FESTIVAL CELEBRATING LEGENDARY ACTOR'S GREATEST ROLES AT FILM FORUM, AUGUST 7-11

A five-day, ten-film tribute to MARLON BRANDO (1924-2004), featuring his most iconic performances, from On the Waterfront toThe Godfather, will run at Film Forum from Friday, August 7 through Tuesday, August 11.

The series kicks off on Friday, August 7 with a superb 4K restoration of Elia Kazan's On the Waterfront, with Brando in his Oscar-winning role as ex-boxer/longshoreman Terry Malloy. Kazan said, "If there is a better performance by a man in the history of film in America, I don't know what it is."

The series includes many of Brando’s greatest films, including a 4K restoration of Kazan’s A Streetcar Named Desire (only Brando’s second film, and first collaboration with the director), Kazan’s biopic of Mexican revolutionary Emiliano Zapata, Viva Zapata!, in a new restoration, Joseph L. Mankiewicz’s Julius Caesar, Laslo Benedek’s seminal biker movie The Wild One, Francis Ford Coppola’s The Godfather, Gillo Pontecorvo’s rarely-seen Burn!, the x-rated version of Bernardo Bertolucci’s Last Tango in Paris, Coppola’sApocalypse Now, and Andrew Bergman’s meta comedy The Freshman, with Brando as a character who’s very similar to a certain other ionic role.

BRANDO is presented in conjunction with Film Forum’s premieres screen, which will screen new documentary Listen to me Marlon from July 29-August 11.

Select screeners available, please contact rachel@filmforum.org.
Public Screening Schedule (all separate admissions)
AUGUST 7 FRI
ON THE WATERFRONT (1954, Elia Kazan) 4K DCP Restoration
12:30, 5:10, 7:30

THE WILD ONE (1953, Laslo Benedek) DCP
2:45 

LAST TANGO IN PARIS (1973, Bernardo Bertolucci) 35mm

9:45 ONLY
AUGUST 8 SAT
THE GODFATHER (1972, Francis Ford Coppola) DCP
1:00, 6:45

THE FRESHMAN (1990, Andrew Bergman) 35mm
4:30
THE WILD ONE (1953, Laslo Benedek) DCP
10:20

AUGUST 9 SUN
VIVA ZAPATA! (1952, Elia Kazan) 4K DCP restoration
12:30

BURN! (1969, Gillo Pontecorvo) 35mm
2:50
JULIUS CAESAR (1953, Joseph L. Mankiewicz) 35mm
5:30
APOCALYPSE NOW (1979, Francis Ford Coppola) DCP
8:00

AUGUST 10 MON
A STREETCAR NAMED DESIRE (1951, Elia Kazan) 4K DCP
12:30, 5:15, 7:35, 9:55

VIVA ZAPATA! (1952, Elia Kazan) New DCP Restoration
3:00

AUGUST 11 TUES
BURN! (1969, Gillo Pontecorvo) 35mm
12:30

JULIUS CAESAR (1953, Joseph L. Mankiewicz) 35mm
3:30
VIVA ZAPATA! (1952, Elia Kazan) New DCP Restoration
6:10
APOCALYPSE NOW (1979, Francis Ford Coppola) DCP
8:30

FSLC & Jaeger-LeCoultre announce Athina Rachel Tsangari as 2015 Filmmaker in Residence

The Film Society of Lincoln Center and Jaeger-LeCoultre announced the selection of writer and director Athina Rachel Tsangari (Attenberg, 2011 New Directors/New Films) as their 2015 Filmmaker in Residence, the third annual initiative and partnership between the two  organizations. Previous participants include award-winning directors Lisandro Alonso (Jauja) and Andrea Arnold (Red Road).

Lesli Klainberg, Executive Director of the Film Society of Lincoln Center said: “We are very excited to welcome Athina Tsangari as the third annual Filmmaker in Residence during the 53rd New York Film Festival. Athina is a dynamic and fearless filmmaker, and we are thrilled to provide her with the space and time to develop new work while connecting her with a vibrant New York film community. Athina has already had a remarkable career, and we are so excited to see what she does next.”

“I feel greatly honored to be hosted as the Film Society of Lincoln Center and Jaeger-LeCoultre’s Filmmaker in Residence this year,”
said Tsangari. “I am looking forward to working on my new script, part of which is set in New York City, and to drawing inspiration from the city itself, camaraderie from its essential film community, and stimulation from the Film Society’s invigorating programming. It is always an invaluable gift when Xenia—the goddess of hospitality—and cinema join their graces and forces.”

During her residency in New York, Tsangari will be working on a screwball action-thriller called White Knuckles that centers on two criminal sisters (a burglar and a bookkeeper) dealing with “VAT fraud, amour fou, architectural infiltration, and electrically amplified fistfighting.” Her newest feature, Chevalier, is a buddy comedy that takes place on a luxury yacht astray on the Aegean Sea and will have its world premiere in August at the Locarno l Film Festival.

Athina Rachel Tsangari holds a BA in Comparative Literature, Philosophy, and Drama from the Aristotle University of Thessaloniki in Greece. After graduation, she moved to Austin to study film directing. Her introduction to cinema came by a happy accident, with a small role in Richard Linklater’s seminal 1991 film Slacker, and her relationship with Linklater continued when she served as co-producer on Before Midnight (2013), in which she also appeared as Ariadni. Her first short, Fit, was a finalist at the Student Academy Awards. Her MFA thesis feature at the University of Texas at Austin, The Slow Business of Going (2001), a lo-fi sci-fi road movie starring Lizzie Martinez, was shot with a skeleton crew in hotel rooms in nine cities around the world. The 2002 Village Voice Critics’ Poll listed it as one of the year’s “best first films,” and it also garnered several directing awards and now belongs in MoMA’s permanent film collection. 

Her sophomore feature, Attenberg (2010), premiered in the main competition of the Venice Film Festival, where its lead Ariane Labed won the Coppa Volpi Award for Best Actress, and then went on to win several best film/directing awards at festivals worldwide. It was Greece’s Best Foreign Language Film submission for the 2012 Academy Awards, and a runner-up for the LUX Prize for Best European film. The Capsule(2012), made in collaboration with Polish artist Aleksandra Waliszewska and commissioned by the Deste Foundation for Contemporary Art as both a film and an installation, premiered at dOCUMENTA (13) in Kassel, followed by the Locarno, Toronto, and Sundance film festivals to critical acclaim. The script for her sci-fi “screwball tragedy” Duncharon (co-written with her longtime collaborator and Haos Film partner Matt Johnson) was awarded the "ARTE France Cinéma" Award for best European project in development, at Rotterdam IFF’s CineMart in 2012. 

The Filmmaker in Residence program was launched in 2013 by Jaeger-LeCoultre and the Film Society of Lincoln Center as an annual initiative designed to support filmmakers at an early stage in the creative process against the backdrop of New York City and the New York Film Festival (NYFF)

The 2013 Filmmaker in Residence, Andrea Arnold (Wuthering Heights, Fish Tank), utilized her residency to develop the script and work on pre-production for first feature project shot in the United States,American Honey starring Shia LaBeouf, which was introduced to buyers at the 2015 Cannes Film Festival.

The 2014 Filmmaker in Residence, Lisandro Alonso (Jauja, Liverpool, Fantasma, Los Muertos) is working on development for an untitled project that began during his residency at FSLC and is currently meeting with producers in South America, aiming to shoot soon in the United States. 


***The Film Society receives generous, year-round support from American Airlines, The New York Times, HBO, Stella Artois, The Kobal Collection, Variety, Trump International Hotel and Tower, RowNYC, the National Endowment for the Arts, and the New York State Council on the Arts.

***Support for the New York Film Festival is also generously provided by Jaeger-LeCoultre, Fiji Water, and WNET New York Public Media.


For more information, please visit
:

www.filmlinc.com, @filmlinc

http://bit.ly/JLCCinema

Amy Harrison Named Executive Director of RIOULT Dance NY

Critically acclaimed, NYC-based troupe RIOULT Dance NY, announces that it has selected Amy Harrison as its new Executive Director. Ms. Harrison has worked with RIOULT Dance NY in a variety of capacities for the last ten years, most notably booking.

"It is always most rewarding for me to promote employees from within the company whether dancers or administrators," said Pascal Rioult, Artistic Director of RIOULT Dance NY. "I have known Amy for over a decade and value her dedication to the company, her extensive knowledge of its history, and her deep understanding of my work. I could not think of a more perfect choice for our Executive Director. I am looking forward to working with her to steward this company into an even brighter future."

"We are so thrilled to have Amy in the role of Executive Director," noted Hope Greenfield, Board Chair of RIOULT Dance NY. "She brings not only her enthusiasm and strong background with RIOULT Dance NY but also her deep knowledge of the dance world to help us enhance our strategy going forward."
 
 Amy Harrison has spent more than 15 years as an arts administrator, educator, manager, and agent. Since 2005, she has worked with RIOULT Dance NY and has worn nearly every administrative hat while maintaining responsibility for securing the company's bookings and tour management. She has influenced the company's growth in touring and worked to raise its profile among the presenting and dance communities across the country. Her deft management and interpersonal skills have proven invaluable to the company whether producing projects on tour or at home. 

Prior to joining RIOULT Dance NY, Ms. Harrison worked with the Martha Graham School and Company, helped to usher them through the landmark intellectual property legal case, and was instrumental in resuming activities for both the company and school. For five years she was the Manager of New Amsterdam Singers and now sits on its board as well as the board of the Emergency Fund for Student Dancers. 

A respected member of the NYC dance community, she has been invited to serve on professional panels for the Arts and Business Council, the LEAP project for the Queens Arts Council, and The Performing Arts Exchange, among others. She has also consulted with the Emerging Choreographers Series through Mare Nostrum Elements and Pentacle's Cultivating Leadership in Dance.

RIOULT Dance NY fast became an established name in modern dance with a reputation for bringing the sensual, articulate, and exquisitely musical dance works of Pascal Rioult to audiences worldwide. The ten-dancer company, based in New York City, is led by husband-and-wife team Artistic Director/Choreographer Pascal Rioult and Associate Artistic Director Joyce Herring - both former Martha Graham Dance Company principal dancers. With an established repertoire of over 40 dances that expands each year, RIOULT Dance NY presents an annual New York Season and tours nationally and abroad. In addition, in-school arts education and community outreach have been integral to the company since its inception, introducing students and families to the art of modern dance.

www.rioult.org