LABA and Yehuda Hyman/Mystical Feet Company presents the World Premiere of THE MAR VISTA

The World Premiere of THE MAR VISTA, a dance/theater work written and choreographed by Yehuda Hyman in collaboration with the Mystical Feet Company (Ron Kagan, Dwight Kelly, Amanda Schussel and Hyman), will be presented at The Theater at the 14th Street Y, 344 E. 14th Street, from June 11 - 13, 2015 at 8pm and June 14, 2015 at 3pm and 7pm, as part of NYTF's KulturfestNYC. Tickets are $18 in advance or $22.50 at the door. Tickets are available at 646-395-4310 or www.labajournal.com/2014/12/mar-vista/

THE MAR VISTA is a fractured memoir about an American Jewish family. Taking place over a span of almost 100 years, THE MAR VISTA weaves together dance, gesture, spoken word, improvisation and ritual to tell a comical/tragical fragmented narrative about Hyman's parents.

"Mar Vista" is Spanish for "view of the sea." It is also the name of the Los Angeles neighborhood where Hyman grew up, a working class area on the Westside that had a high population of World War II and Korean War veterans and their families, many of whom bought their homes with the help of GI loans. The neighborhood's name held within it a promise of views of the Pacific Ocean for all.  Unfortunately, the Hyman's small house was at the bottom of a big hill, which blocked his family's view. In this lyrical and quirky new work, Hyman attempts to climb that hill and witness the sea below. 

THE MAR VISTA is performed in three parts:

  • Part 1:  Hamsa, is a solo performed by Hyman, which deals with curses, Passover, the 10 plagues and the story of his father.
  • Part 2:  Leaning Into Moisture, a duet for Hyman and Amanda Schussel about his mother and her forbidden wartime romance in Istanbul.
  • Part 3:  Cincinnati, takes place in Cincinnati, 1951 on the night that Hyman's father proposed to his mother - in a hurry.

The MAR VISTA was incubated at LABA: A Laboratory for Jewish Culture at the 14th Street Y.

"LABA was the breeding ground for the birth of THE MAR VISTA," explained Artistic Director Ronit Muszkatblit. "That year the theme of 'Mother' resonated with Yehuda and inspired him to develop this exciting dance theater work."

Creative Credits

Artistic Director/Choreographer: Yehuda Hyman

Performers: Yehuda Hyman, Ron Kagan, Dwight Kelly, Amanda Schussel

Costume Designer: Amy Page

Lighting Designer: Kryssy Wright

Sound Designer: Dominick Boyle

Flamenco Vivo Carlota Santana's Spring 2015 NYC Season at BAM Fisher - May 19 - 24, 2015

Flamenco is celebrated on-stage at BAM Fisher for the first time as FLAMENCO VIVO CARLOTA SANTANA presents ANGELES/ALMAS, the company's Spring 2015 NYC season, May 19-24 at Brooklyn Academy of Music's BAM Fisher Building, 321 Ashland Place, Brooklyn, New York. 

Founded in 1983, FLAMENCO VIVO CARLOTA SANTANA is one of this country's longest-established flamenco companies, dedicated to promoting flamenco as a living, evolving art form. During its week-long BAM Fisher season, the company will present two programs featuring the world premieres of three works by contemporary Spanish dance artists, accompanied by live music.

The first world premiere is Angeles (Program A) choreographed by Ángel Muñoz. The New York Times praised Muñoz' previous Flamenco Vivo commission, A Solas (2012), as "impressive for its compositional finesse" (while describing Muñoz himself as "singing with his feet").  Angeles portrays angels in myth, music and motion; building off of an earlier solo piece selected for the Festival de Jerez and London Flamenco Festival, the new work features Muñoz with a cast of nine more dancers and musicians.

The second premiere work, by Enrique Vicent and Antonio López is Martinete-Seguiriya (both programs), named after the flamenco form and rhythm featured in the piece.  Seguiriya is one of the oldest flamenco forms where the serious, almost tragic sound of the music gives the dancer a chance to express sorrowful feelings, while the martineterhythm said to derive from the workers in the forge, from the word martillo,meaning hammer.  Vicent and López were commissioned as part of a new collaboration between Flamenco Vivo and Madrid's El Certamen de Coreografía de Danza Española y Flamenco, one of Spain's most prestigious dance competitions. 

The third premiere is Ausencia (Program B): Guadalupe Torres, a two-time winner of the Madrid Certamen, reveals the soul of flamenco in a new solo work created for her US debut performances. The engagement also features other company repertory including A Solas (2012 - both programs) a work by Ángel Muñoz showcasing the soleá por bulerías style; Mujeres (2009 - Program B only), choreographed by company associate artistic director Antonio Hidalgo, which offers a modern take on the traditional elements used by women in flamenco (the castanets, fans, shawls and dresses with bata de cola trains); and De Milonga (2003 - both programs), also by Hidalgo, which celebrates Latin American influences on flamenco.

Flamenco Vivo's BAM Fisher season features a cast of accomplished dancers and musicans from Spain and the US, including company dancers Antonio Hidalgo, Charo Espino, Isaac Tovar, Eliza Llewellyn and Alice Blumenfeld; guitarists Gaspar Rodriguez and Pedro Medina, singers Pedro Obregón and Felix de Lola, flutist Diego Villegas and percussionist Jose Moreno; and guest artists Ángel Muñoz and Guadalupe Torres.

Performances are May 19-24, 2015, (Tuesday-Saturday, 7:30pm; matinees Saturday-Sunday 2pm) at BAM Fisher, 321 Ashland Place, Brooklyn, New York.  Tickets range from $20 - $59 and can be purchased at www.flamenco-vivo.org. Tickets for the company's First Night Fiesta on May 19, including premium seating and a post-performance reception with the artists, are $100-$250; for more information, call 212.736.4499 or visit www.flamenco-vivo.org. Flamenco Vivo will also offer a post-performance artist talk following the Thursday, May 21 show.  Performance schedule:

  • Program A: Angeles, Martinete-Seguiriya, A Solas, De Milonga

Tuesday-Thursday, May 19-21 at 7:30pm 

  • Program B: Ausencia, Martinete-Seguiriya, Mujeres, A Solas, De Milonga.

Friday-Saturday, May 22-23 at 7:30pm; Saturday-Sunday May 23-24 at 2:00pm 

Flamenco Vivo Carlota Santana's Spring 2015 season at BAM Fisher is made possible, in part, through support from the National Endowment for the Arts, New York State Council on the Arts, New York City Department of Cultural Affairs, the Rockefeller Brother Fund, the Harkness Foundation for Dance and the Consulate General of Spain. ANGELES/ALMAS is presented by Flamenco Vivo Carlota Santana. BAM house and ticketing policies may not apply. All programs and casting subject to change. 

SEASON REPERTORY

Angeles - World Premiere

Choreography by Ángel Muñoz
Original Score by Gaspar Rodriguez

Dancers: Ángel Muñoz, Antonio Hidalgo, Charo Espino, and Isaac Tovar

Angeles builds off of a solo piece developed by Ángel Muñoz, in which he reflects choreographically on the contradictory meanings of his first name: angel of light, dark angel, guardian angel, fallen angel, avenging angel. For the new production, Muñoz will use all these symbols as points of departure for a series of solos, duets and ensemble movements, accompanied by 6 live musicians.

Angeles was made possible by a grant from the National Endowment for the Arts and Spain Culture New York - Consulate General of Spain: member of the network SPAIN arts & culture. 

Ausencia - World Premiere

Choreography by Guadalupe Torres

Dancer and choreographer Guadalupe Torres, a two-time winner of Madrid's prestigious Certamen de Coreografía competition, reveals the soul of flamenco in a new solo work developed especially for her first-ever appearance in New York. 

Martinete-Seguiriya - World Premiere

Choreography by Enrique Vicent and Antonio López

Dancers: Antonio Hidalgo, Isaac Tovar, Eliza Llewellyn, and Alice Blumenfeld

The martineterhythm is said to derive from the workers in the forges and from the word martillo, meaning hammer. Seguiriya is one of the oldest flamenco forms, where the serious, almost tragic sound of the music, gives the dancer a chance to express sorrowful feelings. The heaviness of the music allows a chance to work with complex rhythmic patterns.

This choreography was made possible by a partnership between Flamenco Vivo and the Certamen de Coreografía de Danza Española y Flamenco of Madrid and supported by Spain Culture New York - Consulate General of Spain: member of the network SPAIN arts & culture.

Mujeres (2009)

Choreography by Antonio Hidalgo

Dancers: The Company

Mujeres demonstrates flamenco traditions within a contemporary context. The work highlights the traditional elements used by women in flamenco dance - the castanets, fans and shawls and how the bata de cola (dress with a train) is used in both traditional and contemporary flamenco. This traditional costume was once only used as stately attire, but the modern female dancer uses this costume in new ways: as a partner, as defense/offense against the male dancer, and as a "toy" to play with and express humor and lightness.

Mujeres was made possible by a grant from the New York State Council on the Arts

A Solas (2012)

Choreography by Ángel Muñoz

Dancers: The Company

Originally choreographed for five women, A Solas was first performed during the Flamenco in the Boros tour in New York City in 2012. In early 2013, the men's parts were added to this soulful piece, exemplary of the soleá por bulerías style.

A Solas was made possible by a grant from the New York State Council on the Arts

De Milonga (2003)

Choreography by Antonio Hidalgo

Dancers: Antonio Hidalgo or Isaac Tovar and Alice Blumenfeld

This work is an excerpt from Bailes de Ida y Vuelta and celebrates the Latin American influences in the flamenco art form.

OPERA SARATOGA Announces its 2015 Summer Festival Season

Opera Saratoga announces its 2015 Summer Festival season, which will run from July 2 - July 26, 2015 at multiple venues throughout Saratoga Springs, New York.

The 2014/2015 season is the first programmatic year under the artistic and general direction of Lawrence Edelson and marks an expansion for the company in several ways: the first World Premiere presented by the company in nearly 30 years, three operas instead of two, and a longer festival season including performances at multiple venues in the region.

"I am honored to have the opportunity to lead Opera Saratoga into its next chapter, and thrilled that my first season will provide opportunities for audiences to see three operas that show the breadth and depth of what is happening in opera today, with some of the foremost artists of our generation," said Lawrence Edelson. "The season includes three operas that couldn't be more different. La Cenerentola (Cinderella) is a bubbling comedy by Rossini that features virtuoso singing to impress the most passionate opera lovers, and is also an ideal introduction to opera for family audiences. Our presentation of Dido and Aeneas will be our first site-specific production, presented in partnership with the National Museum of Dance. Operas that prominently feature dance will be a part of our programming every season moving forward, and this particular production not only builds upon the region's connection to dance, but also takes advantage of the stunning natural beauty of Spa State Park, where we are located.  The world-premiere of The Long Walk marks a reaffirmed commitment to the inclusion of contemporary American opera as a regular part of our programming. The Company has produced 33 works by American composers in its history, 5 of which have been world premieres, but The Long Walk, by two of the most exciting writers in American opera today - composer Jeremy Howard Beck, and librettist Stephanie Fleischmann - will actually be the first world-premiere for the company in 27 years! 

This year, we are initiating new partnerships with a wide variety of cultural organizations throughout the region, enabling us to offer exciting new performance programs that compliment the season's operas, which provide even more ways for audiences to connect with the company and our wonderful artists. By expanding the festival, and moving it into July, we are providing more opportunities not only for local audiences to enjoy our programs, but opportunities for audiences from around the country to enjoy the cultural riches that Saratoga Springs has to offer. With a train station in the heart of the city, and Albany airport less than 30 minutes away, we look forward to welcoming opera lovers from around the country to enjoy not only Opera Saratoga, but all of the restaurants, shops, cultural attractions, historic sites, and natural beauty that Saratoga Springs has to offer." 

In tandem with the expansion of the season, the Young Artist Program - the second oldest program of its kind in the country - is being expanded to provide greater professional development opportunities for emerging professionals. The program will consist of three tiers for singers, as well as opportunities for pianists, conductors and directors, under the direction of Laurie Rogers. Opera Saratoga has selected 28 gifted artists from over 1,000 applicants from across the country, who will be in residence in Saratoga Springs this summer. A complete list of Young Artists may be found at http://www.operasaratoga.org/2015-young-artists/

OPERA SARATOGA'S 2015 SUMMER FESTIVAL PROGRAMMING

LA CENERENTOLA (Cinderella)

Music by GioachinoRossini, Libretto by Jacopo Ferretti, Based on the Fairy Tale by Charles Perrault

Directed by Lawrence Edelson, Conducted by Gary Thor Wedow

Featuring Sandra Piques Eddy, Andrew Owens, John Brancy, David Kravitz, and Ryan Kuster

Performances: Thursday, July 2, 2015 at 7:30pm; Saturday, July 11, Tuesday, July 14, and Saturday, July 18, 2015 at 2pm; Sunday, July 26, 2015 at 7:30pm

Opera Saratoga opens the 2015 Summer Season with Rossini's beloved version of Cinderella. Based on Perrault's timeless fairytale, La Cenerentola features plenty of magical enchantment; the ridiculous, over-the-top situations and toe-tapping melodies that you expect from the master of comic Italian opera; and heartfelt emotion to bring together this story of forgiveness and true love.  The ultimate rags to riches tale; it's a Cinderella story...but not quite as you may know it! Opera Saratoga is proud to present the company debuts of five extraordinary singers in La Cenerentola: Metropolitan Opera mezzo-soprano Sandra Piques Eddy sings the virtuoso title role along side tenor Andrew Owens as Prince Ramiro, baritone John Brancy as his valet Dandini, David Kravitz as her wicked step-father Don Magnifico, and Ryan Kuster as the mysterious philosopher Alidoro. Gary Thor Wedow also makes his company debut conducting this new production by Artistic and General Director Lawrence Edelson.

DIDO AND AENEAS

Music by Henry Purcell, Libretto by Nahum Tate

Directed and Choreographed by Karole Armitage, Conducted by Nicole Paiement

Featuring Jennifer Johnson Cano and ArmitageGone! Dance Company

Presented in Partnership with the National Museum of Dance

All tickets include admission to the wonderful exhibits at The National Museum of Dance, beginning at 7pm. Seating is general admission, with seating beginning at 7:45pm for the performance beginning at 8:15pm.

Performances:  Monday, July 6, 2015; Sunday, July 12, 2015; Sunday, July 19, 2015; Tuesday, July 21, 2015

Opera Saratoga is thrilled to present the first Baroque opera in the company's history in a truly unique production under the stars! One of the earliest English operas, Dido and Aeneas is one of Purcell's foremost theatrical works. This heartbreaking opera recounts the love of Dido, Queen of Carthage, for the Trojan hero, Aeneas, and her despair when he abandons her. The combination of exquisite vocal music and extensive use of dance has inspired many interpretations of the great score. Opera Saratoga has invited world-renown choreographer and director Karole Armitage to create a very special site-specific production for Saratoga Springs that embraces the natural beauty and history of The National Museum of Dance located in Spa State Park. The production will feature Metropolitan Opera mezzo-soprano in her company debut Jennifer Johnson Cano as Dido, along with the exquisite dancers of the ArmitageGone! Dance Company in what is sure to be one of the most talked about productions of the summer for dance and music lovers alike.

WORLD PREMIERE

THE LONG WALK

Composed by Jeremy Howard Beck, Libretto by Stephanie Fleischmann

Based on The Long Walk, A Story of War and the Life that Follows, by Brian Castner

Directed by David Schweizer, Conducted by Steven Osgood

Featuring Daniel Belcher, Heather Johnson, Caroline Worra, David Blalock, Javier Abreu, Justin Hopkins, and Donita Volkwijn

Commissioned by American Lyric Theater

Performances:  Friday, July 10, 2015 at 7:30pm; Monday, July 13 and Friday, July 17, 2015 at 2pm; and Saturday, July 25, 2015 at 7:30pm

The Long Walk is based on Brian Castner's critically acclaimed book of the same name. The opera is a deeply personal exploration of a soldier's return from Iraq where he served as an officer in an Explosive Ordnance Disposal unit and his battle with what he calls "the Crazy" as he tries to reintegrate into his family life upon returning from the war. Opera Saratoga is honored to present the world premiere of The Long Walk in partnership with American Lyric Theater. Internationally renowned theater and opera director David Schweizer makes his Opera Saratoga debut, with celebrated American conductor Steven Osgood on the podium. Grammy Award winning baritone Daniel Belcher returns to Opera Saratoga to create the role of Brian, alongside mezzo-soprano Heather Johnson, who makes her company debut as his wife Jessie. The cast also includes the company debuts of sopranos Caroline Worra and Donita Volkwijn, tenors David Blalock and Javier Abreu, and bass baritone Justin Hopkins.

In addition to the three operas being presented, an extensive series of concerts and community events will take place throughout the month of June and July. These include:

Season Preview Concert

Wednesday, June 17 at 1:30PM, Free

The Sembrich Museum in Bolton Landing

This concert will feature arias and scenes from the three operas in Opera Saratoga's 2015 Summer Season, performed by members of the company's Young Artist Program. 

Stars of Tomorrow!

Saturday, June 6 at 8 PM, Free
Dee Sarno Theater, Saratoga Arts Center
320 Broadway, Saratoga Springs

Opera Saratoga's Young Artist Program is the second oldest mentorship program for emerging professional singers in the country, also providing opportunities for gifted young conductors, pianists and directors. This season, we received over 1,000 applications for 24 spaces - making the selection process more competitive than getting into Harvard! The singers that we have selected represent some of the most gifted young artists in the country. Join us for this very special program where you will have a chance to get to know the incredible young artists who will be a part of our community this summer. We promise, one day you'll be able to say, "I heard them before they were stars!"

A Master Class with Joan Dornemann

Sunday, June 14 at 2 PM, $20 in advance ($15 for subscribers) or $25 at the door.
Helen Filene Ladd Concert Hall
Arthur Zankel Music Center, Skidmore College
815 North Broadway, Saratoga Springs

Joan Dornemann, Metropolitan Opera Assistant Conductor, is one of the most highly respected opera coaches in the world today. She has worked with such singers as Luciano Pavarotti, Plácido Domingo, José Carreras, Sherrill Milnes, Kiri Te Kanawa, Montserrat Caballe, Deborah Voigt, Renée Fleming, and Leo Nucci. She has been associated with the Gran Liceo in Barcelona, the Spoleto Festival, New York City Opera, Opera National de Paris and the Kirov Opera. She received an Emmy Award for her contribution to the highly acclaimed first Live From the Met telecast of La Bohème and is the founder of the International Vocal Arts Institute. Joan will lead a special master class on the art of singing Rossini, featuring members of Opera Saratoga's Young Artist Program. This is a very special opportunity to see one of the world's leading authorities on bel canto mentor our emerging professional artists, leading up to the season opening of La Cenerentola

Mr. Tambourine Man at Caffè Lena with soprano Caroline Worra

Friday June 19 and Saturday 20 at 8PM, $20 in advance ($15 for subscribers) or $25 at the door.
Caffè Lena
47 Phila Street, Saratoga Springs

Opera Saratoga makes a special appearance at the historic Caffè Lena to celebrate the poetry and lyrics of Bob Dylan in a concert featuring soprano Caroline Worra. Caroline has been hailed by Opera News as "one of the finest singing actresses around," and has sung over 75 different operatic roles including more than 20 World, American, and Regional Premieres.  At the center of this special concert is the Saratoga premiere of John Corigliano's Mr. Tambourine Man, a beautiful, haunting and powerful setting of some of Dylan's most famous song lyrics by the Academy Award winning composer of The Red Violin

If it aint Baroque...

Sunday, June 21 at 2 PM, Free
Mr. and Mrs. Ronald A. Riggi Theater
The National Museum of Dance
99 South Broadway, Saratoga Springs

In honor of Opera Saratoga's first production of a Baroque opera, members of the Young Artist Program will perform a program of arias and ensembles from a wide variety of Baroque operas, including works by Handel, Vivaldi, Scarlatti, Lully Rameau, and Purcell, including a special preview from our production of Dido and Aeneas.

Songs of Longing and Desire with mezzo soprano Jennifer Johnson Cano

Friday, June 26 at 8 PM, $20 in advance ($15 for subscribers) or $25 at the door
Picotte Recital Hall at the Massry Center for the Arts, Albany

Jennifer Johnson Cano is one of the country's most exciting young mezzo sopranos. The New York Times extolled that "emotion suffused every moment of her eloquent, impassioned New York debut recital." Opera Saratoga is delighted to not only present Jennifer's role debut as Dido this season, but to also offer our audiences the opportunity to hear her in recital with Christopher Cano, who is not only her husband, but an extraordinary pianist with whom Jennifer collaborates often. Jennifer and Christopher have put together a special selection of songs of longing and desire, including works by Brahms, Dove, Barber, Tchaikovsky and Rachmaninoff. 

Of Arms and the Man I Sing

The New York State Military Museum, where Opera Saratoga will present two programs during the 2015 Summer Festival.

Sunday, July 12 at 2PM, Free
The New York State Military Museum and Veterans Research Center
61 Lake Avenue, Saratoga Springs

Opera Saratoga's world premiere production of The Long Walk builds upon a rich and important history of operas that explore the dynamics of war, and the emotional journeys our soldiers take in their efforts to protect our freedom. Join us for a special concert featuring members of the company's Young Artist Program, featuring excerpts from operas from Monteverdi's Il ritorno di Ulysses in Patria, to the 2012 Pulitzer Prize award winning American masterpiece Silent Night by Kevin Puts and Mark Campbell. 

A World War I Tribute with baritone John Brancy

Thursday, July 16 at 8 PM, $20 in advance ($15 for subscribers) or $25 at the door
The New York State Military Museum and Veterans Research Center
61 Lake Avenue, Saratoga Springs

Baritone John Brancy is a fast-rising star making his debut with Opera Saratoga this summer. This season, John is also making important recital debuts at The Kennedy Center and Carnegie Hall, so we couldn't resist the opportunity to present him in recital and share a very special program with our community. John has put together a journey into the music of WWI - revealing the thoughts, emotions and psyche of the great composers during that tremulous time. The program will include a performance of George Butterworth's (who died in combat during the Battle of the Somme in 1916) famously beautiful settings of poetry from A.E. Housman's A Shropshire Lad, as well as songs by Gerald Finzi, Claude Debussy, Carl Orff, and Charles Ives. 

2016 Season Preview

Thursday, July 23 at 2 PM, Free
Spa Little Theater

Are you curious what the Summer of 2016 will bring to Opera Saratoga? Join us for a season preview, featuring music from all three operas to be presented in 2016, sung by members of the Young Artist Program. 

Subscriptions are currently on sale, providing a savings of up to 15% off single ticket prices, including special visitor subscription packages for out of town guests. Single tickets are also now on sale. Ticket information is available at www.operasaratoga.org.  

Special packages are available for out-of-town visitors that will provide an opportunity to see multiple operas over a few days while enjoying the many other things that the city has to offer, including the summer residency of New York City Ballet at Saratoga Performing Arts Center (SPAC), and the opening of the Track Season, which coincides with the final weekend of the festival.

For more information, visit www.operasaratoga.org.

Happy Birthday August Wilson!

Jujamcyn Theaters & Kenny Leon's True Colors Theatre Company Announce Judges For 7TH Annual National August Wilson Monologue Competition At August Wilson Theatre Monday, May 4, 2015 

The late August Wilson was started his prolific career late. I remember this detail because he and I share the same birthday, April 27th. These facts of trivia, to some, is a motivator for me.

Tony award winning director Kenny Leon, grew up in Tallahassee, Flordia which is where my mothers' tribe is located, Miccosukee Indians, an off-shoot of the Seminole tribe.

When I asked him, during the 2014 Tony Awards was he also a member if the indigenous tribe, he smiled and said no: "I'm black but I know the area well."

Trivia aside, the Jujamcyn Theaters (Jordan Roth, President) and True Colors Theatre Company (Kenny Leon, Co-Founding Artistic Director) have announced the judges for the 7th Annual August Wilson Monologue Competition on Monday, May 4th at 7:00 p.m. at the August Wilson Theatre (245 West 52nd Street). 

Good news for those on a budget. This event is free and it's open to the public. Featuring high school students from New York, Atlanta, Boston, Chicago, Los Angeles,  Pittsburgh, Portland and Seattle three talented actors perform monologues by the late, legendary American playwright. 

The competition is fierce. This year, the 2015 Annual August Wilson Monologue Competition will include Crystal Dickinson (actress), Brandon J. Dirden (actor), David Gallo (scenic designer), Stephen McKinley Henderson (actor), and Pauletta Washington (actress). The evening will also include a special performance by musician Guy Davis. 

All storytellers worry about the legacy that they leave. Perhaps not when they are creating the work but at some point, the issue of "immortality" is addressed.

The Annual August Wilson Monologue Competition, started in 2007, aims to expose a new generation of creative minds to the life’s work and artistic legacy of this seminal American playwright. 

Mentoring is key to strong foundations and growth and to that end, the program participants—in cities across the country—encounter Wilson’s ten-play cycle and receive coaching from teaching artists as they prepare their monologues for local, city-wide and national competitions. 

It's not all work and no play, this year the competition will afford students from these cities around the country the opportunity to attend the new Broadway musical Something Rotten!, work closely with two of Wilson’s closest collaborators: director Kenny Leon and dramaturg Todd Kreidler, and explore popular Manhattan attractions before making their Broadway stage debuts. 

Finally, the two finalists from each regional city will compete, and the top contestants will be chosen to perform on the August Wilson Stage on Monday evening, May 4th. 

Money makes the world go around and the top three contestants from the national competition receive monetary awards. The first place winner will receive a $1500 cash prize, the runner-up a $1000 cash prize and the honorable mention a $500 cash prize. Each of the winners will also become eligible for college scholarship opportunities and all finalists receive the gift of TCG’s Century Cycle collection.

The Monologue Competition is also featured in “The Start of Dreams”, a documentary directed by The Horne Brothers. Featuring A-list actors like Denzel Washington, Samuel L. Jackson and Phylicia Rashad, “The Start of Dreams” is packed with Hollywood’s elite weighing in on this important art form and what it means to the United States.

The documentary has been screened at 9 festivals across the country including the Atlanta Film Festival, the Pan-African Film Festival in Los Angeles, and the UrbanWorld Festival in New York. A trailer for the film is available at the link listed below.

The national August Wilson Monologue Competition is presented by Delta Air Lines with additional funding support from Publix Supermarket Charities, Massey Charitable Trust, Bank of America, The Imlay Foundation, and Macy's.

For more information, visit www.AugustWilsonMonologue.com

“THE TWENTIETH-CENTURY WAY” WILL PREMIERE OFF-BROADWAY THIS SPRING

It's Spring and it's time to wake up and to smell, all of the roses.

Some say, it might be "The Twentieth-Century Way," which is Tom Jacobson’s acclaimed two-person play about homosexual entrapment in Los Angeles at the turn of the 20th century, will premiere Off-Broadway this spring.

Directed by The Theatre @ Boston Court’s Michael Michetti, and starring Will Bradley and Robert Mammana, the play will begin previews May 28, 2015, with opening night set for June 3, 2015 at Rattlestick Playwrights Theatre (224 Waverly Place, NYC). 

The limited engagement will run through July 19, 2015. 

Based on a little-known incident in LA history, this theatrical thrill ride explores the collision of reality and fantasy as two actors juggle various roles to entrap homosexuals for "social vagrancy" in the public restrooms of 1914 Long Beach. But are they actually entrapping each other? Who they are and what they need is a mystery that deepens with every twist and turn. 

The Twentieth-Century Way earned Mr. Jacobson a PEN Center USA Award for Drama, and was a sensation at the 2010 NY International Fringe Festival, winning Overall Excellence in Production of a Play.

This co-production continues the association between two companies – The Theatre @ Boston Court (Los Angeles) and Rattlestick Playwrights Theatre (New York). 

Tickets for The Twentieth-Century Way range from $10 - $50 and can be purchased by visitingwww.rattlestick.org

Highlights from the 2014 Lilly Awards

The performance schedule is as follows: Thursdays at 8:00 p.m., Fridays at 8:00 p.m., Saturdays at 6:00 p.m. and 10:00 p.m., Sundays at 3:00 p.m., Mondays at 8:00 p.m.

The Woman's Voice In Theater is celebrated with the 6TH ANNUAL LILLY AWARDS CEREMONYSET FOR MONDAY, JUNE 1st

AT PLAYWRIGHTS HORIZONS

TO CELEBRATE AND HONOR WOMEN OF DISTINCTION IN THE AMERICAN THEATER

"I am woman, hear me roar" and on Monday, June 1st, the 6th Annual Lilly Awards Ceremony (beginning at 5 p.m.) at Playwrights Horizons (416 West 42nd Street) will give that mike to host, writer and performer, Lisa Kron. 

Miss Kron will "roar" because the Lilly Awards will honor the extraordinary contributions made to the American Theater by women, as well as announce the $25,000 Stacey Mindich Prize, which funds a new work by a female playwright, and the Leah Ryan Prize, which awards an annual cash prize to an emerging woman playwright and produces a reading of the winning play in New York City. 

Over 100 theater professionals were asked for their nominations for the 2016 honorees. The presenters and winners will be announced shortly.

Following the ceremony, guests and honorees will attend a cocktail reception at the West Bank Cafe (407 West 42nd Street).

The Lilly Awards were started in the Spring of 2010 as a way to honor the work of women in the American Theater. The founders of The Lillys are Julia Jordan, Marsha Norman and Theresa Rebeck. The awards are named for Lillian Hellman, a pioneering American playwright who famously said “You need to write like the devil and act like one too when necessary.” 

Previous winners who have won the Lilly Award include Mary Rogers, Dominique Morisseau, Kristen Anderson-Lopez, Jeanine Tesori, Liesl Tommy, Kelli O’Hara, Pam MacKinnon, Leigh Silverman, Anne Kauffman, Sarah Ruhl, Kristin Chenoweth, Annie Baker, Susan Stroman, Lynn Ahrens, Tina Fallon, Amy Herzog, Nina Arianda, Diane Paulus, Katori Hall, Tina Howe, Estella Parsons, Lynne Meadow, Ntozake Shange, Jessica Hecht and  Lois Smith.

Check out the  Lilly Awards—www.thelillyawards.org.

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BAM SLAMS WITH POETRY -- BROOKLYN DOES IT BEST!

Flip out the metro-card, it's time to roll out to Brooklyn. If you are luck to live in Brooklyn, take a bow and still use that Metro-card because it's time to hear the truth which is being spoken at BAM.

Poetry 2015: Speaking Truth at BAM, is a hugely popular poetry showcase. The evening is filled with dynamic interdisciplinary performances by spoken word artists, rappers, and musicians. 

That includes nationally recognized performers, along with two selected students from the BAM Brooklyn Reads residency program will explore the theme of Speaking Truth, directed by Baba Israel

This year’s showcase is full of talent, including the poets muMs, Kelly Zen- Yie Tsai, the 2014 Nuyorican Poets Cafe Slam Team, and Najee Omar, with music performances by Yako440, and Brooklyn’s own DJ Reborn.

 The winners from BAM Education’s poetry residency, Brooklyn Reads, and have been selected through an online voting process to perform in this annual main stage show.

They have been chosen out of 500 high school participants to present their work alongside the professional artists in Poetry 2015: Keisie Barzola,(12th grade,) West Brooklyn Community High School, and Kirkland DeBrosse (12th grade,) Cultural Academy for the Arts & Science

Poetry 2015: Speaking Truth

BAM Fisher (Fishman Space, 321 Ashland Pl)

Apr 2 at 7:30pm

EVERYTHING ABOUT BILLIE IS BEAUTIFUL - To Celebrate the 100th Birthday of Billie Holiday

If you know the blues then you know the sound of the immortal Billie Holiday. She would have been a cool 100 years-young and to celebrate her enduring work, the Apollo is kicking off Billie Week starting with a very special ceremony where the songstress will be inducted into the Apollo Walk of Fame where she will get “her star" under the Apollo marquee on Monday, April 6th

The musical ceremony will include Two-Time Grammy Winner Cassandra Wilson. The event is presented in collaboration with Absolutely Live Entertainment and will include performances by violinist Kersten Stevens and Harlem School of the Arts Choir; photo ops with Apollo president and CEO Jonelle Procope, two time Grammy winner and jazz vocalist Cassandra Wilson, son of Jazz great and Billie Holiday’s friend and collaborator Lester Young  Dr. Lester W. Young, Jr. , managing partner of The Bicycle Music Company and representative of the Estate of Billie Holiday Steven Salm, and Legacy Recordings president Adam Block.

The power of music prevails and this ceremony will also celebrate the release of Cassandra Wilson’s upcoming Legacy Recordings release, Coming Forth By Day (April 7th) and include a special concert, on April 10thCassandra Wilson: A Celebration of Billie Holiday.  This will be the first time headlining the Apollo.

 The Apollo Theater is located at 253 West 125th Street.

NO 'Honeymoon' for Honeymoon in Vegas. Closing April 5th

Broadway isn't easy. The songs and slogans about the city hasn't changed and in fact, it's much more truthful today, in 2015, than when Frank Sinatra wrote— "If I can make it there, I'll make it anywhere. It's up to you, New York, New York,"

The critically-acclaimed new musical, Honeymoon in Vegas, will play its final performance at Broadway’s Nederlander Theater (208 West 41st Street) on Sunday, April 5, 2015, the show’s producers announced today. Lauded as “a real-live, old-fashioned, deeply satisfying Broadway musical in a way few shows are anymore,” by Ben Brantley of the New York Times, Honeymoon in Vegas is directed by Gary Griffin, features a book by Andrew Bergman, and a score by three-time Tony Award-winner Jason Robert Brown.

Those who have purchased tickets to a performance after April 5, 2015 through Ticketmaster will automatically receive credit to their accounts for their refunded tickets. All others should contact their initial point of purchase to inquire about receiving a refund for their tickets.

Honeymoon in Vegas began performances on Tuesday, November 18, 2014, and officially opened on Thursday, January 15, 2015 to rave reviews. Prior to Broadway, Honeymoon in Vegas completed a successful engagement at the Papermill Playhouse in Milburn, NJ October 6 – 27, 2013.

The cast of Honeymoon in Vegas includes Tony Award nominee Rob McClure, Brynn O'Malley, Emmy and Golden Globe nominee Tony Danza, David Josefsberg, Nancy Opel, Matthew Saldivar, Matt Allen, Tracee Beazer, Grady McLeod Bowman, Barry Busby, Leslie Donna Flesner, Gaelen Gilliland, Albert Guerzon, Sean Allan Krill, Raymond J. Lee, George Merrick, Jessica Naimy, Zachary Prince, Catherine Ricafort, Jonalyn Saxer, Brendon Stimson, Erica Sweany, Cary Tedder, and Katie Webber.

The creative team for Honeymoon in Vegas also features three-time Tony Award nominee Anna Louizos (scenic design); Emmy Award-winner Brian C. Hemesath (costume design); Tony Award-winner Howell Binkley (lighting design); Tony Award-winner Scott Lehrer & Drama Desk Award-winner Drew Levy (sound design); Tony and Grammy Award-winner Don Sebesky, Larry Blank, Jason Robert Brown, Charlie Rosen (orchestrations); Tom Murray (music director); and Charles G. LaPointe (hair and wig design).

Honeymoon in Vegas is produced on Broadway by Dena Hammerstein, Roy Gabay, Rich Entertainment Group, Dan Farah, Metro Card, King’s Leaves, Dan Frishwasser, Leslie Greif / Thom Beers, Susan Dietz & Lenny Beer, Howard Hoffman / Anna Czekaj, Important Musicals, Sharon Karmazin, L.G. Scott, and Martin Markinson.

Honeymoon in Vegas, based on the 1992 Castle Rock Entertainment Motion Picture, tells the story of Jack Singer (McClure), a regular guy with an extreme fear of marriage, who finally gets up the nerve to ask his girlfriend Betsy (O’Malley) to marry him. But when they head to Las Vegas to get hitched, smooth talking gambler Tommy Korman (Danza) - looking for a second chance at love - falls head over heels for Betsy and Jack must go to extreme heights to win back the love of his life.

AN EVENING WITH AUTHORS WITH FOOD AND DRINK

Our team loves sharing information that's free, free, free and we suspect that the brass at Theatre for a New Audience feels the same way. That's why they created the 2015 Open Books series, featuring John Lahr, Andrea Most, and Alisa Solomon and the three free evenings of lively, engaging conversation with the authors of some of American theatre's most acclaimed new books at Polonsky Shakespeare Center, 262 Ashland Place.  

Mark your calendars because Alisa Solomon, author of Wonder of Wonders: A Cultural History of Fiddler on the Roof, will speak Monday, March 23, at 7:00pm; John Lahr, long-time drama critic for The New Yorker, will discuss his biography Tennessee Williams: Mad Pilgrimage of the Flesh Monday, April 6, at 7:00pm; and Andrea Most, author of Theatrical Liberalism: Jews and Popular Entertainment in America, will take the podium Monday, May 4, at 7:00pm. 

Books. Real books will be available for purchase (and to be signed), and each evening will include a conversation with moderator Jonathan Kalb (two-time winner of the George Jean Nathan Award for Dramatic Criticism), an audience Q&A, and a meet-and-greet with the author.

Complimentary food and drink will be served.  

Reservations are encouraged, and can be made at:  www.tfana.org/openbooks

Here is a preview of what's good: 

Monday, March 23, 7:00pm

Alisa Solomon

Wonder of Wonders traces how and why the story of Tevye the milkman­the creation of the great Yiddish writer Sholem-Aleichem­was reborn as blockbuster entertainment and a cultural touchstone. Award-winning critic Alisa Solomon follows Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last Golden Age musicals, a major Hollywood picture, and far beyond. The book takes readers into the rehearsal room where Fiddler was hammered into shape, onto the stage where it was rapturously received, and out into the world where its powerful legacy continues.

"As rich and dense as a chocolate babka­so crammed with tasty layers that you have to pace yourself....As brilliant a piece of reporting as I've read this year."

The New York Times Book Review 

"An intellectually serious, playful, and insightful account of popular art's power to shape memory and transmute history into universal myth, Wonder of Wonders is a soul-stirring joy to read....The richest, deepest, most far-ranging, and delightfully surprising book about a single work of theatrical art I've ever encountered."

Tony Kushner (Angels in America)

A theater critic and general reporter for the Village Voice from 1983 to 2004, Alisa Solomon has also contributed to The New York Times, The Nation, Tablet, The Forward, Howlround.com,  killingthebuddha.com, American Theater, TDR – The Drama Review, and other publications.  Her first book, Re-Dressing the Canon: Essays on Theater and Gender, won the George Jean Nathan Award for Dramatic Criticism.

Monday, April 6, 7:00pm

John Lahr 

Tennessee Williams: Mad Pilgrimage of the Flesh follows John Lahr's other ground-breaking theatre biographies to give intimate access to the mind of one of the greatest American playwrights.  This brilliantly written, deeply researched biography sheds a light on Williams's warring family, his lobotomized sister, his guilt, his plays, his turbulent homosexual life, his misreported death, even the shenanigans of his estate.  An unforgettable portrait, Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.

"This is by far the best book ever written about America's greatest playwright. John Lahr, the longtime drama critic for The New Yorker, knows his way around Broadway better than anyone. He is a witty and elegant stylist, a scrupulous researcher, a passionate yet canny advocate… He brings us as close to Williams as we are ever likely to get."

J.D. McClatchy, Wall Street Journal

"Could this be the best theater book I've ever read? It just might be. Tennessee Williams had two great pieces of luck:  Elia Kazan to direct his work and now John Lahr to make thrilling sense of his life."

John Guare (Six Degrees of Separation)

National Book Award finalist John Lahr is the author or editor of 11 books on theater, 6 volumes of collected theater criticism, and several novels and play adaptations.  He was the senior drama critic of The New Yorker for over two decades, and has twice won the George Jean Nathan Award for Dramatic Criticism. His biography of the murdered playwright Joe Orton, Prick Up Your Ears, was adapted for film, and he is the first critic ever to win a Tony Award (coauthor, Elaine Stritch at Liberty).

Monday, May 4, at 7:00pm

Andrea Most

In Theatrical Liberalism, Andrea Most illustrates how American Jews used the theatre and other media to navigate their encounters with modern culture, politics, religion, and identity, negotiating a position for themselves within and alongside Protestant American liberalism by re-imagining key aspects of traditional Judaism as theatrical.  Discussing works as diverse as the Hebrew Bible, The Jazz Singer, and Death of a Salesman, Most situates American popular culture in the multiple religious traditions that informed the world-views of its practitioners. With extensive scholarship and compelling evidence, Ms. Most shows how the Jewish world-view that permeates American culture has reached far beyond the Jews who created it.

"This book will transform how many plays, performances, and texts are read, discussed, taught, and performed...Theatrical Liberalism is an important, original book that gets right to the heart of why Jews have been so disproportionately involved in popular performance."

Theatre Journal 

"Makes new sense of aspects of popular culture we have all grown up with and thought we knew only too well…. [Theatrical Liberalism] will help us see better how Jews and their Jewishness did not merely 'enter' American popular culture, but did so much to invent it." 

Jonathan Boyarin, Leonard and Tobee Kaplan Distinguished Professor of Modern Jewish Thought, University of North Carolina 

Andrea Most is a Professor of American Literature and Jewish Studies in the Department of English at the University of Toronto. Her first book Making Americans: Jews and the Broadway Musical won the 2005 Kurt Weill Prize for distinguished scholarship on music theatre.  Her second book, Theatrical Liberalism: Jews and Popular Entertainment in America was a finalist for the National Jewish Book Award in American Jewish Culture.

In case you didn't know Theatre for a New Audience was founded in 1979 by Jeffrey Horowitz, and Theatre for a New Audience (TFANA) is a modern classic theatre. It produces Shakespeare alongside other major authors from the world repertoire, such as Harley Granville Barker, Edward Bond, Adrienne Kennedy and Wallace Shawn. It has played off- and on Broadway and toured nationally and internationally. The Theatre's productions have been honored with Tony, Obie, Drama Desk, Drama League, Callaway, Lortel and Audelco awards and nominations and reach an audience diverse in age, economics and cultural backgrounds. TFANA created and runs the largest in-depth program in the New York City Public Schools to introduce students to Shakespeare, and has served more than 127,000 students since the program began in 1984. 

Theatre for a New Audience's Humanities programs are supported in part by a permanent endowment established at the Theatre by a Challenge Grant from the National Endowment for the Humanities: Celebrating 50 Years of Excellence, with leading matching gifts provided by Robert H. Arnow, Perry and Marty Granoff, John J. Kerr and Nora Wren Kerr, and Theodore C. Rogers. Any views, findings, conclusions or recommendations expressed in these programs do not necessarily represent those of the National Endowment for the Humanities. Additional support for the Theatre's Humanities, Education, and Outreach programs also comes from The Elayne P. Bernstein Education Fund.

The Polonsky Shakespeare Center, 262 Ashland Place in Brooklyn, is easily accessible by public transit:

Get the Metrocards ready it's super easy access.

Subway: Take the 2, 3, 4, 5, B, D, N, Q, or R trains to Atlantic Avenue-Barclays Center; the C to Lafayette Avenue; or the G to Fulton Street. Check the MTA website for service changes.

Bus: The B25, B26, B38, B41, B45, B52, B63, and B67 buses all stop within a few blocks of the Polonsky Shakespeare Center.

LIRR: The Long Island Rail Road stops at Atlantic Terminal, two blocks away from the Polonsky Shakespeare Center.

“IT’S ONLY A PLAY” BEGINNING MARCH 31, 2015

T.R. KNIGHT JOINS ALL-STAR CAST OF
BROADWAY’S 
“IT’S ONLY A PLAY”
BEGINNING MARCH 31, 2015

Comedy is coming. Comedy is coming. Twitter to some that you care about because “It’s Only A Play” - beginning March 31st.

Producers Tom Kirdahy, Roy Furman, and Ken Davenport are the force behind the show which will now star T.R. Knight, Emmy Award® nominated actor. He’s joining the Broadways smash hit comedy in the role of Frank Finger on March 31, 2015, on the same day that 2-time Tony Award® winner Nathan Lane returns to the cast in the role of James Wicker, which was previously announced.

Both funny men will continue with the production through its scheduled closing date of June 7, 2015.

T.R. Knight was recently seen on Broadway opposite Sir Patrick Stewart in A Life in the Theatre.  He is perhaps best known for his role as George OMalley for four seasons on the hit ABC drama “Greys Anatomy,” for which he received an Emmy Award® nomination for ‘Outstanding Supporting Actor in a Drama Series and won the Screen Actors Guild Award® for ‘Outstanding Performance by an Ensemble in a Drama Series as a member of the cast. 

Additionally, Knight starred as Leo Frank in the musical Parade at CTG/Mark Taper Forum, directed and choreographed by Rob Ashford; the film 42, a Jackie Robinson bio-pic, starring Harrison Ford and directed by Brian Helgeland; and the television comedy "Charlie Lawrence" for CBS opposite Nathan Lane and Laurie Metcalf, as the office gopher Ryan Lemming.  Knight was born and raised in Minneapolis.

4-time Tony Award® winner Terrence McNallys hit comedy Its Only A Play currently stars Oscar® winner F. Murray Abraham, 2-time Tony® winner Matthew Broderick, Tony® and Emmy® winner Stockard Channing, 2-time Tony® winner Katie Finneran, “30 Rock” alum and SAG® winner Maulik Pancholy, Emmy® and Tony® winner Martin Short, and Micah Stock in his Broadway debut.  3-time Tony® Award winner Jack OBrien directs. 

In It's Only A Play, its opening night of Peter Austin's (Broderick) new play as he anxiously awaits to see if his show is a hit. With his career on the line, he shares his big First Night with his best friend, a television star (Short), his fledgling producer (Finneran), his erratic leading lady (Channing), his wunderkind director (Pancholy), an infamous drama critic (Abraham), and a fresh-off-the-bus coat check attendant (Stock) on his first night in Manhattan. Its alternately raucous, ridiculous and tender — and proves that sometimes the biggest laughs happen offstage.

Its Only A Play opened on Broadway on October 9, 2014, and has twice extended its run due to popular demand. It is currently scheduled through Sunday, June 7, 2015.  In December 2014, it was announced that Its Only a Play recouped its entire $3.9 million capitalization.  It currently plays at the Bernard B. Jacobs Theatre (242 West 45th Street).  Tickets are now on sale for all performances.

The design team for Its Only A Play includes scenic design by Tony® winner Scott Pask, costume design by Academy Award® and Tony® winner Ann Roth, lighting design by Philip Rosenberg, and sound design by Fitz Patton

www.ItsOnlyAPlay.com

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It's a myNewYorkeye—what's in it for you—tip and it's worth $39 bucks!

39 STEPS

It's only "39" steps to a winning TONY AWARD® HIT COMEDY 

“ 3 9 S T E P S ”OPENS AT THE UNION SQUARE THEATRE

Note that all seats, for the first 39 performances are only $39 and that's very little to pay for big laughter! 

Two-time Tony Award® winning hilarious hit comedy 39 Steps will officially open on Monday, April 13th. The production, featuring the entire original creative team, will begin an open-ended run at the Union Square Theatre (100 East 17th Street) on April Fools’ Day, Wednesday, April 1st.

To celebrate 39 Steps’ return to New York, all tickets to the first 39 performances will be priced at only $39. These specially priced tickets must be purchased by March 31st by going to:

http://www.ticketmaster.com/promo/pso5uc

or calling 877-250-2929 and using special offer code: 39439

As previously announced, the cast of 39 Steps will feature original Broadway cast member Arnie Burton as Clown #2, as well as Billy Carter as Clown #1, Broadway vet Robert Petkoff as the dashing hero Richard Hannay, and Brittany Vicars as Pamela/Annabella/Margaret in her New York City stage debut.

Adapted by Tony® nominated author Patrick Barlow from an original concept by Simon Corble and Nobby Dimon, and based on the book by John Buchan and the classic 1935 Alfred Hitchcock film, 39 Steps features Tony® nominated direction by Maria Aitken, Tony® winning lighting design by Kevin Adams, Tony® winning sound design by Mic Pool, and Tony® nominated scenic and costume design by Peter McKintosh.

39 Steps is a comedic spoof of the classic 1935 film, with only 4 “insanely talented” actors portraying more than 150 characters, sometimes changing roles in the blink of an eye. The brilliantly madcap story follows our dashing hero Richard Hannay (Robert Petkoff) as he races to solve the mystery of The 39 Steps, all the while trying to clear his name. The show’s uproarious fast-paced 100 minutes promises to leave you gasping for breath… in a good way! It’s fun for everyone from 9 to 99.

39 Steps came to Broadway in January 2008 and ran over three years, playing a record-breaking 1,135 performance – the longest running play in 7 years. It received six 2008 Tony nominations, including Patrick Barlow for Best Play, winning two for Sound Design and Lighting Design, and three Drama Desk Nominations, winning two including Unique Theatrical Experience.

The production will play the following performance schedule:

  • Mondays at 7:00 PM, Wednesdays at 2:00PM and 8:00 PM, Thursdays and Fridays at 8:00 PM, Saturdays at 2:00 PM and 8:00 PM, and Sundays at 3:00 PM.

  • Tickets for the show are now on sale via www.39StepsNY.com, through Ticketmaster online and by phone at 1-877-250-2929, and also, starting March 25, in person at the Union Square Theatre box office, which opens at 1PM daily except Tuesdays and remains open until 30 minutes after show time. Tickets are priced at $39-89. Premium seats are $105. $20 tickets for students, veterans, armed forces, NYPD and FDNY are available in person at the box office with ID the day of the show.

For more information, visit www.39StepsNY.com

BROADWAY FINDS NEW MUSICAL VOICES

People ask, "where is the new talent" for Broadway especially shaped around musicals.

Revivals are always a big kick but that's not doing much for the new crop of talented but undiscovered lyricists and composers whose dream is to add their artistic contribution to theater. 

Well, the right group was listening and that group is the American Theatre Wing and today, they announced the recipients of the 2015 Jonathan Larson® Grants are writing team Tim Rosser (composer) & Charlie Sohne (composer) receiving $10,000, Sam Willmott (composer/lyricist) receiving $10,000 and a week-long residency at the Running Deer Musical Theatre Lab, and Max Vernon (composer/lyricist) receiving $10,000. This year’s recipients were selected by an expert panel consisting of Amanda Green (Hands on a Hardbody), Steven Lutvak (A Gentleman’s Guide to Love and Murder), and Ted Chapin (President and Executive Director of Rodgers & Hammerstein). The prestigious grants totalling $30,000 will be presented on Monday, March 23, 2015 at a private event at the WNYC Greene Space. The event will feature special performances of the recipients’ work.

“The Jonathan Larson Grants give us the opportunity each year to support exciting new theater makers and invest in the changing landscape of the American musical, one writer at a time.” said Heather Hitchens, President of the American Theatre Wing.

Additionally, Sam Willmott and Max Vernon will be featured in an evening of performance at Adelphi University, as part of their Larson Legacy Concert Series. The Concert Series, to be held in Fall 2015 and Winter/Spring 2016 at the Adelphi University Performing Arts Center in Garden City, NY, will help nurture and support the next generation of creative artists by one of the same organizations that supported and nurtured Jonathan Larson as an artist – thereby carrying on his creative and ground-breaking legacy.

The grants, given annually to honor emerging composers, lyricists and book writers, help to continue Tony Award®-winning composer Jonathan Larson’s dream of infusing musical theatre with a contemporary, joyful, urban vitality. Dedicated to celebrating excellence and supporting theatre, the American Theatre Wing awards the Larson Grants to artists to recognize and showcase their work with no strings attached - except to put it to the best use possible to help further the artists' creative endeavours.

Past recipients of the Larson Grants include Benj Pasek & Justin Paul (A Christmas Story), Dave Malloy (Natasha, Pierre & the Great Comet of 1812), Tom Kitt & Brian Yorkey (Next to Normal), Chad Beguelin & Matthew Sklar (The Wedding Singer), John Bucchino (A Catered Affair), Laurence O’Keefe (Bat Boy: The Musical), Michael Korie (Grey Gardens), Amanda Green (Hands on a Hardbody), Sara Cooper & Zach Redler (The Memory Show), and Shaina Taub (The Daughters). 

Tim Rosser and Charlie Sohne are 2014-15 Dramatist Guild Fellows. Together, they have written: The Boy Who Danced on Air (2013 NAMT Festival of New Works and Writers Residency Grant, 2013 Rodgers Award Finalist, 2013 ART/NY and NYTB Workshop), The Profit of Creation (2011 Yale Institute for Musical Theater, developed through ASCAP’s 2010 Johnny Mercer Songwriters Program) and the short musical Political Speeches (The Culture Project’s IMPACT Series). Their work has been seen in a sold-out 54 Below Show, at Birdland, Cutting Edge Composers at Joe’s Pub, A Little New Music at Rockwell in L.A, Contemporary Classics at Seattle Rep, The Holiday Concert at the Lincoln Center Library and others. They were members of the Advanced Class of the BMI Workshop. Separately, Charlie Sohne has developed work at New York Stage and Film, the O’Neill National Music Theater Conference, The Lark and the Cherry Lane Theater – and has had his work sung in concert at Second Stage (DCMTW’s “The Concert”) and through BMI’s Smoker and Showcase. His song “I’m Just Glad You’re Here” (music by David Gaines) was named one of the Top 25 Songs in the Directory of Contemporary Musical Theater Writers. Tim Rosser has music directed the Broadway Cares/Equity Fights AIDS benefit Broadway Backwards at the Palace and Al Hirschfeld Theaters and was the Associate Music Director of I am Harvey Milk at Avery Fischer Hall.  He has played keyboards for Rocky, The Addams Family on Broadway, Carrie at the Lucille Lortel, and he's played rehearsals for A Gentleman’s Guide to Love and Murder on Broadway, and City Center's Encores series.

Sam Willmott is a NYC-based composer/lyricist, whose projects include Bhangin' It (with Rehana Lew Mirza and Mike Lew); Yo, Vikings! (with Marcus Stevens, published by Samuel French); the mini-musical Scarlet Takes a Tumble; and Standardized Testing - The Musical!!!! (published by Playscripts, Inc.), among others. He is the recipient of the 2013 ASCAP Foundation Harold Adamson Award for Lyrics, the 2012 Fred Ebb Award, the 2012 John Wallowitch Award, and the 2009 Kennedy Center ACTF Musical Theater Award, and has been a writer-in-residence at Goodspeed Musicals (2014, 2013) and the Eugene O'Neill Theater Center (2013).  Sam is also a proud contributor for English Egg, a Korea-based children's language program.  For more information, check outsamwillmott.com

Max Vernon is a composer/lyricist, playwright, and performer. Described by the New Yorker as "equal parts bohemia and Broadway," his work has been performed and developed at Ars Nova, Theatreworks USA, Naked Angels, New Dramatists, Two River Theater (NJ), Dixon Place, Woodshed Collective, Ma-Yi, LaMaMa, and Pride Films and Plays (Chicago), among others. This past year he was a Dramatist Guild Theatre Fellow, an artist in residence at Rhinebeck Writer's Retreat, a JFund award recipient, and also finished his first commission for Disney Creative Entertainment. He is currently a member of Ars Nova's Uncharted, as well as the Civilians R&D Group. He has performed over a hundred concerts in New York City, including sold out shows at Joe's Pub (Frisk Me: The Songs of Max Vernon) and The Metropolitan Museum of Art (The Civilians' Let Me Ascertain You). His musicals include The View UpStairs (NYU, Pride Films and Plays) and WIRED (Ars Nova) Developing: Co-Op (Ars Nova, Naked Angels Radio); Aesop's Fables (Theatreworks USA); WAM! Entertainment (Ars Nova/Ma-Yi); Show & Tell (Jerome Foundation, Civilians R&D Group) MFA: NYU-Graduate Musical Theatre Writing Program. www.maxvernon.com

The American Theatre Wing (William Ivey Long, Chairman, Board of Trustees; Heather Hitchens, President) is dedicated to advancing artistic excellence and nurturing theatre’s next generation: on the stage, behind the scenes, and in the audience. For nearly a century, the Wing has pursued this mission with programs that span the nation to invest in the growth and evolution of American Theatre. Traditionally, the Wing has encouraged members of the theatre community to share their off-stage time and talent directly with the theatre audience at large--whether it was singing for the troops in the Stage Door Canteen of the 1940's, or sharing their stories on a podcast today.  As the founders of The Tony Awards®, the American Theatre Wing has developed the foremost national platform for the recognition of theatrical achievement on Broadway. Yet the Wing's reach extends beyond Broadway and beyond New York. The Wing develops the next generation of theatre professionals through the SpringboardNYC and Theatre Intern Network programs, incubates innovative theatre across the country through the National Theatre Company Grants, fosters the song of American theatre through the Jonathan Larson Grants, honors the best in New York theatrical design with the Henry Hewes Design Award, and illuminates the creative process through the “Working in the Theatre” program and media archive. The American Theatre Wing has also entered into a long-term partnership with The Village Voice to co-present The OBIE Awards, Off Broadway’s Highest Honor, beginning this year, which will mark the Award’s 60th Anniversary in May 2015.  Visitors toamericantheatrewing.org can get inspired and gain insight into the artistic process through the Wing’s extensive media collection, and learn more about its programming for students, aspiring and working professionals, and audiences.

Follow the Wing on:

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Twitter.com/TheWing.

Luis Dreams and Bam-like Magic-he lights up a stage

Luis Salgado is a role model to many. He is a role model for me. This story teller dreamed it, a long time ago as a little boy, visiting from Puerto Rico and strolling the lights of Broadway. 

Can you imagine how big the city looked through his eyes? 

So - it’s an awesome task to share that Luis Salgado, who won Best Director for the world premiere production of "Zuccotti Park The Musical," at the Venus/Adonis Festival, will direct a brand-new, Spanish-language production of David Mamet's explosive contemporary classic "Speed-the-Plow."

Luis Salgado’s vision of a brand-new translation, will premiere on August 13th, 2015, for a limited run at the historic 18th Century Corralón de San José in Old San Juan. 

A replica of the Corral de Comedias de Almagro (the oldest theater still standing in Spain, built in 1628), the Corralón is one of the oldest performance-spaces still operating as a theater in the western hemisphere.

"I am thrilled about the most recent nomination for best director, and am very focused on the task of re-creating one of David Mamet's most enduring and talked-about works, in one of the most unique performance-spaces in the Americas", said Salgado (In The Heights, Rocky, Women on the Verge), who also recently took part in the developmental lab for the new Gloria Estefan musical On Your Feet

"I am not only excited about going back to Puerto Rico as a Director after 13 years since the last show I produced and directed there... I'm inspired about the open-air setting that we will have, combined with the intimacy and stunning features of the centuries-old structure. Add to that the brilliance of Mamet's script, and the fascinating way in which it comes across in Spanish, with a multicultural cast, and we are-in for a Speed-the-Plow unlike we have not seen it before, A LO BORICUA".

The production will play four performances only, August 13-16, 8:30pm, at Corralón de San José, 109 San José Street, Old San Juan.  The cast will feature Éric-Dominique Pérez, Javier E. Gómez and Emmanuelle Bordas. The performances will be free to the public as part of Corralón de San José's Theater Access and Cultural Collaborations Initiative. Rehearsals will begin in New York City on July 7, 2015.

The Spanish-language San Juan production of Speed-the-Plow is produced by High Pitch, Inc. and Dead Jíbaros Productions, in partnership with Amigos del Corralón (Josean Ortiz, Artistic Director), Instituto de Cultura Puertorriqueña, Salgado Productions and Tony L. D'Anzica.

Mr. Salgado’s other credits include winning Best Director Award at the Thespis Festival for "Song of Solomon."  Other directing credits include "Amigo Duende, The Musical" (music and lyrics by Joshua Henry, book by Henry, Salgado and Heather Hogan), "Aniversario Sin-Cuenta" and "Candela Fuerza y Pasión" (both in Lima, Peru), and "Zuccotti Park" (music by Vatrena King, book and lyrics by Catherine Hurd), which played its last performance at the Venus/Adonis Festival on March 4th.

ONE NIGHT ONLY AND FREE!!

Our myNewYorkeye has a tip and it's free-kind of-

ONE NIGHT ONLY. “C A R M I L L A”

The reading is open to the public with a suggested donation of $5.00.

The York Theater Company Developmental Reading Series will present—one night only— for one night only performance, March 3 at  3:00PM.

The York Theatre Company (James Morgan, Producing Artistic Director; Andrew Levine, Executive Director), and its acclaimed Developmental Reading Series, will present a staged reading of the new musical “Carmilla,” with book & lyrics by Joel Gross, and music & lyrics by Paul Aleman at The York Theatre Company at Saint Peter’s (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).

Directed by Gabriel Barre, music direction by Nathan Patten, and music supervision & arrangements by James Abbott, the cast will feature Leenya Rideout in the title role, with Julia Burrows as Vanessa Warwick, Michael Minarik as Dr. Johan Hoffman, Kaye Tuckerman as Countess Moreth, and Nick Wyman as Colonel Warwick. 

The ensemble will feature Liz Kimball, Darren Matthias, Michael Padgett, Kristin Parker, Clifton Samuels, Eveline Suter, and Erica Sweany.  The creative team also includes, Drew Feldman (Assistant Director) and Marci Skolnick (Stage Manager).

“Carmilla," a new musical, is inspired by the eponymous 1871 novel by Joseph Sheridan Le Fanu. Vanessa, an adorable young Englishwoman, lives with her father in an inherited Gothic castle in Central Europe, surrounded by superstitious peasants. Vanessa  is about to marry a handsome Viennese doctor, when passion comes into her life for the first time in the form of Carmilla, a beautiful, supernatural, irresistible  presence.

The York presented readings of Gross and Aleman's previous musical, Dillinger: Public Enemy Number One, in 2008 and 2009. ONE PERFORMANCE ONLY: Tuesday, March 3, 2015 at 3:00 p.m

Reservations can be made by visiting the website at www.yorktheatre.org 

The Developmental Reading Series presents some 40 readings and workshops of new musicals by emerging and established authors throughout the year, a vital part of the writing process. The series serves as an incubator for shows to be considered for Main-stage productions, thus serving the York's unique mission of taking new musicals through the complete development process to full production.

The York Theatre Company offers the 54th Street Membership Program, an exclusive membership package for as low as $54.00 - with elite benefits that includes a 30% discount on tickets to York Theatre Productions (2 per membership), exclusive member pre-sale opportunities, 50% off on all lobby concessions, 20% off on all lobby merchandise, in addition to special member only receptions.

York Memberships may be purchased online at www.yorktheatre.org/membership, or by calling the York Theatre Company Box Office.

BROADWAY and the JERSEY BOYS come Home

The Midtown Men - Jersey Boys

CROON WITH THE JERSEY BOYS. MARK YOUR CALENDAR FOR JUNE 20TH !!

Turn the clock back and enjoy the signature sound of the Jersey Boys and you can thank the The Midtown Men, the vocal group comprised of four stars from the Original Broadway Cast of Jersey Boys, for the opportunity to enjoy nostalgia with music.

It’s their long awaited New York City Homecoming concert on June 20th, 2015 at New York’s famed Beacon Theatre (2124 Broadway, NYC).

The Midtown Men have been performing nearly 400 concerts across North America, the group’s leading men include Tony Award-winner Christian Hoff, Michael Longoria, Daniel Reichard, and Tony Award-nominee J. Robert Spencer. 

The Midtown Men know how to put on a show and that’s using their celebrated arrangements of the greatest hits of the 1960s. This June performance, at the Beacon, will be their final show of this year’s tour.

During their time in the mega-hit musical Jersey Boys, these four talented artists shared the stage for over a thousand performances.  Since forming in 2010 as The Midtown Men, they have played in concert halls from coast to coast and have sung with over 20 major symphonies, including the National Symphony Orchestra at the Kennedy Center. In 2012, The Men released their first radio single, “All Alone on Christmas,” written and produced by rock icon Steven Van Zandt and backed by Van Zandt’s bandmates from Bruce Springsteen’s E Street Band as a fundraiser for the Red Cross after Hurricane Sandy. They were honored to perform the song at the White House for the National Tree Lighting Ceremony in Washington DC that year. Wrapping up their fifth national tour in 2015, the “Men” continue to sell-out venues across the U.S. and Canada.

Promoted by Live Nation, tickets for The Midtown Men’s NYC Homecoming can be purchased by visiting www.ticketmaster.com or by calling 1-800-745-3000. If fans wish to receive their tickets by pledging to public television, they can visit www.thirteen.org/ticketbooth or call 1-800-468-9913.

The group's PBS/Thirteen television pledge drive special will air on WNET (New York), NJTV (New Jersey), and WLIW (Long Island) starting February 28th at 5 p.m. in NYC. Please check your local listings for additional airings.

For more information on The Midtown Men, Visit :

www.themidtownmen.com 

www.oandmco.com 

www.twitter.com/oandmco

Oh New York, it's time to raise your "Hand to God"

Broadway will get a humorous dose of puppetry and religion with the Broadway opening of Hand to God on April 7, 2015 at the Booth Theatre (222 West 45th Street).

It's a Broadway debut of playwright Robert Askins. Hand to God is being directed by Moritz von Stuelpnagel in his Broadway debut too.

The previews of the exciting firsts for both creatives begin Saturday, March 14, 2015 ahead of the April 7th opening. Take a moment to review the hilarious content @www.HandToGodBroadway.com.

The subject of this new provocative comedy, Hand to God centers on shy, inquisitive student Jason, who finds an outlet for his burgeoning creativity at the Christian Puppet Ministry in the devoutly religious, relatively quiet small town of Cypress, Texas.

Jason’s complicated relationships with the town pastor, the school bully, the girl next door and—most especially—his mother are thrown into further upheaval when Jason’s hand puppet Tyrone—once soft-spoken—takes on a shocking and dangerously irreverent personality all its own. As Tyrone’s influence over Jason steadily grows, Hand to God explores the startlingly fragile nature of faith, morality, and the ties that bind us.

Hand to God will feature the complete cast of the hit 2014 MCC Theater production: Steven Boyer as Jason/Tyrone; Geneva Carr, in her Broadway debut, as Margery; Tony® Award nominee Marc Kudisch as Pastor Greg; Sarah Stiles as Jessica; and Michael Oberholtzer, in his Broadway debut, as Timmy.

Hand to God is produced on Broadway by Kevin McCollum, whose credits include Rent, Avenue Q and In the Heights—each the winner of the Tony® Award for Best Musical; as well as The Drowsy Chaperone and Motown the Musical, among many others.

Curtains a peek at Broadway News

Broadway makes money for some and sinks others into despair but for producers Tom Kirdahy, Roy Furman, and Ken Davenport these saver producers reported that the Broadway production of It’s Only a Play has recouped its $3.9 million capitalization.

It’s Only A Play was breaking house records at the Gerald Schoenfeld Theatre (236 West 45th Street) since opening in October, and now becomes the first show of the 2014-15 Broadway season to recoup.

“We are delighted that Broadway audiences have embraced the laughter and hijinks of It’s Only A Play.  We knew, with Terrence, Jack and this phenomenal cast, we had something special, but these results exceeded our expectations,” producer Tom Kirdahy said.

It’s Only A Play (Terrence McNally) recently welcomed 1/17) Tony® and Emmy® winner Martin Short, Two-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, into the original cast which includes F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. Three-time Tony® Award winner Jack O’Brien directs.

It’s Only A Play ( www.ItsOnlyAPlay.com).

In news that Hollywood is now coming to Broadway - let’s settle on the new musical about rock it’s quirky paring School of Rock—The Musical, with the producers the Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization and The Nederlander Organization. This combo might actually make a hit from the movie.

Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.

It’s based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes. School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables).

Produced by Paramount Pictures, the 2003 film was directed by Richard Linklater and starred Jack Black in a career-defining performance. The film received universal critical acclaim and was hailed by The New York Times as an “irresistible comic postscript to the rock revolution.” The film went on to gross more than $130 million worldwide.

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

Unique point of fact, Jack Black will be performing at the 87th Oscars in a top, top, top secret performance that may or may not include something with director Richard Linklater whose “BoyHood,” is being favoured to win a few gold men!

Three-time Grammy Award-winner Rob Cavallo also joins the creative team. Cavallo is one of the top-selling record producers in the world, has been involved in albums that have sold more than 150 million units and has worked with Green Day, My Chemical Romance, Paramore, Goo Goo Dolls, Phil Collins, Cary Clark Jr., among others.

Cavallo said "School of Rock is a wonderful film, a rock and roll story that transcends the genre with passion and heart. To be able to creatively collaborate with Andrew Lloyd Webber, Glenn Slater, Julian Fellowes and the rest of the team is a once-in-a-lifetime opportunity, and I can't wait to see School of Rock take on a whole new life."

Co-producers The Shubert Organization and The Nederlander Organization issued a joint statement: “This partnership is an extension of a long-standing and productive relationship between our two organizations, and it gives us the exciting opportunity to work with Andrew again.  We are thrilled to be on the producing team with The Really Useful Group and Warner Music Group to bring School of Rock – The Musical to Broadway.”

“I am excited to be working on bringing Jack Black and Mike White's iconic movie to the stage,” said Andrew Lloyd Webber. “It is a joy for me to return to my Jesus Christ Superstar roots – when Deep Purple's Ian Gillan was recording Jesus for Tim Rice and me at London's Olympic Studios, Led Zeppelin was recording next door and a glimpse of a Stone or two was routine! School Of Rock is hugely about how music can empower kids. Tim Rice and my first performed piece, Joseph and the Amazing Technicolor Dreamcoat, was written for a school.  Ever since then I and my Art Foundation have been actively involved in music education back home in Britain. It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

School of Rock will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, and Sound Design by Mick Potter. Nina Lannan serves as Executive Producer.

Casting for the show will begin in January in cities across the country, including New York, Chicago and Los Angeles.

Just in case your under a rock and don’t know the heavy hitters involved in this new Broadway musical take a look below:

Andrew Lloyd Webber (Composer) is the composer of some of the world’s best known musicals including Cats, Evita, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, The Phantom of the Opera and  Sunset Boulevard. As theatre producer he has presented not only his own shows but others, including the Olivier award-winning La Bete and Daisy Pulls It Off. As composer he has received many awards including seven Tonys, seven Oliviers, a Golden Globe, an Oscar, two International Emmys, the Praemium Imperiale, the Richard Rodgers Award for Excellence in Musical Theatre, a BASCA Fellowship, the Kennedy Center Honor and a Grammy for Best Contemporary Classical Composition for Requiem, his setting of the Latin Requiem mass which contains one of his best known compositions, “Pie Jesu.” He owns six London theatres including the Theatre Royal, Drury Lane and the London Palladium.  He was knighted by Her Majesty The Queen in 1992 and created an honorary member of the House of Lords in 1997. The Andrew Lloyd Webber Foundation has become one of Britain’s leading charities supporting the arts and music. For information about the pioneering music in education work supported by the Foundation in the UK please visit: www.andrewlloydwebberfoundation.com

Glenn Slater (Lyrics) co-created Disney’s 2010 worldwide smash Tangled (2011 Grammy Winner, 2010 Oscar and Golden Globe nominee), as well as the Broadway and international hit musicals Sister Act (2011 Tony nominee – Best Score) and The Little Mermaid (2008 Tony nominee – Best Score, Grammy nominee – Best Cast Album). With longtime collaborator Alan Menken he has also written songs for the Disney animated film Home On The Range (2004) and Broadway musical Leap of Faith (Tony nominee – Best Musical, 2012), as well as acting as both songwriters and executive producers of the medieval musical comedy television series  “Galavant,” premiering January 2015 on ABC-TV. In the West End, Glenn provided both book and lyrics for Andrew Lloyd Webber’s Love Never Dies (2010 Olivier nominee – Best Musical), the sequel to Phantom of the Opera. Other work includes an Emmy-nominated song for the ABC-TV comedy “The Neighbors” (2013), and the stage revue Newyorkers at The Manhattan Theatre Club (Lucille Lortel, Drama Desk, Outer Critics Circle nominations). Glenn is the recipient of the prestigious Kleban Award for Lyrics, the ASCAP/Richard Rogers New Horizons Award, and the Jonathan Larson Award.  He is an alumnus of the BMI Musical Theatre Workshop, and a member of both ASCAP and the Dramatists’ Guild.   Glenn lives in New York City with composer/lyricist/wife Wendy Leigh Wilf and sons Benjamin and Daniel.

Julian Fellowes (Book) is a prolific actor, writer, director, and producer.  As an actor, he is probably best known for the BBC series, “Aristocrats,” and for his portrayal of Lord Kilwillie in the BBC’s popular series, “Monarch of the Glen.” On the big screen, he has been seen in many films, including Shadowlands, Damage, Place Vendôme, Fellow Traveller, and Tomorrow Never Dies. As a writer for television, he produced the scripts of “Little Lord Fauntleroy” (winner of an International EMMY, 1995) and “The Prince and the Pauper” (nominated for a BAFTA, 1997) which he also produced.  His first screenplay was Gosford Park, directed by Robert Altman, which won him several prizes, including the Oscar for Best Original Screenplay.

Laurence Connor (Director).  Laurence's directorial credits include: Les Miserables (Broadway), Miss Saigon (London), Jesus Christ Superstar (UK and Australian Arena Tour and released for DVD), the entirely new stage production of The Phantom of the Opera (US and UK), Oliver! (UK Tour) and Miss Saigon (UK Tour and Worldwide), which received critical acclaim for two years and won the Manchester Evening News Award for Best Touring Musical, Best New Foreign Production (Korea), Best Ensemble in a Musical (Korea) and the Green Room Award for Best Director of a Musical (Australia). Laurence is also the Co-Director of the new version of Les Miserables which has enjoyed worldwide success including Broadway, UK and US Tours and won awards including Best Musical at the prestigious Manchester Evening News Awards and Best Director of a Musical in Korea.  Laurence directed the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall and the 25th Anniversary concert of Les Miserables at the O2 in London both of which were simultaneously broadcast in cinemas worldwide and subsequently released on DVD. Laurence has also been associated with the London productions of The Phantom of the Opera (Her Majesty's Theatre), Oliver! (Drury Lane), The King and I (London Palladium) and A Slice of Saturday Night (Liverpool Empire). Cinema and Television: Jesus Christ Superstar (Cinema Streaming Worldwide and DVD), Phantom of the Opera (Cinema Streaming Worldwide and DVD), Les Miserables at the O2 London (Cinema Streaming Worldwide and DVD) Current projects include: The Sound of Music Live for ITV.

JoAnn M. Hunter (Choreography) has recently been in development of a new rock musical about the life of Genya Raven, Cheesecake Girl.  Other recent credits include Harmony by Barry Manilow and Bruce Sussman at the Ahmanson Theatre, LA,  and the world premiere of Marvin Hamlisch and Rupert Holmes’ The Nutty Professor directed by Jerry Lewis.  Broadway credits include: On A Clear Day You Can See Forever, She Loves Me (Roundabout Gala), and Broadway Bound.  Off Broadway credits include: Dedalus Lounge and The Twelve (workshop). National Tour/Regional credits include: Chitty Chitty Bang Bang, Grease (PMP), Oliver (PMP), and Curtains (PMP/TUTS). She directed Debra Monk in her one woman show in February of 2014 with special guests Ron Rifkin, Andrea Martin, Victor Garber, Charlotte D’Amboise, Jimmy Newman, Brandon Victor Dixon and David Hyde Pierce.  She also choreographed The Drama League Galas honoring Angela Lansbury, Kristen Chenoweth and Neil Patrick Harris.  She served as Associate Broadway Choreographer for Spring Awakening, Curtains, The Wedding Singer, and All Shook Up.

Anna Louizos (Scenic and Costume Design) received Tony Award nominations for The Mystery of Edwin Drood, In the Heights, and High Fidelity. Other Broadway designs include Honeymoon in Vegas; Rodgers and Hammerstein’s Cinderella (and US tour); Avenue Q (also US tour, Paris, London & Las Vegas); The Performers; Irving Berlin’s White Christmas (US &UK tours); Curtains; Baby It’s You; All About Me; To Be Or Not To Be; Steel Magnolias; Golda’s Balcony. Many notable Off-Broadway/regional theatres including Roundabout Theatre;  Second Stage; 5th Avenue Theatre; Ahmanson; Dallas Theater Center; Stratford; world premier productions of tick. Tick…BOOM and Altar Boyz. Art Direction film/TV: “Sex and the City” (HBO).

Natasha Katz (Lighting Design) has designed extensively for the theatre, opera and dance.   Recent Broadway credits include The Glass Menagerie (Tony Award), Once  (Tony Award), Aladdin, Motown, Follies, Sister Act, Coast of Utopia: Salvage (Tony Award),  Aida  (Tony Award), and Beauty and the Beast. She has designed shows Off-Broadway, at American regional theatres, concerts, Las Vegas and permanent installations. Her work with opera and ballet companies include: The Royal Ballet, The Metropolitan Opera, NYC Opera, American Ballet Theatre, and City Ballet.  Awards: Tony, Drama Desk, Outer Critics, Hewes Award, Whatsonstage, Joseph Jefferson Award, Ruth Morely Design Award, National Broadway Theatre Award. Upcoming Broadway: An American in Paris and Skylight.

Mick Potter (Sound Design). Mick has designed over 100 productions worldwide including the West End and Broadway musicals Saturday Night Fever, Bombay Dreams, The Woman in White, Evita, The Phantom of the Opera, Les Miserables, Love Never Dies, and Miss Saigon. Awards include an Olivier for The Woman in White (London 2005), Parnelli Award for The Phantom of the Opera (Las Vegas 2006), Helpmann Award nominee and Green Room Award for Love Never Dies (Australia 2011) and a Tony nomination for Les Miserables (Broadway 2014).

The Really Useful Group (Producer) is Andrew Lloyd Webber’s theatre producing and rights licensing company that controls the theatrical rights for all of his works, including The Phantom of the Opera, Cats, Jesus Christ Superstar, Evita and Sunset Boulevard.  The Really Useful Group reached over 20 million people across the globe last year from live theatre and concert audiences, cinema goers, television viewers and music fans, to social media and art lovers.  2014 sees The Really Useful Group continue to work across film, television and theatre as it produces and develops new projects and partnerships worldwide alongside its ongoing work in education, amateur licensing and music publishing. 

Warner Music Group (Producer).  With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Asylum, Atlantic, Big Beat, East West, Elektra, Fueled By Ramen, Nonesuch,  Parlophone, Reprise, Rhino, Roadrunner, Rykodisc, Sire, Warner Bros., Warner Classics, Warner Music Nashville and Word, as well as Warner/Chappell Music, one of the world's leading music publishers, with a catalog of more than one million copyrights worldwide.

The Shubert Organization (Producer) has been at the forefront of the American theatre since the start of the 20th century. The Organization currently owns and operates seventeen Broadway theatres.  Under the leadership of Philip J. Smith, Chairman and Robert E. Wankel, President, the firm continues to be involved in the presentation of distinguished theatrical presentations. Notable Shubert productions and co-productions include Cats, Sunday in the Park with George, Dreamgirls, The Heidi Chronicles, Jerome Robbins' Broadway, Amadeus, Children of a Lesser God, The Grapes of Wrath, Ain’t Misbehavin’, A Few Good Men, God of Carnage, Hedwig and the Angry Inch, Lucky Guy, Nice Work if You Can Get It,  and Spamalot.

The Nederlander Organization (Producer) is a family owned business founded in 1912. The company is one of the largest and most experienced managers of legitimate venues and entertainment properties in the world today.  Under the leadership of James M. and James L. Nederlander, the company oversees an enterprise that encompasses the ownership and/or management of nine Broadway theaters and venues across the country, as well as theatrical producing, concert presentation and patron services. The Nederlanders’ are prolific producers of over 100 distinguished, award-winning musicals and plays. Notable productions currently include The Elephant Man starring Bradley Cooper; The Last Ship, and Kinky Boots.  Their long list of credits include:  I'll Eat You Last with Bette Midler;  Annie; Evita; Fiddler on the Roof; Grease; La Cage aux Folles; Movin’ Out; Noises Off;  The Life and Adventures of Nicholas Nickleby; West Side Story; Who's Afraid of Virginia Wolf?; Next to Normal; The 25th Annual Putnam County Spelling Bee; Les Liaisons Dangereuses; as well as many others. Currently working on the production of My Fair Lady and On Your Feet the Gloria and Emilio Estefan Story.  The Nederlanders’ are also co-founders of The National High School Musical Award, named “The Jimmy Award,” a national program that celebrates outstanding student performances in high school musical productions across the United States.

Nina Lannan (Executive Producer). Nina Lannan’s career spans more than 50 major shows on Broadway and includes two years as Chair of The Broadway League where she was the first female to occupy that position in the organization’s 80-year history.  She is delighted to renew her association with Andrew Lloyd Webber and The Really Useful Company which began in 1980 and includes the shows CATS, Song and Dance, Starlight Express, Sunset Boulevard, Joseph and the Amazing Technicolor Dreamcoat, and Whistle Down The Wind.  She is the founding partner of Bespoke Theatricals and a board member of Broadway Cares/Equity Fights Aids.

Broadway remembers Joe Franklin

New Yorkers’ are sentimental and our myNewYorkeye team will debate anyone who feels differently.

We value history and we especially value the creative elders that have helped shape the character and texture of the city.

Non-New Yorkers’ may not understand that just because we don't wear big grins that we aren't smiling on the inside.

Broadway producers Tom Kirdahy, Roy Furman, and Ken Davenport are dedicating todays’ 

Wednesday matinee of It’s Only a Play to the memory of television pioneer, Joe Franklin, who passed away on January 24, 2015.

A “characters’-character” Mr. Joe Franklin was a legendary New York City radio and TV show host, credited with pioneering the behind-the-desk celebrity interview that has come to define modern late-night talk shows. He began hosting “The Joe Franklin Show” in 1950, interviewing the likes of including Woody Allen, Barbra Streisand Al Pacino and Liza Minnelli, to name just a few of the thousands of stars he sat across from over the years.  An icon of the industry for decades, Franklin was often parodied on “Saturday Night Live” by Billy Crystal, and appeared as himself in the classic films Manhattan, Ghostbusters, 29th Street, and Broadway Danny Rose.

In a statement, playwright Terrence McNally said, “Joe Franklin was a true New York treasure, and he loved, supported and promoted theater people for decades.  We dedicate today's matinee performance of It’s Only A Play to his memory.”

On the evening prior to his passing, Mr. Franklin was expected as a guest of the ‘Re-Opening Night’ of It’s Only A Play, which on January 23rd celebrated the production’s move from its original home, the Schoenfeld Theatre, next door to its new home, the Jacobs Theatre (242 West 45th Street),  where it is currently scheduled through March 29, 2015.

Terrence McNally’s It’s Only A Play recently welcomed Tony® and Emmy® winner Martin Short, 2-time Tony® winner Katie Finneran, and “30 Rock” alum Maulik Pancholy, who join original cast members F. Murray Abraham, Matthew Broderick, Stockard Channing and Micah Stock. 3-time Tony® Award winner Jack O’Brien directs.

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS

THE SCHOOL OF ROCK is ROCKING TO BROADWAY MASSIVE OPEN CALL FOR YOUNG PERFORMERS @BROADWAY’S WINTER GARDEN THEATRE SATURDAY, JANUARY 24

Here is an opportunity to get your kid a part on Broadway -- maybe -- because School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.

This has hint written all over it because of the star power crafting the new musical. When the production was first announced last month, Andrew Lloyd Webber said “School Of Rock is hugely about how music can empower kid. … It will be a joy to discover and work with talented musical kids in the USA and, who knows, maybe discover a rock star or three of the next generation.”

This is an open call for kids aged 9-15.  Adults, they should bring a picture and resume (if available) and a pop/rock song he/she loves to sing.  (An accompanist will be provided.)  

Better news, if the hopefuls that play guitar, bass, or cello they are encouraged to bring along their instruments and be prepared to rock out!  Hopefuls that play the piano should prepare a rocking tune, and hopefuls that play the drums are encouraged to bring along their sticks.  

There will also be an open casting call for the role of Dewey (late 20’s t0 30’s: “an original guy with a high pop/rock voice”) in Los Angeles on Sunday, January 18 at 2:00 p.m. (sign-in at 1:00 p.m.).

School of Rock—The Musical will have its world premiere on Broadway later this year.  Previews will begin on Monday, November 2, 2015 at the Winter Garden Theatre, with an opening set for Sunday, December 6.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian Fellowes.  School of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization.  Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com

L’s BROADWAY

Hey families, it’s time to go to the theater and bring a friend!  

The Broadway League and NYC&Co invite you to experience Broadway Week in New York City! 

Twenty-two Broadway shows are offering 2-for-1 ticket deals for selected performances January 20-February 5. 

Visit the Broadway Week page at NYCGo.com to purchase your tickets and for important details and restrictions.

Shows participating in Broadway Week Winter 2015:*

Aladdin

Beautiful: The Carole King Musical

Cabaret

Chicago The Musical

The Curious Incident of the Dog in the Night-time

A Delicate Balance

Disgraced

A Gentleman’s Guide to Love and Murder

Honeymoon in Vegas

If/Then

It’s Only a Play

Jersey Boys

Kinky Boots

Les Misérables

The Lion King

Mamma Mia!

Matilda the Musical

On the Town

The Phantom of the Opera

The River

Wicked

You Can’t Take it With You

*Subject to availability. Blackout dates may apply.

PS. Reminder – Kids’ Night on Broadway® takes place from January 9-15! Kids age 18 and younger can see a participating Broadway show for free when accompanied by a full-paying adult. 

Tickets are still available at KidsNightonBroadway.com

Hey Kids—-let’s put on a show!

Casting call for the kids in your life that love to rock out!  School of Rock—The Musical is launching a coast-to-coast search for its new, Broadway-bound class of pint-sized rock stars, offering the once-in-a-lifetime chance to join the most famous kid band of all time.  

A massive open casting call will take place in New York on Saturday, January 24 at Broadway’s Winter Garden Theatre (1634 Broadway), on the stage where the show is set to have its world premiere later this year.  

Additional open casting calls for young performers will take place in Los Angeles on January 17 at Screenland Studios (10501 Burbank Blvd.) and Chicago on Saturday, January 24 at Actor’s Equity Association (557 W. Randolph Street).  All open calls begin at 10:00 a.m. (local time), with sign-in at 9:00 a.m.  

Based on the smash hit 2003 film of the same title, School of Rock will feature music from the movie, as well as new music written by Andrew Lloyd Webber and lyricist Glenn Slater, with a book by Julian FellowesSchool of Rock—The Musical will be directed by Laurence Connor (currently represented on Broadway by Les Miserables). 

In School of Rock—The Musical, down-on-his-luck wannabe rock star Dewey Finn poses as a substitute teacher at a prestigious prep school to make ends meet. When he discovers his students’ musical talents, he enlists his fifth-graders to form a rock group and conquer the Battle of the Bands.

School of Rock—The Musical will feature Choreography by JoAnn M. Hunter, Scenic and Costume Design by Anna Louizos, Lighting Design by Natasha Katz, Sound Design by Mick Potter, and Music Supervision by Ethan Popp.

School of Rock—The Musical is produced on Broadway by The Really Useful Group, Warner Music Group & Access Industries, The Shubert Organization, and The Nederlander Organization Nina Lannan serves as Executive Producer.

www.SchoolOfRockTheMusical.com