I AM THALENTE Launch Event in Los Angeles

myNewYorkeye and James Cheeks joined the local skateboarding community in Los Angeles for the I AM THALENTE launch event at The Berrics. Check out the red-carpet coverage of the premiere featuring interviews with cast member Thalente Biyela and producer Sal Masekela.

SYNOPSIS: Featuring thrilling skateboarding footage around the world, I AM THALENTE is the story of Thalente Biyela, a teenage homeless black skater from a broken home in South Africa who struggles to overcome his circumstances and pursue a professional skateboarding career while being mentored and supported by top figures in the skateboard world, including Tony Hawk and Kenny Anderson. Indiewire called the film "A unique tale that shows just how far positivity and confidence can take someone." This doc marks the inaugural film release of innovative, socially conscious crowdfunding and streaming company Seed&Spark.

Playing at theatrical event screenings in select cities across the U.S. Available on VOD since May 13th.

Red-carpet coverage of the I AM THALENTE movie premiere at The Berrics. Video by James Cheeks III. Music Courtesy of Erin O'Neill. Photos by Kevin Michael Campbell. www.iamthalentefilm.com

Photos by Kevin Michael Campbell
Video by James Cheeks III

James Cheeks is a guest contributor with myNewYorkeye, from Los Angeles. He received his MFA degree in Film and Television Production at USC’s School of Cinematic Arts in Los Angeles. Cheeks is also a skateboarding enthusiast and his documentary "On The Grind" aired nationwide on the Documentary Channel and most recently on PIVOT (AT&T U-verse, Verizon FIOS, DIRECTV, Dish Network). Cheeks was recently nominated by The Sheckler Foundation as a finalist in their Be The Change initiative for making a positive impact in the lives of at-risk youth.

Conversation with filmmaker Joey Kuhn | THOSE PEOPLE

Born and raised in New York City, writer/director Joey Kuhn makes films that draw inspiration from the nexus of fine art and pop culture. Joey's short films Thinly Veiled (2010) and Now Here (2011) have played at festivals around the world. In addition to his work as a writer/director, Joey is an editor and a still photographer. He graduated from Brown University in 2007 with a B.A. in Art-Semiotics and graduated with an M.F.A. from NYU's Graduate Film Program in May 2014. THOSE PEOPLE is his first feature film. Joey had a conversation with Art Shrian, about the film, New York City and other stuff. Here are the excerpts:

What was your inspiration for this story?

For my first feature, I knew I wanted to tell a coming of age story for a young, gay man who meets the man of his dreams, but can’t let go of a lifelong infatuation with his best friend.  In college, I accidentally fell in love with my gay best friend and kept it secret from him for years, afraid of ruining the friendship (and of rejection).  I based Charlie and Sebastian’s friendship on the longstanding unrequited love I had for my friend, because I hadn’t been able to move past my “Sebastian.” I thought that exploring these emotions through the writing and directing of the film could help me get over him for good.  Sebastian’s ostentatious voice is based on my friend, but his unique situation came from another source. I was drawn to the story of Mark Madoff, Bernie Madoff’s son who killed himself two years after his father went to prison – a man whose life was ruined for something he presumably did not do.  I like difficult characters in film, but I knew I didn’t want to make Sebastian the main character. Instead, I wanted to explore that character through the eyes of someone who loved him.  It was also important to me to make a movie with authentic representations of gay men my age, which I rarely see onscreen. I didn’t want to tell another coming out story.


Why choose NYC as the backdrop of your story?

I’m a lifelong New Yorker (born and raised), so the city is incredibly important to me. It’s part of my identity. There was never a question that my first feature would be set anywhere else. I wanted to make my own love letter to the city, full of locations that were both cinematic and meaningful. From a storytelling perspective, I like romantic films that have a larger sociopolitical backdrop, and I knew that setting the film on the Upper East Side in the aftermath of a financial scandal would raise all the stakes. I didn’t want the movie to feel small.


What was the toughest thing about making this film? And what is the most rewarding thing to see this film completed?

One of the challenging aspects of making this film was deciding where to put the line of unlikeability with the character of Sebastian. I wanted him to be a bit of an asshole, who could say offensive, albeit charming things, but I wanted him to have a growth arc. He has to learn throughout the course of the film how to put others before himself, which is the opposite of Charlie’s arc. So in both the writing stage and the editing stage, I would track how the audience was reacting to the character, and when, if ever, they started to like Sebastian. I would change or edit out a few lines here and there, and people’s reactions would shift drastically. But I know that Sebastian is not for everyone. Some people love him, and some people hate him. Personally, I have great affection for his character, flaws and all, and he was the most fun to write. But I have had to learn how to be okay with some people hating him, and sometimes, because of that, the movie.  ...But trying to shoot the climactic roof scene outside during a huge, unexpected blizzard was not a walk in the park either.

The most rewarding thing has definitely been hearing from audiences who love the film, who connect with it emotionally, and see their own experiences reflected onscreen. So many people, both gay and straight, have told me the story of their “Sebastian.” I love that.

How important is it for storytellers to tell meaningful stories that can make a difference?

I think it’s important to always have the audience in mind when you’re making a film. I would love to be able to make a difference with my films, but for now I’m happy if I make something that touches people emotionally. I saw an interview with Dustin Lance Black, wherein he said that before he writes a script, he thinks about how he wants to “move the needle” in society. That’s a lot of pressure!  I do feel a personal responsibility to create authentic representations of our community. I didn’t set out to make an overtly political film with Those People, but I do hope that people outside the LGBTQA community see the film and realize how similar we all are. People are people.

What are your favorite NYC based movies & TV shows? And why?

I love almost anything by Woody Allen. I’m a neurotic, Jewish, New Yorker, so I connect very deeply with his sense of humor and general neurosis about everyday life. Manhattan, for me, is the ultimate New York movie. Gordon Willis’ cinematography is just perfect. I watched that movie so many times for inspiration while writing Those People, even studying its narrative structure.  I also love Hannah and Her Sisters, Bullets Over Broadway, and Interiors.  Breakfast at Tiffany’s is another one of my favorite NYC movies.  My mom watched that while she was in labor with me (which may explain why I’m gay). I want to cry everytime I hear “Moon River.” Paris is Burning is another one of my favorites - It’s incredible how so much of our gay slang today comes from that movie. I love the texture of the film, and how it captured the energy of the time. I think about the queens in that movie a lot, and how profound they were.

On the television front, nothing beats Felicity. I have such nostalgia for pre-cellphone New York. I was in high school when that was on, and I just wanted my college experience to feel like that. The first season is also beautifully shot, back when they used 16mm film. And Keri Russell is perfect.   I was also a huge Will & Grace fan. I think the character of Will Truman was the first time I felt like I saw myself reflected onscreen, even as a closeted teenager. Gay characters on TV had mostly been the flouncing other until then, and that character truly helped “move the needle,” as DLB would say. When I came out of the closet to my family in 2003, my younger brother Jake, who was 12 at the time, exclaimed, “You’re just like Will from Will & Grace!”

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THOSE PEOPLE presents a complicated gay love triangle, brimming with erotic tension, and opens a fascinating window into upper crust, young Manhattanites struggling to find themselves amidst a myriad of moral, emotional, and erotic choices.

On Manhattan's gilded Upper East Side, an impressionable young painter, Charlie (Jonathan Gordon), finds the man of his dreams in an older pianist from across the globe, Tim (Haaz Sleiman, 'The Visitor"). Unfortunately, Charlie is also consumed with desire and love for his manipulative best friend, Sebastian (Jason Ralph, "The Magicians"), who is embroiled in a Bernie Madoff-esque family financial scandal. Sebastian's coping mechanism is non-stop moneyed hedonism, and he insists Charlie join him on his self-destructive streak of sex, drinking and partying at his father's massive penthouse. In the wake of Sebastian's dangerous downward spiral, their tight-knit group of friends must confront the new realities of adulthood. Manhattan's Upper East Side provides the backdrop for a riveting tale of entitlement, privilege, loyalty, and their complicated effect on a young man's chance at love.

Beautifully shot, and capturing in fine detail a morally suspect world of elite Manhattan's young and rich, THOSE PEOPLE creates an unforgettable sense of place, mood, and time to tell an erotic story of the ethics of desperation disguised as desire. An award-winning debut feature from young, NYC raised writer/director Joey Kuhn.

Written, Directed, Produced by: Joey Kuhn

Starring: Jonathan Gordon, Jason Ralph (The Magicians), Haaz Sleiman (The Visitor), Britt Lower

Distributed by: Wolfe Video

More Info: https://www.wolfevideo.com/products/those-people/

Special Correspondents (3/4) | Conversation with Ricky Gervais, Eric Bana and others

Ricky Gervais is one of the most unapologetic, honest and hilarious comedians today. This movie is an example of that in many ways. Ricky picks the topic of journalism, but does not make it into a “statement”, but makes it into quite an honest human story. We got to attend a special screening and world premier of Ricky’s next directorial venture, which he also wrote & acted in, Special Correspondents. The film was followed by a special conversation with Ricky and team of the film.

 

***Spoilers***

Ian Finch (Ricky Gervais) is Chief Sound Engineer” at the not so popular radio station in New York. That’s his achievement in life, which his wife Eleanor (Vera Farmiga) is not very proud of. She craves an exciting, successful life, and ends up cheating on him with Frank Bonneville (Eric Bana). Frank is the local celebrity radio correspondent, who believes he’s meant and destined for better things. He gets a mission to go to Ecuador for reporting from the war zone, with Ian as his accomplice.  Due to a “small mistake” by Ian, throwing away their passports and tickets, they end up in the apartment of his friend’s right across from radio station, instead of Ecuador. They create fake reports, and start false reporting, to not let their boss (Kevin Pollak) know about it. And before they know, the plan goes too far for them to be able to handle, and it gets out of hand. Even though still benefiting there downwards careers and Eleanor’s aspirations as well.

***Spoilers end***

Ricky plays these underdog roles, which are complete contrast of Ricky we see at Golden Globes. But this movie is more a human story than a statement. And as expected, Ricky rocks the role. Eric Bana is quite brilliant in his role. You really can’t imagine anyone else in the role of a suave, cocky but a failure-ish guy. Vera seems kinda tired in her role, but it also suits the role. America Ferrera and Raúl Castillo are quite hilarious in their roles and Kevin is a treat to watch as well. He was life of the post-screening conversation as well.

The conversation felt like a roast of Ricky. But revealed some interesting information as well. Like:

  • Ricky feels like a fish out of water, that’s why he writes and plays such roles.
  • America wasn’t sure about the film, but did it because of Ricky. With Ricky, either way it’ll be fun.
  • Netflix is great platform, since it guarantees people will see it. That’s why Ricky chose it.
  • The movie wasn’t shot in Ecuador, since Ricky felt too lazy to shoot it there.

Listen To The Conversation Here:

The movie is on Netflix now, so go watch it.

It’s quite a fun joy ride.

Ricky Gervais's hilarious comedy follows a struggling radio journalist and his hapless technician faking frontline war reports from a NYC hideout. Only on Netflix April 29.

THE CONGRESSMAN | Conversation with Treat Williams & Robert Mrazek @congressmanfilm

Treat Williams, with Robert Mrazek

Treat Williams, with Robert Mrazek

The Congressman releasing today is a movie about a Congressman. But Charlie Winship is lot more than that. He’s a veteran, husband, a lover, a lost soul, and a lot more. And the movie manages to capture a lot of that. This is not really a very political movie, even though it has political background, political characters and even political subjects. It still feels like a journey of a man, a wonderful & interesting man.

The film is written & co-directed by former Congressman Robert Mrazek, and it is semi-autobiographical and semi-fiction. He does a wonderful job of creating complex characters, with complex storylines, and weaves them together to tell a meaningful and good story. And as per him, the movie would not have been possible without the wonderful lead, the very talented Treat Williams, who plays Charlie. He brings a true humanity to the complex character. He makes it funny, he makes it rough & tough, he makes it honest, he makes it emotional and he makes it truly human. It may seem too fairy-tail-ish at some points, but it still has a degree of believability and positivity, with a message of hope. IT’s good to see such movies these days.

We had an opportunity to talk to both Treat and Robert. Here are some excerpts:

A.S: Congratulations on a wonderful performance in a wonderful film. What motivated you to work in this film and what was inspiration for your character?

Treat: I never saw it as a political movie, if it was a political movie, I won’t be in it. I was very moved by the Capra’esk quality of the film. There’s this guy who has worked very hard, has done his best for his people, almost sacrificed his life. And then the guy he really loved very much, like a son, Jarrod, throws him under the bus. And he’s losing faith in himself, people and life. And he has this deep seeded sense of honor. There are people whose love for country, patriotism is deep & profound and very quite, like my dad’s was. Charlie is that kinda guy, who fought in war, served his country, and I think he’s deeply hurt by this attack on him. He’s kinda suffering from PTSD. And I think he’s fighting demons, but he’s able to battle through and say “I’m hanging up my armor”, I love that line. And he goes to island and hopefully has another 20 yrs ahead of him.

I have been through similar journey. I was making bad action films in Asia, I was doing these really B movies, and wondering to myself what was I doing. I had an epiphany and I came back, and oddly enough I lost everything in the economic crash. I was building a very big house in Park City, Utah, and couldn’t keep up with payments. This big TV star lost his house. And we drove back to Vermont, with trailer at back of the car. I started over, and we started to recover. By going back to my town, where I was being invited to more theatrical things, I began to return to my roots of theater, love of my farm, my family. In a way, this event was the best thing that ever happened to me. I’m just very happy acting, its a great joy to be a working actor.

A.S: On this film, you were not just an actor. You also collaborated heavily with the team as a writer, helping with the script, producing and overall, you contributed a  lot to the film.

Treat: When I’m with a guy like Robert and Jarrod, who are first time directors, I had to do a lot. I only stepped up when it was necessary. After the movie was done, we went back to island to shoot 4 more days. Because Joanna who made this movie, just amazing, editor & producer, said I’m missing footage, I can’t make this film. So I flew myself over in my plane, back to island. I was the star of the film, the gaffer, the grip, I did food service, I carried stuff around. We all including Joe, the DP, we were tiny film crew. We reshot multiple new scenes etc. And my agent said, you get paid for that? I said No. He said, I’ve never had an actor who put so much of himself in a movie. You should be producer. And they said of course. It was a title given to me as a trophy for my hard work. And now I’m more involved, in the sense of how does it work. And it’s great.

A.S: So would you do more of this filmmaking stuff? Will we see Treat the writer/director/fimmaker?

Treat: Yes, it's possible. But I would make some changes. I hope my show Chesapeake Shores, runs for 5 years, and then I can do any independent films I like. This was one of the most difficult shoot I ever had to do. I think the making of this film will make an interesting film in itself.

A.S: Congratulations on this wonderful film Robert. So, as a first time director, how was the process of directing and filmmaking?

Robert: As a first time director, I wasn’t frightened, but I was concerned that I won’t be able to work with my co-director and harness the energy, and create good atmosphere, give the DP enough opportunities, and actors too, who were all accomplished actors. But what I found, that they all made it very easy. It was a truly collaborative process. Charlie helped me evolve the script, to where it finally arrived. He’s not a method actor, but he does, what he needs to do, to get in character. It was the best cast one could get, thanks to Fred Roos. George Hamilton, Elizabeth Marvel, its just wonderful. Ryan did great job, with physical comedy. Specially the scenes on the boat, we only had few days. But all the actors, DP, producer, the entire team made it very easy.

A.S: Would you direct again? Or what would you like to do more?

Robert: I don’t think so. What I enjoyed most was writing the movie. And casting. It was an honor and pleasure to work with Fred Roos. That part was fun. But if I ever be to direct again, it’ll be with a budget, which would not require putting off so many fires everyday. I was so exhausted, by the end of the shoot. I had as much hair as Treat, when we started this film (laughs). Definitely less now!

A.S: You’re a writer, director, producer and an activist as well. You’re a wonderful storyteller. So what’s your message to other storytellers, who want to tell stories and make difference?

Robert: Persistence. If you have the passion, you have to somehow retain the passion. You never know when opportunity is going to come. And when it does come, you have to be prepared. The first 2 books I wrote, it didn’t matter what connections I have, all it mattered how commercially viable they were. It took me 3 yrs writing these 2 novels, both of which were rejected by every publisher in New York. I decided I’ll try another one. The 3rd one did hit, and enabled me to believe that I could make a living as a writer & author. So my message would be, stick with it, and keep fighting. And eventually the opportunity would be there for you.

 

FILM SYNOPSIS

Congressman Charlie Winship (Treat Williams) is at a crossroads in his life both personally and professionally. After he publicly refuses to stand and recite the Pledge of Allegiance he finds himself in a downward spiral. From being badgered by the media to being undermined by conniving lobbyist, Laird Devereaux (George Hamilton), Charlie needs to find a way out of this series of unfortunate events. He embarks on a journey with his Chief of Staff, Jared (Ryan Merriman) to a small remote island of the coast of Maine, where he comes into contact with an offbeat group of constituents who are fighting to protect their island and livelihood.

Through experiencing a different way of life Charlie is re-introduced to the ideals that molded him. Making the choice to go toe to toe with his past may give him a second chance at personal happiness, professional enlightenment, and perhaps, even a lifetime supply of lobster.

The film opens in today at Cinema 1,2,3 on 3rd Avenue in Manhattan, Cinema Arts Center in Huntington, Long Island and at The Avalon Theater in Washington DC

For more details, check the film’s website below

http://thecongressmanmovie.com/