85 MINUTES

Kim Ki-duk helped put Korean cinema on the map with this art-house exploitation shocker about a cop on the run who winds up at a floating hotel owned by a woman who might be insane, or just really in love. You are not prepared.

Presented with the support of Korean Cultural Service New York.

NEW YORK PREMIERE

IT’S ALREADY TOMORROW IN HONG KONG

EMILY TING, 2014 | CAST: JAMIE CHUNG, BRYAN GREENBERG, RICHARD NG

HONG KONG/USA | ENGLISH | FORMAT: DCP | 78 MINUTES

This compelling walk-and-talk romance à laRichard Linklater, centered on two Hong Kong expats who randomly cross paths one night, is as much about the attraction between the leads as it is about the love of Hong Kong.

Director Emily Ting and actors Jamie Chung and Bryan Greenberg will attend the screening.

Presented with the support of Hong Kong Economic and Trade Office New York.

NEW YORK PREMIERE

KABUKICHO LOVE HOTEL | さよなら歌舞伎町

RYUICHI HIROKI, 2014 | CAST: SHOTA SOMETANI, ATSUKO MAEDA, LEE EUN-WOO, ROY (SON IL-KWON)

JAPAN | JAPANESE AND KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 136 MINUTES

Taking place over 24 hours in a Tokyo love hotel, this steamy and poignant character-driven ensemble drama from director Ryuichi Hiroki (Vibratorlooks at ordinary people as they experience life-changing events.

Director Ryuichi Hiroki and star Shota Sometani will attend the screening. Shota Sometani will be presented with the Screen International Rising Star Award.

Presented with the support of Japan Foundation New York.

NORTH AMERICAN PREMIERE

LA LA LA AT ROCK BOTTOM | 味園ユニバース

NOBUHIRO YAMASHITA, 2015 | CAST: SUBARU SHIBUTANI, FUMI NIKAIDO, SARINA SUZUKI, KATSUMI KAWAHARA

JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 103 MINUTES

From Nobuhiro Yamashita (director of Linda Linda Linda and Tamako in Moratorium) comes this romantic comedy about an amnesiac man who, as the memory of his criminal past slowly returns, tries to find redemption and love through rock music.

Presented with the support of Japan Foundation New York.

NEW YORK PREMIERE

THE LAST REEL |ដុំហ្វីលចុងកាាយ

KULIKAR SOTHO, 2014 | CAST: MA RYNET, ROUS MONY, DY SAVETH, HUN SOPHY

CAMBODIA | KHMER WITH ENGLISH SUBTITLES | FORMAT: DCP | 106 MINUTES

This gorgeous and engaging drama about a rebellious Cambodian girl determined to shoot the missing ending of a 40-year-old movie starring her mother is a meditation on Cambodia’s past and present, and the power of art.

Director Kulikar Sotho will attend the screening.    

LITTLE BIG MASTER | 五個小孩的校長

ADRIAN KWAN, 2015 | CAST: MIRIAM YEUNG, LOUIS KOO, WINNIE HO

HONG KONG/CHINA | CANTONESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 112 MINUTES

Hong Kong’s runaway box-office hit is a powerful drama based on the true story of a principal assigned to a failing rural kindergarten with only five students: if one of them drops out, the school closes.

Presented with the support of Hong Kong Economic and Trade Office New York.

THE MAN WHO STOLE THE SUN | 太陽を盗んだ男

KAZUHIKO HASEGAWA, 1979 | CAST: BUNTA SUGAWARA, KENJI SAWADA

JAPAN | JAPANESE WITH ENGLISH SUBTITLES | FORMAT: 35MM | 147 MINUTES

A ballsy satire about a high-school science teacher (rock-star Kenji Sawada) who builds an atomic bomb at home and uses it to try to get The Rolling Stones to play in Japan, all the while playing cat and mouse with a police detective sporting a buzz cut (Bunta Sugawara).

Print courtesy of the Kawakita Memorial Film Institute.

Presented with the support of Japan Foundation New York.

U.S. PREMIERE

MEETING DR. SUN | 行動代號孫中山

YEE CHIH-YEN, 2014 | CAST: ZHAN HUAI-TING, MATTHEW WEI, JOSEPH CHANG, BRYAN CHANG

TAIWAN | MANDARIN AND TAIWANESE WITH ENGLISH SUBTITLES | FORMAT: DCP | 94 MINUTES

A deadpan high-school noir about two gangs of impoverished boys competing to steal a statue of Dr. Sun Yat-sen (the founding father of the Republic of China) so they can sell it as scrap metal. Schoolyard slapstick becomes a call for Taiwan’s youth to wake up.

Director Yee Chih-Yen will attend the screening.

Presented with the support of the Taipei Cultural Center of TECO in New York.

NEW YORK PREMIERE

MY LOVE, DON’T CROSS THAT RIVER | 님아강을건너지마오

JIN MO-YOUNG, 2014 | CAST: JO BYEONG-MAN, KANG KYE-YEOL

KOREA | KOREAN WITH ENGLISH SUBTITLES | FORMAT: DCP | 85 MINUTES

Closing night of New York Indian Film Festival

New York Indian Film Festival ended with the New York premiere of the film ‘My Big Fat Bride’ (Dum Laga Ke Haisha), a Yashraj production starring Ayushman Khurana, directed by Sharat Katariya. It’s a sweet romantic comedy, about a small town boy’s forced marriage to a bride of “not-his-choice”, because she’s “fat”, or he’s not “ready”. The film explores the conventional traditions around marriage and relationships, in India and also dwells in to people’s psyche around love and family. Even though the film is very predictable and clichéd and it’s still heartfelt, funny, light and fun. The performances of all the actors are on-the-spot, specially the debutant actress Bhumi Pednekar. The screening was followed by a discussion with the director, where he talked about upcoming releases of this film in US.

There were also wonderful performances by dancers of Bollywood Touch, Indian singer Falu. NYIFF2015 Awards ceremony followed right after, where ‘Labor of Love’ was the big winner with both Best Director and Best Film. Nawazuddin Siddiqui won the best actor for ‘Haraamkhor’ and best actress for Kalki Koechlin. After the award ceremony, the night moved on to the after-party with delicious dinner from Awadh Restaurant. Drinks flowed while the celebrities, filmmakers, actors, organizers, volunteers and everyone else enjoyed the night. There was also a beautiful dance performance by Anu Sahasrabudhe of Mudavis and a lovely fashion show of Indian attires. The closing night of the New York Indian Film Festival was truly joyful celebration of a wonderful event that celebrates Indian Independent films and cinema.

Vishal Bharadwaj to make Shakespearean Comedy trilogy?

Vishal Bharadwaj (L) with Art Shrian (R)

Vishal Bharadwaj is a very simple man. With him, it’s “what you see, is what you get”. He’s soft spoken, modest and very down to earth. Not something you see a lot in a celebrity from entertainment world, who has 6 National Awards amongst many, and his movies have done multi-millions in business. He’s also very intelligent, a person who’s very clear as to what he wants and what kind of work he wants to do. With his Shakespearean Trilogy of Maqbool (Macbeth), Omkara (Othello) and Haider (Hamlet), he has wowed audience all over the globe. We got a chance to talk to him recently, here are the excerpts

Art Shrian: You have brought Shakespeare to everyday Indian in such an authentic, but still very Indian way. As a filmmaker, what motivates you to make such amazing films?

Vishal Bharadwaj: I always say a film actually represents inner being of a filmmaker, whatever he wants to say, whatever he wants to be. Director is one person who becomes completely emotionally naked. He’s commenting on social environment, whatever he sees and feels, the issues, issues with father, girlfriend, wife, sister, anything. He brings his inner being.

Art Shrian: Your movie also have been great hits and very successful financially. How important is that to you?

Vishal Bharadwaj: Financial aspect is important to the effect that you’re able to make your next film (laughs). If you make such a bad film that people lose their money, nobody is going to put their money on you next time. So it’s important at least to that extent.

Art Shrian: You tell great stories through your films. And you have constantly picked great stories from Shakespeare to Ruskin Bond; and made them even better through your films. What inspires you to accept an existing famous story and convert it into a film? Adaptation v/s original Writing...

Vishal Bharadwaj: It’s a very selfish reason for me. If you judge your work very honestly and if you don’t live in fool’s paradise, then you know if something is better than what you can write originally. I chose those stories which I think are great, timeless, entertaining, juicy, and great characters. To write something like Macbeth will take me 400 yrs.

Art Shrian: Well, I’m sure if Shakespeare was around, he’ll love your adaptations of his work. Specially Maqbool and making Lady Macbeth and Macbeth as unmarried lovers, it just adds such a depth to the characters and the story. But now there is lot of expectations from you and your films. So, do you feel a burden while doing these Shakespearean adaptations?

Vishal Bharadwaj: No, I don’t feel any such burden; the burden is within my own work. I remain honest with my inner feelings, and I know if I’m honest, everything will be taken care of.

Art Shrian: So talking about your latest adaptation Haider, it was amazing how you brought such a complicated story into today’s world. Making such complex characters alive, including the ghost, and in a beautiful setting of Kashmir. It does not seem like a Shakespearean adaptation at all, it’s so relevant and current. But there was also some controversy around the film and its agenda. Did you want to make any kind of statement with the film or was it just your honest adaptation of Hamlet?

Vishal Bharadwaj: I never want to make a statement; I just want to make my honest films. The only film I tried to make a statement with, was “Matroo ki Bijli Ka Mandola”; about condition of farmers and people trying to take their lands and making ugly concrete jungle of multiplexes and malls. That was my most political movie. In Haider, I was trying to explore human conditions of a particular area, where people have gone through a lot, area which has seen violence for more than 25 yrs. So what happens to a family, or a common man, whose roots are not clear on either side? There was lot of controversy, but I’m not part of it. I filmed or showed nothing that was not true. I just made my honest film.

Art Shrian: I think I’ll have to watch it a second time, with less bias (laughing). So, any plans on adapting the funny and comedic side of Shakespeare? I would love to see that and can take credit for that suggestion (laughing).

Vishal Bharadwaj: In the near future, there’s no plan. But definitely after 1 or 2 films I would love to do such comedies. A trilogy of Shakespearean comedy would be great (with a big smile!).

Art Shrian: That will be amazing, can’t wait to see that. Thanks a lot Vishal for making such wonderful films, and we all look forward to continuing to enjoy your work. All the best!

New York Indian Film Festival opens with “Margarita With A STRAW”

The 15th New York Indian Film Festival opened at the iconic Paris Theater this year. The lineup of Indian and international celebrities was amazing. From celebrated Indian filmmakers like Vishal Bharadwaj, Hansal Mehta, Shonali Bose, Dev Benegal amongst many; to famous actors like Kalki Koechlin, Mohan Agashe amongst many others; the red carpet was beaming with excellent talent and glamor.

Opening night of the Indian Film Festival at the Paris theater in Midtown began with history in the making. The feature for the night was Margarita With A Straw. It set a new standard for Indian cinema, and brought a seldom heard voice to world cinema; giving us a glimpse of an intimate portrait of love, sex and disability. The story is about Laila (Kalki Koechelin) an outgoing wheelchair bound teenager with cerebral palsy who is absolutely determined to have a normal life despite her challenges, and ends up on embarking on a journey of self-discovery and sexual awakening as she moves from India to New York City to attend NYU. Her growth cause friction in her family, and as secretes begin to spill she learns she’s not the only one in her family that’s struggling.

Here is the official trailer for Margarita With A Straw, starring Kalki Koechlin. This is a tale about a young rebellious woman who embarks on a breathtaking journey of self-discovery. In Cinemas Now!

Simply put it was an actor’s film; it could have not been achieved without the performance of a lifetime by actress Kalki Koechelin. While the themes are universal, the experience is nothing but, yet the film is completely relatable because of the nature of love. The awkwardness, shyness, rejections; it reminds us, we are all just human after all. The same urges, needs, wants, desires, confusions and fears are what guide us all despite physical appearances.  Don’t be surprised if you’re moved and brought to tears by this wonderful film that became a vessel to explore the depths of the writer/director Shonali Bose’s own experiences in love and loss. It’s what gives it a certain genuine charm that would have otherwise been missing.

NYIFF 2015 Official Trailer Promo by NY Dreams Production (www.NYDREAMS.com)

The screening was followed by Q&A with the director & cast of the film. Shonali shared her passion about this subject and her relation to this subject through her own family member who lived with cerebral palsy, which inspired her to make this movie. Kalki talked about the process as an actor to prepare for such a role, where she not only did deep research on the subject but practiced being Laila for over 6 months, before she got in front of the camera. Shonali also shared her struggle to get the movie through Indian censors, asking for over 10 cuts, until she went to review committee which let it pass with only 1 cut and an “A” certificate. The movie has been a sleeper hit doing great business in India and wide recognition worldwide.

To learn more about New York Indian Film Festival 2015, check links below:
http://www.mynewyorkeye.com/awards-and-festivals-news/new-york-indian-film-festival-2015-celebrating-the-best-of-indian-south-asian-cinema
http://www.iaac.us/NYIFF2015/

New York Indian FIlm Festival 2015 | Celebrating the best of Indian & South Asian cinema

NYIFF 2015

The New York Indian Film Festival (NYIFF), the country’s most prestigious, longest-running South Asian film festival, announces its movie award categories, esteemed panel of jurors and CLOSING NIGHT FILM. The six-day festival (May 4 to 9) will showcase more than 30 shorts, documentaries and feature films, along with special events, networking parties and Q&A sessions with directors, actors and producers. For the entire festival schedule & locations, please go HERE. To purchase tickets for the gala, buy festival passes or score individual screening tickets, please go HERE.
   
NYIFF 2015 Award Categories & Nominees Are (Drum Roll, please…):

 

Best Picture

  1. City Lights
  2. My Big Fat Bride
  3. Gour Hari Dastaan
  4. Labour of Love
  5. Margarita, with a Straw
  6. Saari Raat

Best Actor

  1. Ayushmann Khurrana (My Big Fat Bride)
  2. Dulal Sarkar (Chotoder Chobi)
  3. Rajkumar Rao (City Lights)
  4. Vikram Gokhale (Siddhant)
  5. Vinay Pathak (Gour Hari Dastaan)
  6. Nawazuddin Siddiqui (Haraamkhor) 

Best Short

  1. Bloody Moustache
  2. Hechki
  3. Nayantara's Necklace
  4. Seek & Hide
  5. Zor

Best Screenplay

  1. Chauranga
  2. Choteder Chobi
  3. Haraamkhor
  4. Labour of Love
  5. Margarita, with a Straw

Best Director

  1. Aditya Vikram Sengupta (Labour of Love)
  2. Ananth Mahadevan (Gour Hari Dastaan)
  3. Aparna Sen (Saari Raat)
  4. Hansal Mehta (City Lights)
  5. Sharat Katariya (My Big Fat Bride)
  6. Shonali Bose (Margarita, with a Straw) 

Best Actress

  1. Bhumi Pednekar (My Big Fat Bride)
  2. Debalina Roy (Chotoder Chobi)
  3. Kalki Koechlin (Margarita, with a Straw)
  4. Konkana Sen (Gour Hari Dastan)
  5. Konkana Sen (Saari Raat)
  6. Tannishtha Chatterjee (Rough Book)

Best Documentary

  1. A Moment of Misgiving
  2. Being Bhaijaan
  3. Daughters of Mother India
  4. Meet the Patels
  5. Placebo

 Best Child Actor

  1. Archit Dewadhar (Siddhant)
  2. J. Vignesh & Ramesh (Kaakaa Muttai)
  3. Shameem Khan (Yeh Hai Bakrapur)
  4. Shrirang Mahajan (Elizabeth Ekadashi)
  5. Soham Maitra & Riddhi Sen (Chauranga)

***Winners in each category will be announced at the closing night awards ceremony on Saturday, May 9 AFTER the closing night film, which will be Yash Raj Films’ MY BIG FAT BRIDE, directed by Sharat Katariya and starring Ayushmann Khuranna & Bhumi Pednakar. It’s a heartfelt story about a mismatched couple trying to find themselves and each other between their own complexes and dysfunctional, yet endearing, families. 

NYIFF 2015’s Panel of Jurors Includes (in alphabetical order, by last name):

  • Parag Amladi
  • Ashish Avikunthak
  • Dev Benegal
  • Tejaswini Ganti
  • Udayan Gupta
  • Le Frances Hui
  • Poorna Jagannathan
  • Joseph Mathew
  • Myrna Moncayo-Iyengar
  • Claus Mueller
  • Muriel (Mike) Peters
  • Zenobia Shroff
  • Nilita Vachani

For a complete bio and more information on each juror, please go HERE.

About the Indo-American Arts Council (IAAC):

The Indo-American Arts Council is a registered 501(c) 3 not-for-profit, secular service and resource arts organization charged with the mission of promoting and building the awareness, creation, production, exhibition, publication and performance of Indian and cross-cultural art forms in North America. The IAAC supports all artistic disciplines in the classical, fusion, folk and innovative forms influenced by the arts of India. We work cooperatively with colleagues around the United States to broaden our collective audiences and to create a network for shared information, resources and funding. Our focus is to work with artists and arts organizations in North America as well as to facilitate artists and arts organizations from India to exhibit, perform and produce their works here. 

About the New York Indian Film Festival (NYIFF):
The New York Indian Film Festival (originally the IAAC Film Festival) opened their doors in 2001 following the devastation of the September 11attacks on New York City. This festival creates an awareness and better understanding of the people and stories from the Indian Diaspora by bringing the most acclaimed feature films, documentaries, and shorts from that region to America's biggest and most remarkable city. Merchant-Ivory's Shakespearewalla was the festival's Opening Night, while Mira Nair's 'Monsoon Wedding' closed IAAC’s first film festival before its worldwide theatrical release. Since then, the festival has provided first-looks at many acclaimed films, including Deepa Mehta's Oscar-nominated 'Water,' and 'Midnight's Children', Nair's 'The Namesake,' and 'The Reluctant Fundamentalist' and the New York Premiere of Danny Boyle's 'Slumdog Millionaire' which won eight Oscars including Best Picture. Some of the artists who support the festival include Mira Nair, Salman Rushdie, Madhur Jaffrey, Padma Lakshmi, Shabana Azmi, Rishi Kapoor & Neetu Singh Kapoor, Shashi Tharoor, Sarita Chaudhury, Sakina Jaffrey, Anurag Kashyap, Shyam Benegal, Mani Ratnam, Aparna Sen, the late filmmakers Ismail Merchant and Rituparno Ghosh. NYIFF's 15th anniversary will include premiere film screenings, discussions, industry panels, nightly networking parties, special events, an awards ceremony, and red carpet galas. The festival will run May 4th to 9th at a variety of prestigious New York City venues, including the Skirball Center for Performing Arts, the Paris Theatre and the Village East Cinemas. For the latest news, updates and information about The 15th Annual New York Indian Film Festival, presented by The Indo-American Arts Council, please visit www.iaac.us.

2015 TONY AWARD NOMINATIONS ANNOUNCED | #TonyAwards

logo courtesy of the American Theatre Wing

logo courtesy of the American Theatre Wing

The American Theatre Wing’s Antoinette Perry “Tony” Awards  are presented by The Broadway League and the American Theatre Wing
***
logo courtesy of the Broadway League

logo courtesy of the Broadway League

Tony Award Winners Kristin Chenoweth & Alan Cumming to Host 69thAnnual Tony Awards LIVE on CBS, Sunday, June 7th from Radio City Music Hall
***
Mary Louise Parker by Gage Skidmore

Mary Louise Parker by Gage Skidmore

Bruce Willis by Gage Skidmore

Bruce Willis by Gage Skidmore

Nominations in 24 competitive categories for the American Theatre Wing’s 69th Annual Antoinette Perry “Tony” Awards® were announced today by Emmy, Golden Globe and Tony Award-winning Actress Mary-Louise Parker, who will be starring in the upcoming Manhattan Theatre Club production of HEISENBERG this May, and Emmy and Golden Globe Winner Bruce Willis, who will make his Broadway debut next season in the new play MISERY, at the Tony Award Nominations ceremony sponsored by IBM.  The nominees were selected by an independent committee of 38 theatre professionals appointed by the Tony Awards Administration Committee.  The 2015 Tony Awards are presented by The Broadway League and the American Theatre Wing.  (The list of nominations follows.)

Tony Award winners Kristin Chenoweth and Alan Cumming will host the 2015 Tony Awards which will be broadcast LIVE from Radio City Music Hall on CBS, on Sunday, June 7th, 8:00 – 11:00 p.m. (ET/PT time delay).

Kristin Chenoweth

Kristin Chenoweth

Emmy and Tony Award winning actress and singer, Kristin Chenoweth is  currently appearing on Broadway, playing the glamorous film star, Lily Garland, in the Roundabout Theatre Company’s On the Twentieth Century,which received rave reviews. She may be most remembered by Broadway lovers everywhere for her origination of the role of Glinda the Good Witch in Wicked, which earned her a Tony Award Nomination, and her Tony-winning performance in You’re A Good Man, Charlie Brown. Chenoweth co-starred in the film The Boy Next Door and she starred as a poisonous frog named Gabi in the hit animated film Rio 2. She can be seen in the indie teen drama entitled Hard Sell and the Disney Channel’s live-action original movie Descendants, in which she will play the classic Sleeping Beauty villain Maleficent. Chenoweth received an Emmy Award for Best Supporting Actress in a Comedy Series for her work on the ABC series Pushing Daisies.  Chenoweth was nominated for two Emmy Awards for her role on Fox’s hit comedy, Glee. She has also appeared on hit shows such as The West Wing, The Good Wifeand American Idol. Other stage credits include Epic Proportions; Promises, Promises; Love Loss and What I Wore, Scapin; Steel Pier; Apple Tree; Music in the Air; Stairway to Paradise and others.  Chenoweth has also performed to sold-out crowds around the world – with performances at Carnegie Hall and Lincoln Center in New York City, London’s Royal Albert Hall, Australia’s Sydney Opera House, and the Hollywood Bowl in Los Angeles in which she was also inducted into their Hall of Fame.  She will continue touring later this year. Chenoweth hosted the PBS Arts Fall Festival, featuring her own concert, Kristin Chenoweth: Coming Home, where she performed a career-spanning concert in her hometown of Broken Arrow, Oklahoma. The concert was released as a live CD and DVD, and aired as a PBS television. It’s no secret that Kristin wears her heart on her sleeve when it comes to her love of theater, which was the catalyst for her charity partnership with the Broken Arrow Performing Arts Center (BA PAC) Foundation in her home town in Oklahoma. Chenoweth is an inductee into the Oklahoma Hall of Fame, as well as the Oklahoma Music Hall of Fame. This year, Chenoweth will be receiving a star on The Hollywood Walk of Fame in the category of live performances on stage or in the theatre. Chenoweth wrote a candid, comedic chronicle of her life, A Little Bit Wicked which debuted at # 12 on the New York Times Hardcover Non-Fiction Best Seller List.

 

Alan Cumming

Alan Cumming

Alan Cumming is an actor and activist beyond eclectic and according to the New York Times ‘a bawdy countercultural sprite’; Time Magazine named him one of the most fun people in show business; He plays political maverick Eli Gold on CBS’s The Good Wife, for which he received Golden Globe, Emmy, SAG and Satellite award nominations and earlier this year finished his Tony Award-winning role of the Emcee in the Broadway musicalCabaret. Last season, he performed a sensational one man production of Macbeth at the Barrymore Theater. Alan’s diverse career has found him performing at venues around the globe including the Sydney Opera House; making back to back films with Stanley Kubrick and The Spice Girls; directing and starring in a musical condom commercial; creating voices of a Smurf, a goat and Hitler; entering upside down and suspended by his ankles in a Greek tragedy (in the National Theatre of Scotland's The Bacchae); and recording an award-winning album of songs (plus a dance remix).  Alan is also Host of PBS’s Masterpiece Mystery and appears opposite Lisa Kudrow in Showtime's Web Therapy. Alan has written for The New York Times, Newsweek, Harper’s Bazaar, Out, has a bi-monthly column for Globe and Mail, and two books; Tommy’s Tale and his New York Times Best-Selling memoir, Not My Father's Son. A tireless champion for LGBT civil rights and HIV/AIDS, Alan serves on the Board of Broadway Cares/Equity Fights AIDS and works closely with amfAR, The Trevor Project and the Ali Forney Center to name but a few. In 2009, Alan was made an OBE in the Queen's Honors List and by his homeland, Scotland, for which he was a vocal supporter of the YES for independence campaign, he has been awarded the Great Scot and Icon of Scotland awards, as well as recently having his portrait unveiled at the Scottish National Portrait Gallery as seen on the finale of Portrait Artist of the Year.

Tommy Tune

Tommy Tune

As previously announced, the 2015 Special Tony Award for Lifetime Achievement in the Theatre will be presented to Tommy Tune and the Isabelle Stevenson Award will be presented to Stephen Schwartz.  The 2015 Tony Honors for Excellence in the Theatre will be presented to Scenic Artist Arnold Abramson; press agent Adrian Bryan-Brown; and theatre technician Gene O’Donovan.  This year the Tony Award Administration Committee will present a Special Tony Award to John Cameron Mitchell.

Stephen Schwartz

Stephen Schwartz

Each year, the Tony Awards Administration Committee presents a Tony Award to a regional theatre on the recommendation of the American Theatre Critics Association. The 2015 Regional Theatre Award will be presented to Cleveland Play House.

The 2014-2015 Tony Award Nominating Committee consists of Douglas Aibel, Arin Arbus, Ira Bernstein, Susan Birkenhead, Ben Cameron, Mary Schmidt Campbell, Veronica Claypool, Paul Cremo, John Darnton, Jacqueline Z. Davis, Rick Elice, Harvey Evans, Paul Gallo, Kent Gash, Liza Gennaro, Jenny Gersten, Wendall K. Harrington, Philip Himberg, Jack Hofsiss, Julie Hughes, Stephen Karam, Corby Kummer, Dick Latessa, Kate Levin, Reynold Levy, Sara Lukinson, Patricia Marx, Jim McLaughlin, Roger Morgan, Katherine Oliver, Christian Parker, Ravi S. Rajan, Nigel Redden, Arlene Shuler, Linda Shelton, Wynn Thomas, Robin Wagner and Preston Whiteway.

The Antoinette Perry “Tony” Awards are bestowed annually on theatre professionals for distinguished achievement. The Tony is one of the most coveted awards in the entertainment industry and the annual telecast is considered one of the most prestigious programs on television. 

The 2015 American Theatre Wing’s Tony Awards are presented by The Broadway League and the American Theatre Wing. At The Broadway League, Robert E. Wankel is Chairman and Charlotte St. Martin is Executive Director. At the American Theater Wing, William Ivey Long  is Chairman and Heather A. Hitchens is President. 

For the CBS broadcast, Ricky Kirshner and Glenn Weiss/White Cherry Entertainment are Executive Producers.  Weiss also serves as Director.

IBM, the official information technology partner of the Tony Awards, develops, designs, and hosts the official Tony Awards digital experience across platforms, including www.TonyAwards.com. Carnegie Mellon University is the first-ever, exclusive higher education partner of the Tony Awards. United Airlines is the official airline of the Tony Awards. Paramount Hotel is the official hotel partner of the Tonys.  City National Bank is the official bank of the Tony Awards. Porsche Cars North America, Inc., manufacturer of exclusive sports cars, is celebrating dynamic performance as the official sports car of the Tony Awards.  La Crema, known for elegant Chardonnay and Pinot Noir, is the official wine of the Tony Awards. USA TODAY is the official media partner of the Tony Awards. PEOPLE is the official magazine partner of the Tony Awards. Clear Channel Spectacolor is an official media partner of the Tony Awards and co-producer of the Tonys Simulcast in Times Square. The Hollywood Reporter is an official media partner of The Tony Awards.

# # #

Nominations for the 2015 American Theatre Wing’s Tony Awards®
Presented by The Broadway League and the American Theatre Wing

Best Play

The Curious Incident of the Dog in the Night-Time

Author: Simon Stephens 
Producers: Stuart Thompson, Tim Levy for NT America, Warner Bros. Theatre Ventures, Nick Starr & Chris Harper for NT Productions, Bob Boyett, Roger Berlind, Scott M. Delman, Roy Furman, Glass Half Full Productions, Ruth Hendel, Jon B. Platt, Prime Number Group, Scott Rudin, Triple Play Broadway, The Shubert Organization, The National Theatre

Disgraced

Author: Ayad Akhtar 
Producers: The Araca Group, Lincoln Center Theater, Jenifer Evans, Amanda Watkins, Richard Winkler, Rodger Hess, Stephanie P. McClelland, Tulchin/Bartner Productions, Jessica Genick, Jonathan Reinis, Carl Levin/Ashley De Simone/TNTDynaMite Productions, Alden Bergson/Rachel Weinstein, Greenleaf Productions, Darren DeVerna/Jere Harris, The Shubert Organization, The David Merrick Arts Foundation

Hand to God

Author: Robert Askins 
Producers: Kevin McCollum, Broadway Global Ventures, CMC, Morris Berchard, Mariano V. Tolentino, Jr., Stephanie Kramer, LAMS Productions, DeSimone/Winkler, Joan Raffe & Jhett Tolentino, Timothy Laczynski, Lily Fan, Ayal Miodovnik, Jam Theatricals, Ensemble Studio Theatre, MCC Theater

Wolf Hall Parts One & Two

Co-Authors: Hilary Mantel and Mike Poulton 
Producers: Jeffrey Richards, Jerry Frankel, Matthew Byam Shaw, Nia Janis & Nick Salmon for Playfull Productions UK, Carole Shorenstein Hays, Jam Theatricals, Ron Kastner, Kyodo Tokyo, Inc., Tulchin Bartner Productions, WLE MSG, Jane Bergère, Scott M. Delman, Rebecca Gold, Just for Laughs Theatricals, Kit Seidel, Triple Play Productions, Gabrielle Palitz, Georgia Gatti, Jessica Genick, Will Trice, The Shubert Organization, The Royal Shakespeare Company


Best Musical

An American in Paris

Producers: Stuart Oken, Van Kaplan, Roy Furman, Stephanie McClelland, Darren Bagert, Carole L. Haber, James Nederlander, Five Cent Productions, Michael Leavitt, Apples and Oranges Studios/Dominion Pictures, Roger Berlind/Arch Road, Simone Genatt Haft/Marc Routh, Triptyk Studios/Spencer Ross, Ed Walson/Peter May, Adam Zotovich/Celia Atkin, Eugene Beard/Julie Boardman/Kalish-Weinstein, Stuart Ditsky/Jim Herbert/Sandy Robertson, Suzanne Friedman/Independent Presenters Network/Wonderful Productions, The Leonore S. Gershwin 1987 Trust/Jenkins-Taylor/Proctors, Harriet Newman Leve/Jane Dubin/Sarabeth Grossman, Caiola Productions/Jennifer Isaacson/Raise the Curtain, Elephant Eye Theatrical & Pittsburgh CLO, Théâtre du Châtelet

Fun Home

Producers: Fox Theatricals, Barbara Whitman, Carole Shorenstein Hays, Tom Casserly, Paula Marie Black, Latitude Link, Terry Schnuck/Jack Lane, The Forstalls, Nathan Vernon, Mint Theatrical, Elizabeth Armstrong, Jam Theatricals, Delman Whitney, Kristin Caskey & Mike Isaacson, The Public Theater, Oskar Eustis, Patrick Willingham

Something Rotten!

Producers: Kevin McCollum, Broadway Global Ventures, CMC, Mastro/Goodman, Jerry & Ronald Frankel, Morris Berchard, Kyodo Tokyo Inc., Wendy Federman, Barbara Freitag, LAMS Productions, Winkler/DeSimone, Timothy Laczynski, Dan Markley, Harris/Karmazin, Jam Theatricals, Robert Greenblatt, Jujamcyn Theaters

The Visit

Producers: Tom Kirdahy, Edgar Bronfman, Jr., Tom Smedes, Hugh Hayes, Peter Stern, Judith Ann Abrams, Rich Affannato, Hunter Arnold, Carl Daikeler, Ken Davenport, Bharat Mitra & Bhavani Lev, Peter May, Ted Snowdon, Bruno Wang Productions, Taylor Cleghorn, Sandi Moran, Mark Lee & Ed Filipowski, Blodgett Calvin Family, Gabrielle Palitz/Weatherby & Fishman LLC, Marguerite Hoffman/Jeremy Youett, Carlos Arana, Veenerick & Katherine Vos Van Liempt, 42nd.Club/Silva Theatrical, Kate Cannova/Terry Loftis, The Shubert Organization, Williamstown Theatre Festival


Best Revival of a Play

The Elephant Man

Producers: James L. Nederlander, Terry Allen Kramer, Catherine Adler, Roger Berlind, Caiola Productions, Patrick Catullo, Roy Furman, Larry Hirschhorn, Jeffrey Finn Productions, Van Kaplan, Edward M. Kaufmann, Hal Luftig, Arielle Tepper Madover, Peter May, Stephanie P. McClelland, The Shubert Organization, Douglas Smith, Jonathan M. Tisch, WLE MSG, LLC., Scott & Brian Zeilinger, Williamstown Theatre Festival

Skylight

Producers: Robert Fox, Scott Rudin, Eli Bush, Roger Berlind, William Berlind, Roy Furman, Jon B. Platt, The Shubert Organization, Stephanie P. McClelland, Catherine Adler, Jay Alix & Una Jackman, Scott M. Delman, Heni Koenigsberg, Spring Sirkin, Stuart Thompson, True Love Productions, The Araca Group, Carlos Arana, David Mirvish, Joey Parnes, Sue Wagner, John Johnson

 

 

This Is Our Youth

Producers: Scott Rudin, Eli Bush, Roger Berlind, William Berlind, Jon B. Platt, Roy Furman, The Shubert Organization, Ruth Hendel, Scott M. Delman, Stephanie P. McClelland, Sonia Friedman, Tulchin Bartner, The Araca Group, Heni Koenigsberg, Daryl Roth, Joan Raffe & Jhett Tolentino, Catherine & Fred Adler, Joey Parnes, Sue Wagner, John Johnson, Steppenwolf Theatre Company

You Can’t Take It with You

Producers: Jeffrey Richards, Jerry Frankel, Jam Theatricals, Dominion Pictures, Gutterman & Winkler, Daryl Roth, Terry Schnuck, Jane Bergère, Caiola Productions, Rebecca Gold, Laruffa & Hinderliter, Larry Magid, Gabrielle Palitz, Spisto & Kierstead, SunnySpot Productions, Venuworks Theatricals, Jessica Genick, Will Trice, Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Sydney Beers


Best Revival of a Musical

The King and I

Producers: Lincoln Center Theater, André Bishop, Adam Siegel, Hattie K. Jutagir, Ambassador Theatre Group

On the Town

Producers: Howard and Janet Kagan, Severn Partners Entertainment, Bruce Robert Harris and Jack W. Batman, Paula Marie Black, Nigel Lythgoe, Michael J. Moritz,, Jr., Mahoney/Alden/Badway, Ambassador Theatre Group, Margie and Bryan Weingarten, Kim Schall, Michael Rubenstein, Terry/Louise/Chris Lingner, Brunish & Trinchero, Stephanie Rosenberg, Laruffa & Hinderliter, Rubinstein/Handleman, Lizbeth Bintz, Riki Kane Larimer, 24 Hour Adventure Production, A&A Gordon, Matt Ross/Ben Feldman/Pamela Cooper, Barrington Stage Company

On the Twentieth Century

Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Sydney Beers


Best Book of a Musical

An American in Paris

Craig Lucas

Fun Home

Lisa Kron

Something Rotten!

Karey Kirkpatrick and John O’Farrell

The Visit

Terrence McNally


Best Original Score (Music and/or Lyrics) Written for the Theatre

Fun Home

Music: Jeanine Tesori 
Lyrics: Lisa Kron

The Last Ship

Music & Lyrics: Sting

Something Rotten!

Music & Lyrics: Wayne Kirkpatrick and Karey Kirkpatrick

The Visit

Music: John Kander 
Lyrics: Fred Ebb


Best Performance by an Actor in a Leading Role in a Play

Steven Boyer, Hand to God
Bradley Cooper, The Elephant Man
Ben Miles, Wolf Hall Parts One & Two
Bill Nighy, Skylight
Alex Sharp, The Curious Incident of the Dog in the Night-Time


Best Performance by an Actress in a Leading Role in a Play

Geneva Carr, Hand to God
Helen Mirren, The Audience
Elisabeth Moss, The Heidi Chronicles
Carey Mulligan, Skylight
Ruth Wilson, Constellations


Best Performance by an Actor in a Leading Role in a Musical

Michael Cerveris, Fun Home
Robert Fairchild, An American in Paris
Brian d’Arcy James, Something Rotten!
Ken Watanabe, The King and I
Tony Yazbeck, On the Town

 

 

 


Best Performance by an Actress in a Leading Role in a Musical

Kristin Chenoweth, On the Twentieth Century
Leanne Cope, An American in Paris
Beth Malone, Fun Home
Kelli O’Hara, The King and I
Chita Rivera, The Visit


Best Performance by an Actor in a Featured Role in a Play

Matthew Beard, Skylight
K. Todd Freeman, Airline Highway
Richard McCabe, The Audience
Alessandro Nivola, The Elephant Man
Nathaniel Parker, Wolf Hall Parts One & Two
Micah Stock, It’s Only a Play


Best Performance by an Actress in a Featured Role in a Play

Annaleigh Ashford, You Can’t Take It with You
Patricia Clarkson, The Elephant Man
Lydia Leonard, Wolf Hall Parts One & Two
Sarah Stiles, Hand to God
Julie White, Airline Highway


Best Performance by an Actor in a Featured Role in a Musical

Christian Borle, Something Rotten!
Andy Karl, On the Twentieth Century
Brad Oscar, Something Rotten!
Brandon Uranowitz, An American in Paris
Max von Essen, An American in Paris


Best Performance by an Actress in a Featured Role in a Musical

Victoria Clark, Gigi
Judy Kuhn, Fun Home
Sydney Lucas, Fun Home
Ruthie Ann Miles, The King and I
Emily Skeggs, Fun Home

Best Scenic Design of a Play

Bunny Christie and Finn Ross, The Curious Incident of the Dog in the Night-Time
Bob Crowley, Skylight
Christopher Oram, Wolf Hall Parts One & Two
David Rockwell, You Can’t Take It with You


Best Scenic Design of a Musical

Bob Crowley and 59 Productions, An American in Paris
David Rockwell, On the Twentieth Century
Michael Yeargan, The King and I
David Zinn, Fun Home


Best Costume Design of a Play

Bob Crowley, The Audience
Jane Greenwood, You Can’t Take It with You
Christopher Oram, Wolf Hall Parts One & Two
David Zinn, Airline Highway


Best Costume Design of a Musical

Gregg Barnes, Something Rotten!
Bob Crowley, An American in Paris
William Ivey Long, On the Twentieth Century
Catherine Zuber, The King and I


Best Lighting Design of a Play

Paule Constable, The Curious Incident of the Dog in the Night-Time
Paule Constable and David Plater, Wolf Hall Parts One & Two
Natasha Katz, Skylight
Japhy Weideman, Airline Highway


Best Lighting Design of a Musical

Donald Holder, The King and I
Natasha Katz, An American in Paris
Ben Stanton, Fun Home
Japhy Weideman, The Visit 

Best Direction of a Play

Stephen Daldry, Skylight
Marianne Elliott, The Curious Incident of the Dog in the Night-Time
Scott Ellis, You Can’t Take It with You
Jeremy Herrin, Wolf Hall Parts One & Two
Moritz von Stuelpnagel, Hand to God


Best Direction of a Musical

Sam Gold, Fun Home
Casey Nicholaw, Something Rotten!
John Rando, On the Town
Bartlett Sher, The King and I
Christopher Wheeldon, An American in Paris


Best Choreography

Joshua Bergasse, On the Town
Christopher Gattelli, The King and I
Scott Graham & Steven Hoggett for Frantic Assembly, The Curious Incident of the Dog in the Night-Time
Casey Nicholaw, Something Rotten!
Christopher Wheeldon, An American in Paris


Best Orchestrations

Christopher Austin, Don Sebesky, Bill Elliott, An American in Paris
John Clancy, Fun Home
Larry Hochman, Something Rotten!
Rob Mathes, The Last Ship

 

* * *

 

Recipients of Awards and Honors in Non-competitive Categories

 

Special Tony Award for Lifetime Achievement in the Theatre

Tommy Tune

 

Special Tony Award

John Cameron Mitchell

 

Regional Theatre Tony Award

Cleveland Play House, Cleveland, Ohio

 

Isabelle Stevenson Tony Award

Stephen Schwartz

 

Tony Honors for Excellence in the Theatre

Arnold Abramson

Adrian Bryan-Brown

Gene O’Donovan

* * *

 

Tony Nominations by Production

 

An American in Paris - 12

Fun Home - 12

Something Rotten! - 10

The King and I - 9

Wolf Hall Parts One & Two - 8

Skylight - 7

The Curious Incident of the Dog in the Night-Time - 6

Hand to God - 5

On the Twentieth Century - 5

The Visit - 5

You Can’t Take It with You - 5

Airline Highway - 4

The Elephant Man - 4

On the Town - 4

The Audience - 3

The Last Ship - 2

Constellations - 1

Disgraced - 1

Gigi - 1

The Heidi Chronicles - 1

It’s Only a Play - 1

This Is Our Youth - 1

 


#TonyAwards
www.TonyAwards.com

EVA LONGORIA’S VERSUS !GO SEBASTION GO!

This past weekend, Tribeca Talks ESPN Sports Film Festival brought Eva Longoria and Retta to showcase their films and to share their passion towards supporting the cause of diversity. Both of these ladies are not just phenomenal actors but also great filmmakers as well. And they are also social activist supporting cause of diversity and social justice.

That’s the motivation behind Eva’s project “Go Sebastian Go” which she both executive produced and directed. The film is about 11 year old Sebastien de la Cruz whose rendition of the national anthem before Game three of the 2013 NBA Finals kindled a blaze of racist tweets. Many of them started branding him 'illegal' and ridiculed his outfit and asked him to “go back”. Sebastian - who was born and raised in San Antonio - was the subject of hate-fueled abuse on social media because he was dressed in his favorite mariachi costume, and for his proud display of his Mexican heritage. Following the national controversy on the night of his performance, he was invited the next day to perform again. However his reception this time was far more supportive and positive. And Eva was one of his biggest cheerleaders on that day. She immediately tweeted: 'As a Mexican-American, I am so proud of Sebastien De La Cruz, a great symbol of what America is today!'

Sebastien said of his critics: 'With the racist remarks, it was just people - how they were raised. My father and my mama told me you should never judge people by how they look.' And he said, “Only 3 things are important in my life, my parents, god and mariachi”. How many 11 year olds have their top priorities clear!"

Eva is well known for her philanthropy work, and her faith in supporting Hispanic community triggered her to make this film. She also talked about her passion towards supporting diversity in America. And the need of more woman in entertainment business, not just as actors, but producers, writers, directors and all kind of roles. To give the world women’s perspective on different subjects, which only women can do! Retta chorused the same thoughts and her strong feelings were also expressed by her upcoming documentary film about famous French-American Ice skater of 70s, Surya Bonaly.

ESPN is going to bring many more wonderful stories soon and we’ll keep you all posted.

https://tribecafilm.com/festival/events/tribeca-talks-espn-sports-film-festival-conversations-go-sebastien-go

@TRIBECAFILMFEST | 2015 TRIBECA FILM FESTIVAL® ANNOUNCES ATTENDANCE #TFF2015 #TFF

It was a real big year for Tribeca, as the Festival’s 14th edition welcomed over 138,000 movie-goers over 12 days of screenings and panels with a total attendance of over 467,000!!

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The 2015 Tribeca Film Festival (TFF), co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by AT&T, announced that during the Festival’s 14th edition more than 467,000 people attended screenings, panels, virtual reality experiences and free community events – including the Tribeca Drive-In series, Family Festival Street Fair, Tribeca/ESPN Sports Day, the Tribeca Disruptive Innovation Awards, and programming housed at TFF's inaugural downtown creative hub, Tribeca Film Festival at Spring Studios.

From April 15 through 26, the Festival hosted 492 screenings and panels. A total of 101 features, 60 short films and five immersive storytelling projects from 38 countries were screened for more than 138,000 movie-goers and panel attendees over the course of the 12-day Festival. For the second year, thanks to AT&T, an entire day of film screening tickets were free through “Film for All Friday,” where over 10,000 tickets were claimed for the screenings on Friday, April 24th.

“This year, thanks to our new Festival hub at Spring Studios, we have been able to connect more deeply than ever before with audiences seeing films, attending talks, and experiencing the cultural and technological innovations at the forefront of storytelling,” said Jane Rosenthal, co-founder, Tribeca Film Festival. “Bringing these audiences together with filmmakers and great stories is the reason we do what we do.”

The free community events returned with the Tribeca Drive-In® movie series on the waterfront plaza at Brookfield Place, co-sponsored by AT&T and hosted by Brookfield Place. The program featured a 30th anniversary screening of Clue, a 60th anniversary screening of the Disney classic Lady and the Tramp, and the world premiere of A Faster Horse, a documentary celebrating the 50thanniversary of the Ford MustangMore than 7,500 visitors came out for the free, outdoor films and participated in games and activities, including a Murder Mansion photo booth, Italian love song sing-alongs, face painting, and interactive car-themes simulations. 

Festival organizers and Lieutenant C. Ficalora of the NYPD First Precinct estimated that a crowd of 300,000 enjoyed the signature Tribeca Family Festival Street Fair and Tribeca/ESPN Sports Day, sponsored by Mohegan Sun, on Saturday, April 25, which included Games for Change Public Arcade, interactive sports experiences with NY teams including The New York Knicks, New York Rangers and New York Liberty, live performances from The Rockettes and the casts of Broadway shows including WickedKinky Boots, On The Town, and much more.

Tribeca Film Festival at Spring Studios, the new creative hub and gathering place for festivalgoers in the heart of Tribeca, welcomed nearly 20,000 people throughout the 12 day festival. The space hosted Storyscapes, a juried section showcasing groundbreaking exhibits in technology and interactive storytelling presented in collaboration with BOMBAY SAPPHIRE® GinDEF CON’s renowned hacking conference, Oculus™ Story Studio’s virtual reality experience, Stanford Virtual Human Interaction Lab, Sinatra at 100: Film & Music—a special evening of film and music with the Lincoln Motor Company in celebration of Frank Sinatra’s centennial, and talks with artists and industry leaders including A$AP Rocky, Google’s Astro Teller, Stanford’s Jeremy Bailenson, AOL’s Tim Armstrong and more.

The Beacon Theatre housed four of the Festival’s special events. Events included Opening Night, presented by AT&T, the world premiere of the documentary Live From New York!, celebrating the 40th anniversary of “Saturday Night Live” and followed by a performance by Chris “Ludacris” Bridges; an American Express Card Member exclusive screening of Mary J. Blige: The London Sessions, a documentary chronicling the artist as she writes, records, and curates one of her most experimental albums to date, followed by a performance by Blige; a reunion of the five surviving members of Monty Python followed by a  special screening of Monty Python and The Holy Grail; and the Festival’s Closing Night, co-sponsored by Infor and Roberto Coin, a remastered 25th anniversary screening  of Martin Scorsese’s GoodFellas with a discussion with cast members Robert De Niro, Lorraine Bracco, Ray Liotta and Paul Sorvino led by Jon Stewart.

 

2015 Tribeca Film Festival anecdotes:

  • Nearly 1000 industry delegates were in attendance from 40 countries including Argentina, Bulgaria, India, Israel, Kosovo, Russia, South Africa, South Korea, Sweden, and the United Arab Emirates.
  • There were 34 Tribeca Talks conversations at the festival, 16 of which were turned into live podcasts from WNYC http://www.wnyc.org/shows/tribecafilm
  • Over 780 one-on-one meetings were scheduled at Tribeca Film Institute's Network Market, one-on-one industry meetings designed to allow filmmakers to network with film industry executives, potential investors, development executives, producers and agents. Additionally, over 125 industry/decision makers attended.
  • The Festival presented 20 virtual reality projects from Chris Milk, Oculus™ Story Studio, Stanford Virtual Human Interaction Lab, Penrose, Nonny de la Pena and two projects in Storyscapes: “The Enemy” and “Machine To Be Another”
  • The Festival celebrated the powerful connection between music and film, featuring a centennial tribute to the man who exemplified that pairing: Frank Sinatra. Tony Bennett, Ne-Yo and Alice Smith, Brandon Flowers, Lea Delaria, and Savion Glover honored his influence following a special screening of On the Town. In addition, multi-hyphenate rapper-actor Chris “Ludacris” Bridges helped open TFF, Mary J. Blige brought down the house at The Beacon Theatre with her powerful set, and Sarah McLachlan gave an exclusive performance at IWC Schaffhausen’s “For the Love of Cinema” gala dinner.
  • Music continued throughout the 12 days when The Song of Lahore's Sachal Jazz Ensemble performed their innovative rendition of Dave Brubeck's "Take Five" after each screening in front of rapturous audiences, receiving multiple standing ovations. Che "Rhymefest" Smith performed after screenings of his filmIn My Father's House, then answered questions standing side by side with his recovering dad, still on the upswing, while during the Shorts program NY Daily Grind – the subway performers "Showtime" from the short "We Live This" performed for the audience and singers from "Better to Live" sang a song about NYC acapella.
  • On an emotional and celebratory evening, the Maysles family attended the world premiere of Albert's last film, In Transit. Other friends there included Jerry Torre (the caretaker from Grey Gardens a.k.a. "the marble faun"). The documentary received a Special Jury Mention for its essentially American character and for being emblematic of the career of an "all-time master."
  • The Monty Python reunion with John Oliver at the Beacon Theatre was uproarious, as expected, with the Pythons paying homage to their famous coconut scene when they arrived for the red carpet with toy coconuts to give to media and fans. 
  • The subjects of The Wolfpack went to the closing night anniversary screening of GoodFellas dressed as GoodFellas.
  • Olivia Wilde and Jason Sudeikis were TFF’s unofficial king and queen, with two projects each premiering at Tribeca, including MeadowlandBody Team 12,Tumbledown and Sleeping With Other People.
  • Hundreds of locks and seals were ethically picked and tampered with in the DEF CON villages at Tribeca Film Festival at Spring Studios, teaching attendees from age five to 73 to look at media and the world around them in a different way.
  • Audience Award winning director Patrick O'Brien of TransFatty Lives rapped Rapper's Delight at his Q&A through his voice machine.  Everyone was cracking up and his team had to stop him so the Q&A could continue.
  • At the premiere of A Ballerina’s Tale, sponsored by Under Armour, dancer Misty Copeland received a standing ovation and was overcome with emotion when discussing her TIME cover at the Q&A afterwards which featured questions from an admiring audience, including some young aspiring ballet dancers. 
  • DJ Z-Trip's performance of Speedy was called "the future of silent film" by many in attendance at the one-night-only event at Spring Studios.
  • At the Orion: The Man Who Would be King screening, the audience was full of Orion lookalikes wearing paper cutout masks passed out by the filmmakers. People were still wearing them at the karaoke party afterwards.
  • Wrestlers from Bodyslam: Revenge of the Banana arrived in costume, showed off their outrageous moves at the Q&A.
  • Twenty-eight Tribeca Disruptive Innovation Award honorees received awards at a packed house at BMCC Tribeca PAC.
  • Approximately 1,350 public school students attended screening events at Tribeca Film Festival, through Tribeca Film Institute programs including Tribeca Teaches, Youth Screening Series and Our City, My Story.
  • And Festival Director Genna Terranova welcomed baby Gia Terranova Quintela, 7lbs 15 oz, on April 13, just in time for TFF!

About the Tribeca Film Festival

The Tribeca Film Festival helps filmmakers reach the broadest possible audience, enabling the international film community and general public to experience the power of cinema. It is well known for being a diverse international film festival that supports emerging and established directors.

Founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001, following the attacks on the World Trade Center, to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture, the Festival brings the industry and community together around storytelling.

The Tribeca Film Festival has screened more than 1,600 films from more than 80 countries since its first edition in 2002. Since inception, it has attracted an international audience of more than 4.9 million attendees, and has generated an estimated $900 million in economic activity for New York City.

About the 2015 Festival Sponsors

As Presenting Sponsor of the Tribeca Film Festival, AT&T is committed to supporting the Festival and the art of filmmaking through access and innovation, aiming to make this the most interactive film festival in the country, where visitors experience the Festival in ways they never imagined.

The Tribeca Film Festival is pleased to announce its Signature Sponsors: Accenture, Alfred P. Sloan Foundation, American Express, Bloomberg, BOMBAY SAPPHIRE Gin, Borough of Manhattan Community College (BMCC), Brookfield Place, ESPN, IWC Schaffhausen, The Lincoln Motor Company, NBC 4 New York, NCM Media Networks, The New York Times, Santander, United Airlines, and VDKA® 6100. The Festival welcomes new Signature Sponsor: Spring Studiosand Thompson Hotels.